SPAT REVOLUTION HIGHLIGHTS

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Mala Ancestral Story Wintjiri Wiru Brought to Life Through Flux:: SPAT Revolution and JBL Professional

In the fast-paced world of event management, success often hinges on the ability to adapt, evolve and invest in cutting-edge technology. For VIVID Event Production, one of Tauranga’s fastest growing events and hire companies, this philosophy has been the driving force behind their journey, particularly with their recent investment of the JBL SRX900 powered line array series.

VIVID’s story goes back to the entrepreneurial spirit of owner Jaymz MacKenzie-Hooper. At just 17, while still in school, Jaymz started selling tickets to U18 alcohol-free dance parties. What started as a passion project soon transformed into a hire and events business and Jaymz slowly started purchasing equipment to support his growing venture.

Fast-forward ten years, and VIVID is now a full-service event production company with offices in four locations, offering professional DJ services, equipment hire and comprehensive event solutions. However, the sound system inventory had become a mismatched collection of various makes and models—many of them outdated.

Recognising the limitations of their existing equipment, VIVID made a strategic decision to invest in a versatile sound system capable of supporting everything from intimate gatherings to large-scale festivals.

“We needed a solution that was scalable, durable, and easy to deploy – plus it had to deliver exceptional sound quality from a reputable brand with reliable local support,” explains Jaymz.

“We wanted one system that could handle our 100-capacity shows and have the flexibility to provide full sound reinforcement to the 2500-capacity shows we were already doing – and future proof ourselves with the support of a supplier to keep growing and add more boxes as we need them.”

The Team at VIVID selected a full complement of JBL SRX900 series loudspeakers, opting for both the SRX906 6-inch and SRX910 10-inch line array elements, combined with the SRX918 single 18-inch and SRX928 dual 18-inch subwoofers. To maximise flexibility, they added the pole mount accessories and array frames, which could be flown or ground-stacked. This setup gave VIVID the versatility they needed, allowing the systems to be used for multiple smaller gigs or combined for larger deployments.

Jaymz adds, “With the pole mount adapters we have run the SRX906s on stands for events of 100 people and by simply adding SRX918 subwoofers, we have catered to 400 people in smaller live music and corporate event venues. Having the ability to then use all the systems together with the help of the JBL VENUE Synthesis 3D acoustic simulation software has been a game changer for us.”

The decision to invest in the JBL SRX900 line array system marked a pivotal moment for VIVID – one which has seen the company grow and take on a wider range of events. From intimate gatherings to sprawling festivals, the SRX900 seamlessly adapts to a myriad of venues and event types, delivering exceptional sound quality and coverage. Whether it’s the pulsating beats of The George FM Summer Tour or the high-energy vibe of Audiology’s Sunbelievable, the SRX900 consistently exceeds expectations, leaving audiences enthralled and event organisers delighted.

Since upgrading to the JBL SRX900 system, VIVID has enhanced its dry hire inventory with JBL Professional products, including the EON700 Series, PRX900 Series (widely used as DJ monitors), and the versatile EON ONE MK2 battery-powered column PA.

“VIVID now only supplies 100% JBL Professional audio across our range,” says Jaymz proudly. “We would like to thank JPRO and the wider team at JBL for their help and collaboration. The support, training and dedication to the brand has helped us achieve so much more. They have been amazing,” he acknowledged.

VIVID’s journey highlights the transformative power of innovation and strategic partnerships. With their investment in the JBL SRX900 line array system, they’ve not only enhanced their own capabilities but also reinforced their dedication to creating unforgettable experiences for clients and audiences alike.

HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, announced two flyable subwoofer additions to its JBL Professional SRX900 Series of powered loudspeaker products. Included are 15-inch and 18-inch single woofer models that can be flown and configured with existing SRX900 line arrays and rigging accessories. The new subwoofers expand family versatility and are ideal for situations where floor space may be limited.

Drawing on flagship JBL Professional technologies, both subwoofers feature dual voice coil, Differential Drive woofers to deliver better heat dissipation, lower power compression, and wider dynamic range. A large low-frequency port design improves airflow and reduces audible turbulence. A reinforced 18 mm birch plywood cabinet ensures enhanced strength and durability. Both subwoofers feature the same amplifier module as the existing SRX900 subwoofers, offering a truly plug-and-play, powerful experience.

With an integrated three-point rigging system, JBL SRX915SF and SRX918SF Flyable Subwoofers can be easily deployed in both suspended and ground-stacked configurations, offering ultimate flexibility and high-performance sound wherever you need it.

“A few years ago, the SRX900 Series was introduced to provide JBL Professional flagship touring performance and system integration into a modular system that can be scaled according to needs and budget. We are now expanding the line with our new flyable subwoofers, additional accessories, and key firmware and software updates,” said George Georgallis, Senior Director of Product Management, Tour Sound at HARMAN Professional Solutions. “We are committed to establishing SRX900 as the leader in this category and closely monitor market feedback to ensure we provide the appropriate solutions for our customers’ needs. This new phase of SRX900 reflects that commitment.”

For complete product details and specifications, please visit:

• SRX915SF 15” Powered Flyable Subwoofer
• SRX918SF 18” Powered Flyable Subwoofer
• SRX900 Series Powered Line Arrays and Subwoofers
• Performance Monitoring and Control Application
• Venue Synthesis 3D Acoustic Simulation Software

The upgrade emphasises the company’s continued commitment to excellence in audio, providing the best professional audio solutions to their customers.

Strawberry Sound provide full production services to top performers and promoters in the entertainment industry and celebrate 40 years in business this year. From concerts and festivals to award shows and gala dinners, the company has built a strong reputation for delivering outstanding audio visual experiences.

A proud JBL user since day one, Strawberry Sound continue to invest in cutting-edge technology to enhance its services. The addition of the JBL VTX A8 Series brings greater scalability and high-performance sound, ensuring every event—no matter the size—sounds its best.

One of the first events for their new system was the Miharo Central Lakes Polyfest in Queenstown, where the A8’s versatility was on full display. A ground-stacked system featuring six brand-new VTX A8 mid-highs and three B18 subwoofers per side was deployed, delivering outstanding results.

General Manager Mark O’Neill emphasised the importance of this upgrade, saying, “Adding the JBL VTX A8 Series to Strawberry Sound represents a significant step forward in our capabilities as a production company. The scalability of the system gives us the scope to deliver high-quality audio for a wide range of events and venues. The system can be split into several smaller systems for intimate gatherings or combined into a bigger system for large-scale productions, all while maintaining the versatility and reliability our clients have come to expect.”

The VTX A Series is designed to meet the demands of any event, providing well-engineered rigging, exceptional sound transparency and intuitive 3D acoustic simulation software using JBL Venue Synthesis.

“One of the standout features is its excellent sound clarity. The top end is incredibly smooth, with remarkable detail, ensuring that every note, word and sound is heard exactly as intended—without the harshness that some other systems may produce. Whether it’s a live performance, corporate event or outdoor festival, we’re proud to offer our clients the very best in professional audio solutions,” Mark O’Neill added.

Soon after the addition of their new A8 system, the Strawberry Team received JBL VTX training with Tim Robertson, JPRO’s JBL accredited VTX Trainer. The training equips users with the knowledge to maximise the capabilities of the VTX system safely, covering system design principles, hands-on rigging, configuration and software optimisation.

“We’re proud to be a part of Strawberry’s journey as they expand their inventory with the world-class JBL VTX A8 line array,” says Tim Robertson. “We’re committed to providing the best solutions and support to help our customers succeed.”

The system is powered by two Crown VRACK touring amplifier racks, each equipped with three of the most advanced professional touring amplifiers: the 4-channel Crown i-Tech HD 4×3500. Each amplifier channel features comprehensive OMNIDRIVE HD™ processing, including the acclaimed LevelMAX™ Limiter Suite and support for linear phase FIR filters, as utilised in the latest JBL V5 loudspeaker tunings.

Configuration and control of the entire system is managed by the latest JBL Performance Manager and Line Array Calculator software, with the Array Link mobile companion app helping technicians deploy systems on-site.

While the upgrade was not only about acquiring new equipment but also enhancing the overall experience for both clients and audiences, Strawberry Sound recognised the importance of collaboration. “We also want to take a moment to thank JPRO for being a fantastic partner and distributor,” says Mark O’Neill. “Their support and expertise have been invaluable throughout this process and we deeply value our long-standing relationship with the JPRO team. Collaborating with such a trusted partner has made this addition to our inventory seamless and rewarding, and we’re excited about the possibilities it opens up for the future.”

JPRO Interactive Showroom  |  JBL Synthesis Luxury Home Theatre Demo

Visit the interactive JPRO Showroom to experience cutting-edge audio, video and control solutions from JBL Professional, BSS Audio, AMX and more. We also feature the only JBL Synthesis-certified luxury custom cinema demo room in New Zealand, where you’ll experience sound so rich and immersive it feels as though the film is unfolding around you!

The JPRO Experience Centre is available by appointment only. Contact us or book your experience today!

In 2023, Ricky Martin, Enrique Iglesias and Pitbull teamed up for the North American Trilogy Tour, with three distinct headline performances each evening. The 2023 leg of the tour kicked off on October 14 in D.C. and included stops in New York, Miami, Houston, Las Vegas and more and wrapped up December 16 in Vancouver.

The 2024 leg kicked off on January 30 in Fresno and included stops in Denver, Austin, Toronto, Nashville, Atlanta and more before wrapping up on March 10 in Tampa.

In order to deliver arena-ready mixes with balanced coverage, detailed clarity and maximum impact, Enrique Iglesias’s FOH mix engineer Brad Divens collaborated with Pitbull’s FOH mix engineer Will Madera and Ricky Martin’s FOH mix engineer Jorge Frontera to specify a complete JBL VTX tour sound reinforcement system.

“I was introduced to VTX on a previous tour with Brad and Enrique Iglesias, and for the last six or seven years VTX has been on our rider,” said Madera. “The first time I listened to it I fell in love with it. It translates my mix very well. I love the low end and the definition of the mids and highs. It has that pop rock sound that I like very much. It was a unanimous decision to go with JBL VTX on this tour, and it was definitely the right choice.”

“The coverage and impact from that system is incredible,” said Divens. “I like the punch, the clarity, I especially like the top end, it’s so smooth and airy and very present. The vocal quality is great coming out of it. Everything seems to sit right where you expect it to be. It’s right in your face but not aggressive. There’s no downside to the VTX system. It goes up quickly, it’s efficient and powerful. The system is at 100% and it can do anything. I’ve mixed on every single possible rig. JBL VTX is the rig I choose. I’d put it up against any other rig.”

Both Madera and Divens praised the quality of work by Bill Chase, the tour’s systems engineer, and expressed that they had total faith in the JBL VTX sound system’s ability to translate their mixes consistently night in night out in different arenas on tour.

“Bill Chase is our system tech, and he’s really good at making it sound the exact same every day in every different room, which is the hardest thing to do,” said Madera. “The JBL system performed consistently on this tour, which makes our jobs easier. It’s been one of my best experiences touring yet, no complaints whatsoever. It’s great to be able to hang out with incredible engineers like Jorgito and Brad. I look up to their mixes, they’re incredible at what they do. It was a great learning experience.”

“This crew we have is exceptional,” said Divens. “That’s really made it painless when it comes to the audio portion. To have consistency night after night from the audio department is the biggest thing I can ask for as a mixer. There’s not one night on this tour when I felt that something wasn’t right – it’s been perfect. Every arena is different, but you put 15,000 screaming fans in there, and it all comes together. The shows have been going great, and that’s partly because of what the PA delivers, and the crew that sets it up.”

System Features

The Trilogy Tour’s JBL VTX sound system features a total of 96 VTX A12 with a main hang of 20 boxes per side and side hangs of 16 boxes per side, and auxiliary hangs of 14 speakers. To deliver a strong and controlled bass presence, the team specified 42 VTX B28 subwoofers, with 24 subs flown with the main array, and 16 subs on the ground in front of the stage. The crew also included 12 VTX A8 speakers stacked on top of the ground subs to deliver front fill coverage.

The Opportunity

Founded as an audio visual installation company in 2015 by former touring musician and sound engineer Matt Chapman, the company has since expanded into a full-service equipment supplier for the event industry, contributing to some high-profile events and installation projects throughout New Zealand.

The first real run of the new line array was a solemn occasion, yet the ideal opportunity to utilise all of Audio Workshop’s JBL VTX arsenal, from its VTX F-Series through to the newly acquired VTX A8. Shortly after Matt and the Audio Workshop Team had received their JBL VTX system training by JBL distributor JPRO, the production company was contracted to be the audio visual service provider for the Queen’s Memorial Service held in New Zealand’s capital city.

Audio Workshop was tasked to provide audio visual services in three areas – the Wellington Cathedral of St Paul located opposite Parliament for the State Memorial Service and live screenings in the Parliament Grounds with a main arena and overflow for the public.

The Solution

The State Memorial Service in the Cathedral was attended by dignitaries including Prime Minister Jacinda Ardern. Due to the sensitive acoustics of the historic church, Audio Workshop deployed their portable JBL CBT1000 high output line array column as main PA with JBL CBT100 line array columns as fills.

Members of the public were invited to gather in the grounds of Parliament where the new A8 system was put to the test for the first time. 6x JBL VTX A8 line array elements were flown on each side of the large screen with video and audio from the memorial service being broadcast to those in attendance. 4x JBL VTX B18 subwoofers for low frequency extension were included.

“We simply had to include the subs so that we could enjoy the pipe organ that can produce bass frequencies down to 20Hz,” quips Matt Chapman. “The detailed audio reproduction by the VTX A8 and B18 is remarkable!”

The Audio Workshop Team clearly appreciated the accuracy and fidelity of the JBL VTX A8 as well as the simplified patented rigging system which makes system set up and pack down quicker and easier.

The delay stack in the Parliament Gardens consisted of JBL VTX F35 loudspeakers being flown on the truss alongside the screen. The F35’s integrated mounting points allowed the system to be set up at the required angles while its high output three-way enclosure provided pristine audio coverage over the area.

The Impact

“We are very excited to expand our range of JBL VTX speakers to include the A8 line array, B18 subs and M20 monitors. For us it has been a natural progression to expand our inventory with a high-end tour grade line array from JBL Professional. The demand to provide audio for larger events necessitated this,” says Matt Chapman. “We were satisfied with the performance from the F35’s and the level of support by JBL distributors JPRO, and as we already had Crown iTech HD amplifiers and many JBL loudspeakers, it made financial sense to keep it in the family as these systems can work together.”

“The VTX A Series really sounds amazing, providing smooth accurate sound reproduction and versatility. The Queen’s Memorial service was our first time flying our expanded VTX A8 Line Array along with our other systems. The set up of all the gear was simple and fast thanks to the rigging system that works exceptionally well.”

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, lighting and control, today introduced the JBL PRX900 Series of loudspeakers and subwoofers, which feature advanced acoustics, comprehensive DSP, unrivalled power performance and complete BLE control via the JBL Pro Connect app.

The line, which includes three powered two-way loudspeakers and two powered subwoofers, is built from the ground up to leverage JBL’s most advanced acoustic innovations. All-new proprietary driver systems—powered by ultra-efficient Class D amplifiers—deliver clarity and definition even at maximum volume, with improved dispersion and beam width and smooth low-frequency extension.

Availability

JBL Professional is distributed in NZ by JPRO. PRX900 Series is now available in New Zealand as of January 2023. For complete product details and specifications, please view the the information and links below, or arrange a demo with a JPRO representative.

The Swansea Arena is the latest of Ambassador Theatre Group’s (ATG) 58 operator run venues. It has been equipped with a versatile JBL VTX A8 line array system, installed by Glantre Engineering following a competitive tender issued by main contractors, Buckingham Group Contracting Ltd. Consultant on the project was Neill Woodger Acoustics and Theatre Design. Glantre’s contract as system integrator was a turnkey, covering rigging, drapes, full AV (including IPTV) and lighting, as well as the audio component—not only in the main event rooms but also the meeting rooms.

However, the recommendation for JBL’s compact line array had come from ATG’s Head of Technical Operations, Stuart Graham, who had been involved in the project from the outset four years ago. “We were able to have some influence on the design and I was able to shape the technical requirement.”

He noted the transition to JBL after another premium system had originally been specified.  “What had been proposed was a ‘safe’, medium sized system typically found in a theatre.

“But I wanted to challenge it [with this installation], I just didn’t want to keep going down the same route. This was our first UK arena and I thought we should reach and test new products. “There was a more ample budget available for the system’s design and implementation, and we wanted to focus on the scalability of the system and that it would work within every conceivable application. With that in mind, we opted for something tailored very much towards versatility and broader functionality.”

At the same time Stuart Graham was mindful that the venue had been designed not only as a multipurpose space, but with a modular auditorium, that would host a wide range of events—from theatre productions, comedy, conferences and exhibitions—some of them simultaneously. He envisaged it more than a place for different production companies to plug into, and worked closely alongside Neill Woodger to fulfil this.

It had been Woodger who had first directed Graham to Eastbourne’s Congress Theatre in order to demo the VTX A8, a venue where he and fellow consultant Sam Wise had overseen the successful JBL sound system installation in 2019.  He had wanted to hear the system not only with Swansea in mind but also other venues requiring a comprehensive system.

Stuart Graham’s verdict on first hearing the system was unequivocal. “I absolutely loved the sound of the A8 and B18 sub, and was blown away by the quality of the box. They had much more grunt and as for the usability of the system … it was easy to put up and take down.”

Graham subsequently heard the system again on the touring version of Carole King’s Beautiful, before auditioning it thoroughly at the HQ of British and Ireland distributors, Sound Technology Ltd., in Hertfordshire. But he said it was hearing the system again on Beautiful—the Carole King Musical “that signed, sealed and delivered the deal.”

Neill Woodger was happy to sign-off on the JBL solution given the technical proposals supplied and his previous experience with JBL at Congress Theatre.

In total 38 JBL VTX A8 have been rigged in their own flying frames at the Arena.

The set-up needed to be flexible as, thanks to a partition wall which closes the balcony, multiple events can be hosted simultaneously; for example, a banquet for 750 on the auditorium floor can be complemented by a seminar ongoing within the Circle, with no risk of interference or distraction. It was vital therefore that the sound system needed to be quicky reconfigurable and effective across the board.

The standard ‘full arena’ set-up is therefore two hangs each comprising 12 x A8 and 6 x B18 subs in cardioid configuration forming a conventional pros arch system. An additional 6 x B18 subs are available for ground-stacking as required. Two delay hangs each comprise of 5 x VTX A8 and 1 x VTX B18, plus four further VTX A8 as front fills, and a VTX M20 stage monitor package.

Powering the system are 15 Crown 4x3500HD amplifiers, while routing and processing is via BSS Soundweb BLU-806 and BLU-100.

The room can then be configured into conference mode, when the front rake goes in and the box angles change and reduce to eight a side; extra enclosures are then added to the delay arrays which are lowered and angled up slightly when the acoustic partition drops to divide the hall.

Matt Watt, Head of Sound Technology’s Application Team worked with ATG and Glantre on the design proposal and acoustic modelling.

“We modelled several alternative solutions before settling on the flexible A8 design.” commented Matt. “We were limited by the curtain as to where the speakers could be positioned, and the system still needed to work as delay for front of house and as the independent conference system. A8’s ease of rigging makes the reconfiguration of these areas possible as it’s so quick and easy!”

Glantre set up and optimised the entire system using JBL LAC (Line Array Calculator) and Performance Manager software, with BSS and amp config, working closely with Matt and Danny at Sound Technology’s Applications team, who were responsible for final commissioning. Glantre’s project manager and senior engineer, Tim Davies, explained, “There are a number of operating modes, both standing and seating and set up various presets as a base, with three or four different configurations.

“Essentially it’s a converged network and runs on the IT hardware, apart from the lighting.”

In addition, Glantre dipped further into the Harman portfolio, specifying AMX video switchers to manage conference events and video distribution for 4K capability projection, as well as touch screen control in other areas, including the VIP lounge.

Keith Powles Technical and Building Manager of Swansea Arena, also added favourable comment. “Now that the arena is fully operational, I have had many different opportunities to use the system in various setups and configurations within the space

“The first thing that was apparent when using the system was just how flexible and intuitive it was for the user to set up, in a broad range of different scenarios—everything from conference, comedy all the way to large scale music events.

“Sonically the system has completely blown me away. The overall quality is outstanding and a particularly surprising element for me was just how well this system performs with spoken word style performances. The clarity and precision of vocals through the system is by far one of the best I have ever used. The system alongside the venue itself seems to be a perfect combination.“

In conclusion, Stuart Graham has no doubts about the wisdom of his preference for the JBL rig, particularly noting the speed of speaker reconfiguration during fast moving event changeovers. “JBL has a rich history and I know this was the right time and place for us to make a shift over to the brand. Longer term, once the reputation of the system comes more into play, we want to be able to offer the system competitively to certain size productions who don’t need all the investment of bringing equipment in.”

Islington’s Grade II-listed Assembly Hall has committed to an investment in its technical infrastructure, including the first UK installation of JBL’s new VTX A8 line array system at front of house.

Motivated by the experienced management team of Lucinda Brown and Technical Manager, Tom Watt, the Council-owned building, part of Islington Town Hall complex, can now build on a reputation that has seen Ed Sheeran, Rag’n’Bone Man and Snow Patrol play there in the past.

Future-proofing the installation will bring further stability to a venue which first opened back in 1929 before closing in the mid-1980s.After laying dormant for around 30 years Islington Council funded its refurbishment, and in 2010 it appeared back on the touring map.

Following a competitive tender, the Islington Assembly Hall team chose JBL’s new flagship VTX A-Series, specifically A8 and B18 elements.

The installation was undertaken by SSE Audio Group, who were also responsible for the new JBL VTX A12 installation (with VTX A8 acting as delays and front-fills) at London’s Troxy—coincidentally another Grade II-listed art deco building like the Assembly Hall. Able to use the existing infrastructure, and taking advantage of the advanced JBL rigging, they were able to hoist and align the system expediently, much to the delight of the venue.

“SSE worked hard to get the system in quickly working around events, and expedited the delivery seamlessly in the time allotted.” says Tom Watt.

They have flown L/R hangs of six VTX A8 elements per side, adding a further two as lip fills on the stage. Low frequency extension is provided by six B18 single 18” subs, with the entire system powered by four Crown I-Tech 4x3500HD four-channel amplifiers.

Ed Jackson is satisfied that the A8 concept has been proven. “My prime concerns were that we had coverage to the back of the room, which was noticeably lacking in the old PA, and achieve uniform balcony coverage. If it hadn’t worked with the shorter array we would probably have walked away.

“In terms of sound quality from the transducers this series has got the physical parts of the cabinets right to the point where we are not so reliant on DSP. The system sounds good as soon as you turn it on.”

Lucinda Brown is likewise impressed, both with the new system and the marketability it will give the venue. “We want to be the best and we can only offer that with high quality. Already people are appreciating the difference this system makes.” In addition to visiting sound engineers, this includes the venue’s own tech team, who are unanimous in their praise.

The momentum hasn’t stopped there, for Islington Assembly Hall have also just added six Martin MAC Quantum Wash lighting fixtures.

However, for now it’s all about the sound, and the last word on that goes to Tom Watt. “We now have a PA of which this fabulous building is worthy,” he declares with a smile.

The Opportunity

Organised by Pato Entertainment and the sister festival of the One Love Festival, the Good Vibes mUSIC Festival 2020 features an array of local artists, embracing the New Music as international borders were closed and setting the scene for summer reggae vibes. Wanting to elevate the event and treat fans to an unforgettable concert experience, the festival required a state-of-the-art audio system that delivered pristine sound with consistent coverage across the audience.

The Solution

To achieve its audio goals, the fesitval organizers hired New Zealand’s leading event production company, NZ Sound Reinforcement, which designed and installed a world-class HARMAN Professional networked audio solution. The impressive system features an arsenal of JBL Professional VTX A8 dual 8” compact line array loudspeakers, including a ground-stacked system as well as 12-speaker arrays flown on each side of the stage. With 110º dispersion, high-frequency transducers and JBL’s proprietary woofers and waveguide technology, VTX A8 loudspeakers deliver unmatched sound performance with even distribution across the venue.

While the venue offered acoustic challenges, NZ Sound Reinforcement overcame these obstacles with their design and deployment of more JBL VTX speakers. The system includes VTX A12 and VTX A12W dual 12” line array loudspeakers, while sub-arrays consisting of VTX G28 dual 18” and VTX B18 single 18” subwoofers offer authoritative, accurate low-frequency response. Rounding out the sound system, NZ Sound Reinforcement also deployed VTX M22 professional stage monitors, SRX835P loudspeakers and SRX828SP subwoofers. Designed and configured with JBL’s Line Array Calculator 3.5 and Performance Manager 2.7 software, the system is powered by Crown VRack 4×3500HD amplifiers.

The Impact

“We had multiple venues that demanded a specific combination of audio systems, so we used an assortment of JBL VTX loudspeakers. We also had tight SPL restrictions in most venues, whilst keeping the system sounding energetic and full, which we managed to deliver perfectly,” said Juan Soothill of NZ Sound Reinforcement. “We also had very tight load-in times, but with the easy and quick rigging of JBL’s VTX A-Series, we managed to get each system up and running extremely fast.”

“We required a high-fidelity audio solution for the festival, as we were looking to enhance the festival’s sound and provide an immersive atmosphere,” said one of the event’s organisers. “We needed a partner to set up a unique networked audio system with exceptional sound to support some of the world’s biggest artists performing at the festival, and NZ Sound Reinforcement delivered exceptional service.”

Regarded as one of the most iconic albums in New Zealand history, Drive was released in August 1997. It achieved platinum status seven times and won the New Zealand Music Award for Album of the Year in 1998.

Audiences were treated to a special full band performance of the entire album along with carefully chosen hits and select gems from her numerous multi-platinum releases, with accompaniment by special guests.

The Auckland leg of the anniversary tour was held at The Civic Performance Art Theatre to a sold-out audience. Guests were in for an unforgettable experience from talented artists and state-of-the-art production equipment.

The main sound system supplied especially for the event was JBL Professional’s newest line array series – the VTX A12. Designed from the ground up, JBL VTX A12 is a dual 12″ three-way line array element that has been purpose built for mid-to-large size touring applications and high-end fixed installations – which was perfectly suited for The Civic.

“When we were given the opportunity to mix with the VTX A12, it was a no-brainer really,” says leading sound engineer Kevin Bennett, who mixed FOH for the show. “I have never received as many compliments from an audience as I did after this performance. Sonically the A12 is exceptionally smooth – on and off axis. Very little tweaking was necessary to get the system to work at its optimum in the venue.”

It is seldom that an artist comments on the sound quality of a show, yet Bic was gracious enough to offer a spontaneous remark.

“The audience response to this show was not something I was expecting,” comments Bic Runga. “I do think a combination of Kevin Bennett’s experienced mixing and the PA he got to use gave the show an extra clarity and presence that translated to a special experience for the listener. Most of our feedback after the show was not just about the music, but about the sound quality – it seemed to move them.”

Four VTX A12 loudspeakers per side were ground-stacked to cover the floor area, while six VTX A12’s were flown to cover the balcony. 2x JBL VTX G28 subwoofers per side were used for the bottom end.

JBL have completely redesigned the rigging system for the A12 which has made a notable difference when setting up the system.

“The system is amazingly quick to install,” says Kevin Bennett. “When I entered the venue to set up the console, the rigging was almost complete and the PA ready to sound check before I was!”

Kevin mixed the show using Soundcraft’s smaller format Vi2000 digital console – which was just the right size for the band accompanying Bic Runga.

“I have a soft spot for the BSS DPR901ii Dynamic EQ,” quips Bennett. “I am familiar with the earlier generation Vi consoles and the straightforward, analogue-like design that allows for instant responses makes mixing a pleasure, as does the exceptional audio quality and road-proven reliability. Vi2000 is now my go-to console for smaller gigs.”

JBL’s flagship VTX-M professional stage monitors with their excellent sound quality ensured low but clear stage volume so that the musicians never missed a beat.

“We are immensely proud that we were able provide high-quality sound equipment for an icon such as Bic Runga in a venue like The Civic” concludes Tim Robertson, Tour Sound manager for JBL Professional distributor JPRO. “There has been fantastic interest with the VTX A12 locally and our aim is to have it added to more technical riders in the New Zealand market.”

We are pleased to introduce JBL BRX300 Series modular line array systems for small to mid-size applications.

The BRX300 Series is a versatile line array for bands, DJs, rental firms, houses of worship and anyone who needs a compact, portable system that provides superior fidelity, class-leading output and consistent front-to-back coverage in a range of sound-reinforcement scenarios.

The modular BRX300 Series makes line array technology accessible to customers who are not fully-trained audio engineers, thanks to its plug-and-play simplicity, built-in amplification and corrective signal processing, smart transport system and hassle-free rigging hardware.

A JBL BRX300 Series demo system is available now in New Zealand.

For further information and to request a demo, please click on the demo button below.

It is recommended to update all software programs to maintain maximum compatibility.

JBL Performance Manager is the next-generation software application designed to configure networked audio systems for corporate and live concert events, as well as systems within performance venues such as theatres and houses of worship.

Highlights for the PM update include:

• Better placement of tools for system setup
• Improvements to GUI and zoom functionality
• Simplified amp rack building and renaming
• Sub delay values are now carried over and auto-updated when imported from LAC or adding new circuits
• Group editing and ordering mode improved
• LAC 3.5 includes the latest family of VTX loudspeakers and accessories, including the new JBL VTX B28 dual 18” subwoofer

System Requirements

• Supported Operating Systems:
• 64-bit versions of Windows 7, Windows 8.1 or Windows 10

Minimum Performance Guidelines:

• CPU: 64 bit dual core @ 2.0GHz or better
• Memory: 4GB

Optimal Performance Guidelines:

• CPU: 64 bit dual core @ 2.50 GHz or better
• RAM: 8GB or more
• OS: 64-bit Windows 7 or above
• Storage: SSD

Performance Manager 2.7.0 supported devices:

• JBL VTX A-Series: A12, A12W, A8, B18, B28 models
• JBL VTX V-Series: V25-II, V20, S25, G28 and S28 models
• JBL VTX F Series
• JBL VTX M Series
• JBL VRX900 Series
• JBL powered VerTec Series [with DP-DA installed]
• JBL passive VerTec Series
• Crown I-Tech HD Series
• Crown VRACK 12000
• Crown VRACK 4x3500dbx
• dbx DriveRack® 4800 / 4820

Please make use of the link below to download:

Local and International artists including Peking Duk, Sticky Fingers, London Elektricity, Shapeshifter, Ladi6, Tash Sultana and rapping superstar Cardi B formed part of the line-up.

In only four years, Bay Dreams has fast become one of New Zealand’s best summer festivals. The event began in 2016 with 5,000 attendees to over 30,000 in 2019 for the North Island event. A second South Island location has now been added to the itinerary in the city of Nelson.

NZ Sound Reinforcement, a full-service production company deployed a stunning JBL Professional audio solution for the second stage with a combined audio output of 500,000 watts RMS that included the innovative JBL VTX A12 and new VTX A8 line array elements.

Having recently become part of the JBL VTX A-series family in New Zealand, NZ Sound owners Ray and Brenda Ward are exceedingly happy. “We are blown away; Bay Dreams was pretty epic. The JBL VTX A12 and A8 systems have performed even beyond our expectations – they sound amazing. JBL certainly helped the artists to put on some of their best performances and the crowd loved it,” says Brenda Ward.

Ray Ward adds: “The new JBL VTX A-Series systems have provided an amazing experience for all involved, from the artists to the spectators. The systems have shown impressive coverage outdoors, providing a very smooth and natural top-end. We look forward to providing incredible sound for the summer festivals and international artists making their way to New Zealand in the coming months. We thank organisers Pato Alvarez and Mitch Lowe for putting on another sold-out masterpiece.”

System Features

NZ Sound deployed a complete JBL Professional audio system featuring 24 VTX A12 line array loudspeakers on the main hang and 18 of the all-new smaller format VTX A8 line array loudspeakers on side hangs. Due to the nature of the performances, 24 ground shaking VTX G28 subwoofers provided tight, powerful bass coverage. Infills comprised of 8 VTX F12 12” biamplified loudspeakers.

Stage monitoring was equally impressive, allowing for exceptional audio for all performers with 16 JBL VTX M20 dual 10” and 4 VTX M22 dual 12” tour monitors for DJ and drum wedges. 2 VT4883 subwoofers took care of the drum subs with side-fills consisting of 2 VTX F35 dual 15” 3-way enclosures and 2 G28 subs.

All amplification was provided by Crown V-Racks with Crown iTech 3500 amplifiers, totalling in excess of 500,000 watts of sound power. Audio System management and control were handled through JBL HiQnet Performance Manager software and system set-up made easy with JBL’s Line Array Calculator.

The Impact

“Performance Manager and Line Array Calculator has helped save time and energy as we were able to pre-configure settings and system alignment before the event,” says Tim Robertson from local JBL distributor JPRO, who provided technical support and system design for the event. “System predictions have been very accurate and minor tweaks were needed once the system was loaded in and set up.”

NZ Sound is set to bring exceptional audio coverage to the Summer Festivals and international artists such as Bryan Adams, Toto and UB40 who are making their way to New Zealand in the coming months.

At the time of writing, with the new Bay Dreams location on his mind, organiser Mitch Lowe can hardly contain himself. “This is easily the most impressive event we have ever put together, I am ecstatic. Its off to Nelson we go!”

Stage & Audio’s owner Tim Buchholz first owned a pair of JBL K140s back in the 1970s and he was blown away by the A8’s high-end performance, courtesy of the A-Series’ revolutionary new drivers and waveguide. These designs are responsible for the A-Series redefining the ‘JBL Sound’ and winning over long-term JBL fans and sceptics alike. “I have never heard clarity like that or top end that accurate in all my years working in pro audio. The level of performance is ridiculous,” enthuses Tim. “I’ve simply never heard anything like it. It’s still JBL, but noticeably more ‘European’. It’s a totally new sound.”

19 elements of JBL A8 have joined Stage & Audio’s inventory. Crown iTech HD3500 power amplifiers have also been brought in to supplement their existing racks, and the rig has just been augmented by the recent acquisition of 12 x JBL B18 Subwoofers.

The A8s have already been out working hard in their first two weeks, covering a Queen tribute band, the Rockhampton River Festival across two stages, and an awards night. “After these jobs, all our in-house engineers and guest techs that have mixed on them can talk about is the high-end performance. It’s such a step up,” adds Tim.

“Overall, the A8s have fantastic linearity,” concludes Tim. “There’s a newness to their sound, and you know every parameter and every frequency is being carefully watched over by advanced FIR filters, and compression and control algorithms. It creates and natural, sophisticated sound that is comparable to the best European touring systems on the market.”

The VTX A8 is a compact line array system available in installed and tour formats for small to medium sized venues. VTX A8 and its bigger brother VTX A12 have impressed this year during NZ’s Summer Festivals – being used extensively with touring artists and music festivals such as Toto, UB40, Slayer, KORA, Sound Splash and The Hollies.

The demo took place at the newly rebuilt Christchurch Town Hall in the exquisite James Hay Theatre.

“It’s fantastic that we are able to use venues such as the James Hay Theatre to allow audiences to get a first-hand impression of the JBL VTX A8,” comments JPRO’s Tour Sound Manager Tim Robertson. “This is a new sound from JBL and it is important for people to experience the transparent, smooth sound for themselves. I enjoyed watching everyone’s response when the system is run in full range – we had jaws dropping when we told our guests that we were not running the subs.”

“The response at James Hay from the industry has truly been overwhelming and we would like to thank everyone for attending,” says Andrew Sorrill, Customer Support and Marketing at JPRO. “We would like to get as many industry professionals in New Zealand as possible to experience the system for themselves. If you have not recently heard the new JBL VTX A Series, I encourage you to get in front of a system – please contact us and we will arrange for you to hear one.”

Production company NZ Sound provided the audio for the event that featured Pendulum and Home Brew as some of the headline acts. The main PA system consisted of JBL Professional’s latest line array system, the VTX A12.

“It was my first time mixing on the VTX A12 system by JBL. As soon as we turned the system on, I was blown away. Detailed and crisp high end, beautiful mid-range and deep, defined lows,” says Pendulum’s FOH Engineer Owen Charles. “The system threw an extremely long way back and I was more than happy with the coverage.”

The main PA system featured a total of 24 JBL VTX A12 line array elements, with a ground shaking 18 JBL VTX G28 subwoofers. 4 Vertec 4888 were used as front fills and a number of JBL VTX M22 and M20 tour wedges were used for stage monitoring.

“Definitely my PA of the Day,” quips Tim Robertson, Tour Sound Manager for JPRO the NZ distributor for JBL Professional. “We are proud to have supported an event such as Ohakune with JBL VTX A12. “The system continues to impress locally and our aim is to have it added to more technical riders in the NZ market.”

All loudspeakers were powered by Crown V-Racks, which included I-Tech 12000HD and I-Tech 4x3500HD amplifiers, while system management and control were handled with JBL HiQnet Performance Manager software.

Featuring BSS OMNIDRIVEHD processing with linear phase FIR filters and the acclaimed LevelMAX Limiter Suite, both models provide crystal-clear amplification with ample headroom. Network connectivity via HiQnet and Ethernet protocols provides a high degree of control and real-time diagnostics.

The Impact

Owen Charles who currently mixes for Yungblud & Pendulum, has previously mixed audio for international artists such as Macy Gray, D’angelo, MF DOOM and Jay Electronica, adds: “When I was mixing on the Waves LV1 console, the JBL VTX A12 translated perfectly – what the artist and I were hearing in the studio during pre-production came out better than we could have hoped for on the day. Let’s just say the JBL VTX A12 line array and A-Series line array systems are now going straight on my rider.”

Event Production has always been Forge’s passion – delivering clean sound, crisp images and purposeful lighting. Their aim is to provide exceptional technical service for customers looking at making their event memorable.

After conducting numerous tests with various brands, the Vi3000 was chosen because of its straightforward, analogue-like design that allows instant responses for operators, superb audio quality as well as its road-proven reliability. Featuring four Vistonics II touchscreens, built-in Dante capability and iconic Lexicon effects, the Soundcraft Vi3000 is a top choice for live sound engineers around the world.

JPRO is the official supplier of Soundcraft Vi Digital Consoles in NZ.