Auckland, New Zealand. The Stardome Observatory and Planetarium in Auckland’s One Tree Hill Domain recently upgraded its Cinema and Live Performance System with a 5.1 surround multi-purpose high-performance JBL AE Series sound system.

The new system was specified and installed by AV Integration company Avid Automation after they were called upon by the Auckland Observatory and Stardome team to provide a state-of-the-art sound system for the planetarium theatre.

Stardome opened to the public in 1967 as an observatory, while New Zealand’s largest planetarium theatre was added in 1997. The 360-degree panoramic theatre allows for a complete immersive experience with a full-dome concave screen on which 360-degree films are projected with laser projectors, IMAX model angled seating and the brand new JBL Professional AE series surround sound system.

“A system of this nature is a significant investment,” says Darian Sundar, Director at Avid Automation. “The venue is open to the public with performances 6 days a week, requiring the selected system to work day-in and day-out – so for Stardome and Avid Automation, localised support, reliability and versatility was key in our decision making.”

Leading specialists in sound system design and JBL distributor JPRO were chosen to assist with the supply and commissioning because of their product knowledge base and approach to the system design.

Darian Sundar continues “The primary use of the system would be to provide an immersive 5.1 cinema experience, but the theatre also doubles as a live performance venue for small bands and events – everything from strings to electronica. So, whilst having to offer an accurate cinematic experience the system would need to be capable of handling larger SPL to accommodate live performances.”

JPRO Sales Director Paul Edlin and his audio design team specified JBL AE Series loudspeakers for the theatre. “JBL have an extensive range of purpose-built products that are manufactured in-house. The AE series are specifically manufactured for theatrical sound design and performing arts facilities, so we knew that they would suit the scope of this project perfectly.”

To fit in with the demanding schedule of the Stardome and minimise down time, the Avid Automation team were given two days to remove the old infrastructure and install the new system. Knowing that this would not be enough time AVID implemented all the new system cable infrastructure ahead of time after evening show times.

“We needed to be ready for business as usual Tuesday morning,” says Darian. “To achieve this the entire sound and control systems were built off-site at the Avid workshop. We essentially torture tested the system through multiple configuration modes such as it would be used in real day-to-day use – this is the only way we could be confident that any programming issues where found and resolved. The ability to plot all JBL speakers in a 3D model of the Stardome gave us the confidence that we knew it would work 100 percent. The translation into a real-life installation was incredibly accurate with very little tweaking necessary, saving us heaps of time.”

Due to the shape of the venue, all brackets and flyware were custom-built and physically attached to the exterior of the Stardome structure.  The surround system comprises of 2x JBL AM7215-95 High Power 2-Way Loudspeakers for Left and Right, while a JBL AM7215-26 with a 120° x 60° rotatable waveguide provide accurate audio for the critical centre channel.

JBL AC18/95 compact 2-way loudspeakers were selected for the surround channels as their enclosure design allows for installation very close to the ceiling, providing a smooth, natural immersive audio experience throughout the intended listening area.

Three JBL VTX-B18 single 18″ high performance subwoofers provide a solid bass foundation for a ground-shaking experience.

“The cardioid sub array configuration is simply magic and is an integral part of the system design,” enthuses Darian. “It allows the performance volume of the bass to be focused into the room without sub-bass spill into the foyer and office areas.”

Amplification and system management is achieved with two Crown DriveCore CDI41200BL power amplifiers. “That allowed for an impressive mix of high-performance and ease of use. Taking full advantage of the preloaded JBL Speaker tunings allowed us to get the best performance not only out of the speakers but the amplifiers as well.

Additional audio system processing, including Dante distribution and interfacing with the venues fire evacuation system was achieved with a BSS BLU-806 signal processor.

The Stardome system is used on heavy rotation daily by various Stardome operators, including volunteers. It was essential that a user-friendly operating system was implemented that could be understood and operated by all. Avid Automation designed a custom touch panel interface known as ‘TP Mode’ that could be used to operate the system via the touch panel or switch the system over to ‘Console Mode’ where the Soundcraft Si Performer digital mixer with Dante card and MSB16 stage box was the main controller for live performance events.

The interface was designed in collaboration with the client to ensure it was easy and intuitive to use. Specific ‘dark mode’ colour palates were chosen to not only minimise light pollution within the observatory during shows but to also tie in with the Soundcraft Fader Glow colour coded layers of the Si Performer for continuity.

Darian Sundar concludes: “The HARMAN Professional range of products and JPRO were the only choice for us and our client to achieve all the objectives with minimal downtime. It is not only about the product; it is also about the knowledge pool that you tap into and the service you get and with this in mind everyone one benefitted.”

Designed to work with JBL Intellivox products along with any point source speakers in the JBL portfolio using common loudspeaker format (CLF) data, DDA software is a powerful simulation tool for electro-acoustic design. DDA enables sound designers to visualise and statistically predict direct SPL, total SPL, D/R ratio, STI and delay spread.

Designed to offer improved workflow, the licence free 5.1 update adds two significant new features. DDA 5.1 streamlines the registration process and removes the need for repeated license renewal found in earlier versions of the software. DDA 5.1 also includes the new SketchUp plug-in, which enables users to easily import 3D geometry from SketchUp software.

Intellivox makes use of JBL’s advanced beam shaping (DDS) technologies. From DDA the radiation pattern of JBL Intellivox loudspeaker arrays can be controlled precisely and tailored to the shape and the acoustics of the space. In addition, DDA offers various design tools which reduce design time and help the sound designer to optimise the system performance. For installation and commissioning purposes DDA also generates FIR output filters which can be uploaded to supported DDS-controlled loudspeaker arrays using the JBL WinControl software.

DDA 5.1 and the SketchUp Interface are available to download free of charge from the JBL website here.

Local and International artists including Peking Duk, Sticky Fingers, London Elektricity, Shapeshifter, Ladi6, Tash Sultana and rapping superstar Cardi B formed part of the line-up.

In only four years, Bay Dreams has fast become one of New Zealand’s best summer festivals. The event began in 2016 with 5,000 attendees to over 30,000 in 2019 for the North Island event. A second South Island location has now been added to the itinerary in the city of Nelson.

NZ Sound Reinforcement, a full-service production company deployed a stunning JBL Professional audio solution for the second stage with a combined audio output of 500,000 watts RMS that included the innovative JBL VTX A12 and new VTX A8 line array elements.

Having recently become part of the JBL VTX A-series family in New Zealand, NZ Sound owners Ray and Brenda Ward are exceedingly happy. “We are blown away; Bay Dreams was pretty epic. The JBL VTX A12 and A8 systems have performed even beyond our expectations – they sound amazing. JBL certainly helped the artists to put on some of their best performances and the crowd loved it,” says Brenda Ward.

Ray Ward adds: “The new JBL VTX A-Series systems have provided an amazing experience for all involved, from the artists to the spectators. The systems have shown impressive coverage outdoors, providing a very smooth and natural top-end. We look forward to providing incredible sound for the summer festivals and international artists making their way to New Zealand in the coming months. We thank organisers Pato Alvarez and Mitch Lowe for putting on another sold-out masterpiece.”

System Features

NZ Sound deployed a complete JBL Professional audio system featuring 24 VTX A12 line array loudspeakers on the main hang and 18 of the all-new smaller format VTX A8 line array loudspeakers on side hangs. Due to the nature of the performances, 24 ground shaking VTX G28 subwoofers provided tight, powerful bass coverage. Infills comprised of 8 VTX F12 12” biamplified loudspeakers.

Stage monitoring was equally impressive, allowing for exceptional audio for all performers with 16 JBL VTX M20 dual 10” and 4 VTX M22 dual 12” tour monitors for DJ and drum wedges. 2 VT4883 subwoofers took care of the drum subs with side-fills consisting of 2 VTX F35 dual 15” 3-way enclosures and 2 G28 subs.

All amplification was provided by Crown V-Racks with Crown iTech 3500 amplifiers, totalling in excess of 500,000 watts of sound power. Audio System management and control were handled through JBL HiQnet Performance Manager software and system set-up made easy with JBL’s Line Array Calculator.

The Impact

“Performance Manager and Line Array Calculator has helped save time and energy as we were able to pre-configure settings and system alignment before the event,” says Tim Robertson from local JBL distributor JPRO, who provided technical support and system design for the event. “System predictions have been very accurate and minor tweaks were needed once the system was loaded in and set up.”

NZ Sound is set to bring exceptional audio coverage to the Summer Festivals and international artists such as Bryan Adams, Toto and UB40 who are making their way to New Zealand in the coming months.

At the time of writing, with the new Bay Dreams location on his mind, organiser Mitch Lowe can hardly contain himself. “This is easily the most impressive event we have ever put together, I am ecstatic. Its off to Nelson we go!”

He runs Music Radio Creative, a leading audio provider and production company for radio, DJs and podcasters. Through his business and YouTube channel, Mike helps people create great sounding audio.

Mike recently took the JBL 104 Reference Desktop Speakers for a spin saying, “These monitors are fantastic… I can’t say enough good things. Really good quality for content creators!”

Watch the full review here:

Stage & Audio’s owner Tim Buchholz first owned a pair of JBL K140s back in the 1970s and he was blown away by the A8’s high-end performance, courtesy of the A-Series’ revolutionary new drivers and waveguide. These designs are responsible for the A-Series redefining the ‘JBL Sound’ and winning over long-term JBL fans and sceptics alike. “I have never heard clarity like that or top end that accurate in all my years working in pro audio. The level of performance is ridiculous,” enthuses Tim. “I’ve simply never heard anything like it. It’s still JBL, but noticeably more ‘European’. It’s a totally new sound.”

19 elements of JBL A8 have joined Stage & Audio’s inventory. Crown iTech HD3500 power amplifiers have also been brought in to supplement their existing racks, and the rig has just been augmented by the recent acquisition of 12 x JBL B18 Subwoofers.

The A8s have already been out working hard in their first two weeks, covering a Queen tribute band, the Rockhampton River Festival across two stages, and an awards night. “After these jobs, all our in-house engineers and guest techs that have mixed on them can talk about is the high-end performance. It’s such a step up,” adds Tim.

“Overall, the A8s have fantastic linearity,” concludes Tim. “There’s a newness to their sound, and you know every parameter and every frequency is being carefully watched over by advanced FIR filters, and compression and control algorithms. It creates and natural, sophisticated sound that is comparable to the best European touring systems on the market.”

Available in a stylish matte white or matte black finish, JBL 104-BT and 104-BTW are reference quality. Combining legendary sound quality, class-leading performance and flexibility with the convenience of Bluetooth for many desktop applications.

JBL 104 BT Reference Desktop Speaker Set is suitable for both consumer and critical audio listening. It makes the essentials list as the finest sounding speaker set to have on your desktop for WFH, remote learning, multimedia content creation and even audiophile listening.

With JBL One Series reference monitors, we started with the mission to give content creators the ability to hear all the details for better results while mixing and editing. Drawing on seven decades of JBL Professional engineering, the One Series represents an innovative new set of speakers, designed from the ground up to provide the most accurate sonic presentation of any monitors in their class.

With the amazing sound that’s made JBL the top choice for recording studios, cinemas and live concert stages in compact, affordable, and stylish desktop speakers, the JBL 104 Powered Reference Monitors and 104-BT Powered Reference Monitors with Bluetooth are ideal for recording musicians, podcasters, and music and video producers— as well as anyone seeking enjoyable listening experience.

Ducking temporarily lowers, or “ducks,” the volume level of a specified audio signal anytime a second specified audio signal is present. In live sound, ducking is commonly used to lower background music anytime a person speaks, then raise it when that person finishes speaking, as in the emcee example above. This technique can be employed in any scenario where you need to be heard over backing tracks, whether you’re hosting an event, giving a speech or teaching a fitness class.

Ducking isn’t limited to live sound; in the studio, ducking is used when recording narrations, voiceovers, translations, podcasts, YouTube videos, and other productions that benefit from lowering background music under speech. It’s even used (or more accurately, misused) creatively in EDM and pop music production to trigger volume “pumping” and other special effects. (Great examples of pumping include Eric Prydz’ “Call on Me” and Daft Punk’s “One More Time.”) A ducker can also be inserted in a reverb or delay line to manipulate those effects.

Whether you’re performing live or in the studio, ducking is a fast and easy way to manage audio levels, make room for all of the elements in your mix and ensure your voice is always heard, loud and clear.

JBL Professional have announced new JBL DSi 2.0 Series cinema amplifiers, offering class-leading power output, state-of-the-art DSP and advanced networking capabilities for the entire range of JBL cinema loudspeakers

The DSi 2.0 amplifier family, JBL’s first line of dedicated cinema amplifiers, builds on Crown’s DSI Digital Screen Array amplifier technology and integrates best-in-class CDi DriveCore DSP to deliver potent, cost-effective amplification and audio networking capabilities for JBL’s entire range of cinema loudspeakers. Choose from three power configurations, available in analogue and analogue-plus-digital “D” versions featuring Dante/AES67 connectivity. The “D” models allow direct and simple interface with Dolby ATMOS Connect and AES67 / Dante compatible devices without the need for additional processors.

With class-leading 96 kHz/32-bit floating-point DSP, DSi 2.0 Series amplifiers offer an array of versatile signal processors, including parametric EQ, FIR processing, LevelMAX™ limiting and more. Crown’s proprietary DriveCore technology eliminates hundreds of components within each DSi Series amplifier, reducing the variability of component values to deliver greater efficiency, reliability and performance. Built-in presets for JBL cinema speaker tunings manage voltage levels, crossover settings and more, maximising system efficiency and optimising audio fidelity.

Analogue-plus-digital DSi 2.0 Series amplifiers offer AES67 connectivity, which enables networked audio distribution from any AES67 or DANTE-compatible device and direct interfacing with Dolby ATMOS Connect without the need for additional processing hardware, further simplifying system configuration while also presenting significant cost efficiencies.

Dual network audio ports allow for primary and secondary networks configured as switched (daisy chain) or redundant (star) topologies. Analogue-plus-digital DSi 2.0 Series amps also feature SNMP (Simple Network Management Protocol) connectivity for interfacing with third-party theatre-management systems and Cinema Control (NOC) systems for remote status and fault monitoring. A HiQnet port provides access to HARMAN Audio Architect software, for controlling, configuring and monitoring amplifier operation through a standard TCP/IQ network.

JBL DSi 2.0 Series Cinema Amplifiers complements the range of JBL Professional cinema solutions available including the new JBL CPi2000 Cinema Processor and JBL 200 Series Compact Cinema Loudspeakers.

Models

The DSi 2.0 Series consists of six amplifier models, ideal for cinemas, theatres and premium large-format rooms.

• DSI2-LA4: 1,200 Watts at 8 Ohms
• DSI2-LA4-D: 1,200 Watts at 8 Ohms, Dante/AES67, Dolby ATMOS Compatible
• DSI2-MA4: 700 Watts at 8 Ohms
• DSI2-MA4-D: 700 Watts at 8 Ohms, Dante/AES67, Dolby ATMOS Compatible
• DSI2-SA4: 350 Watts at 8 Ohms
• DSI2-SA4-D: 350 Watts at 8 Ohms, Dante/AES67, Dolby ATMOS Compatible

All models are optimised for 4 ohm and 2 ohm loads both in stereo and bridged modes.

Availability

JBL Professional Cinema products are supported and distributed in NZ by JPRO.

JBL DSi 2.0 Series cinema amplifiers are now available through special order. Should you require any assistance and design support regarding your cinema project, please make use of the contact button below.

Apart from its role in the Church, the Cathedral has a number of functions as it serves an important civic and national role in New Zealand. It is frequently used to host services of particular attention or significant events, while the fine acoustics in the Cathedral make it a sought after venue for concerts, both choral and orchestral.

Sound reinforcement plays a critical role in the Cathedral, where the tonal balance needs to be just right, complementing the natural acoustics of the building with amplified and distributed sound, ensuring that the spoken word and music accompaniment can be clearly heard.

David Kendall Audio Visual was tasked with the sound system upgrade where leading sound system technologies were needed for the sanctuary and surrounding areas. Due to their professional audio expertise and ability to provide unique custom designs, David Kendall chose supplier JPRO to partner on the project.

“This was always going to be a challenging job – over the years quite a few people have had a crack at it,” says David Kendall, Integrator. “Thanks to the technology provided by HARMAN solutions, we were able to make big improvements while staying within the church’s budget. Lots of work went into getting the design right and even more into the installation and tuning. I am very proud of what we achieved with a very tricky acoustic space. And now the Anglican Church have a usable Cathedral space in Wellington.”

Paul Edlin and the technical design team from JPRO designed the networked audio and distribution system for the Cathedral. Soundcraft Si Impact, JBL Intellivox and CBT array column speakers and BSS Soundweb processing form the primary parts of the audio distribution, critical for the sensitive nature of the acoustics in the venue.

“One of the main objectives with the system design was to ensure that the sound energy produced by the loudspeakers was distributed evenly in the areas needed, avoiding any unnecessary reflections that could negatively affect the sound and acoustics,” states Paul Edlin. “The JBL Intellivox and CBT line array column speakers were selected as they have been manufactured to work in challenging acoustic spaces and they are perfect for speech and music.”

Earlier generation Intellivox speakers had been used as part of the previous sound system and these were re-configured and re-deployed into the system upgrade.

The main part of the Cathedral – the front Nave – is covered using JBL Intellivox DS280 Active Beamshaping Array loudspeakers which are capable of maintaining a constant sound pressure level up to 35 metres. These speakers have on-board amplification and DSP that are able to adjust to the acoustic requirements of the venue. The existing Intellivox DC280 speakers were redeployed into the rear Nave of the Cathedral.

JBL CBT-50 and CBT-100 line array column speakers, powered by Crown DCi Amplification were used for the Chancel, Choir and Front Fills.

As for the audio processing and distribution, audio is passed in and out of 2x BSS BLU-100 processors and a Soundcraft Si Impact digital mixing console. Basic education and smart system design has allowed simple operation for everyone; offering uncomplicated functionality for lay people, yet great flexibility for skilled AV operators. A BLU-100 was configured to be used as a stage box, allowing for ease of use during liturgy and preaching, as the microphones are automatically mixed using the Soundweb automix function. Control is done via an iPad with the ViSi App and the Si Impact digital mixer is used when greater control is required and for guest artists when the venue is used for concerts.

“The sound system usually has an upgrade every 10 years or so,” says the Dean of Wellington Reverend Digby Wilkinson. “I am very happy with this upgrade – the sound quality, coverage and control provided by the system is a huge improvement and it sounds fantastic!”

Events Manager and Assistant Director of Music Richard Apperley adds: “I expended a lot of nervous energy while the sound system work was underway. I am now extremely happy having heard it in action. Many thanks to David Kendall and the JPRO team for the expertise and hard work they displayed during the installation – you’re legends!”

Maritime NZ has a vital role in national security. Its purpose is to ensure that all maritime activities are carried out safely, with minimal impact on the environment and the nation’s security. The Risk Coordination Centre in New Zealand (RCCNZ) provides search and rescue services to the third largest area in the world, 24 hours a day, seven days a week, 365 days a year.

While planning the construction of a new Risk Coordination Centre, Maritime NZ reached out to New Era (formerly Asnet) for help relocating their existing AV system to the new facility. However, after evaluating the risks involved with moving an aged system, they quickly decided to upgrade to a more modern, flexible technology solution that could adapt to their unique needs. New Era selected an AMX SVSI Networked AV solution — one of the first of its type to be deployed in New Zealand.

“Looking at the current Risk Coordination Centre, we realised that we needed a new system that could adapt to the future developments of Maritime NZ, and the AMX SVSI system was the best possible solution for our needs,” said Paul Thompson, Account Manager, Asnet Technologies. “We needed the ability to switch any input to any output across their environment. The AMX SVSI solution was able to provide us with the flexibility, functionality, and scalability we needed to get the job done.”

Maritime NZ is responsible for land, air and sea rescue coordination — which meant the installation of the new AV system needed to be completed quickly to prevent disruption in operations. Leveraging SVSI’s simple installation the Asnet team took only three days to deploy the solution. This worked within the tight timeframe, ensuring that the risk coordination centre was never offline.

“Our 10-year old video solution was obsolete — and an AV solution is critical for us,” said Aaron Mikoz, CIO Maritime NZ. “With the new AMX SVSI solution, we can now work faster, smarter and safer. During search-and-rescue operations, we can see key information displayed on the screen, providing us with a better understanding of the situation without having to depend on complicated briefings.”

New Era installed AMX touch panels with integrated controllers to integrate the audio system with other AV devices and the AMX N1000 Video Over IP Encoder/Decoders as part of a full AV solution. To be able to address larger groups of people, JBL surface mount and pendant speakers were positioned to reduce audio spill into other areas. The system allows the new and improved RCCNZ to distribute media leveraging common network switches in any size and configuration.

“To be associated with Maritime NZ and to provide effective technologies in AV and control products is a privilege for Harman Professional Solutions,” said Ramesh Jayaraman, VP & GM Harman Professional Solutions, APAC. “We would like to thank New Era (formerly Asnet Technologies) for successfully completing this project within a tight schedule of three days, ensuring zero downtime. To be able to implement mission-critical AV applications for a defence agency is an absolute honour.”

The VTX A8 is a compact line array system available in installed and tour formats for small to medium sized venues. VTX A8 and its bigger brother VTX A12 have impressed this year during NZ’s Summer Festivals – being used extensively with touring artists and music festivals such as Toto, UB40, Slayer, KORA, Sound Splash and The Hollies.

The demo took place at the newly rebuilt Christchurch Town Hall in the exquisite James Hay Theatre.

“It’s fantastic that we are able to use venues such as the James Hay Theatre to allow audiences to get a first-hand impression of the JBL VTX A8,” comments JPRO’s Tour Sound Manager Tim Robertson. “This is a new sound from JBL and it is important for people to experience the transparent, smooth sound for themselves. I enjoyed watching everyone’s response when the system is run in full range – we had jaws dropping when we told our guests that we were not running the subs.”

“The response at James Hay from the industry has truly been overwhelming and we would like to thank everyone for attending,” says Andrew Sorrill, Customer Support and Marketing at JPRO. “We would like to get as many industry professionals in New Zealand as possible to experience the system for themselves. If you have not recently heard the new JBL VTX A Series, I encourage you to get in front of a system – please contact us and we will arrange for you to hear one.”

The Old Elephant House was once home to Auckland Zoo’s elephants, today it is an iconic multi-purpose restaurant in a relaxed environment. The historical house, built in 1922, features new interiors with the restaurant suited to host a variety of events including seated dinners, wedding receptions and cocktail parties – inside as well as outside in a courtyard bar.

AV and ICT integration company Skopik was commissioned to design and install an easy-to-use multi-zone audio system to cater for the needs of the venue.

“The brief was simple,” says Jeff Sundrum, AV Service & Installations Manager at Skopik. “Our client required a high-fidelity audio solution for a number of areas at the Old Elephant House, which could be used by any staff member. We selected the JBL Control Contractor series and all-weather outdoor speakers as JBL have a broad range of products to choose from and the audio quality and coverage is pristine. This ensured that the best type of speaker was utilised in each location.”

Several JBL Control 25-1 two-way 5-inch compact wall-mount speakers were selected for their sonic characteristic and contemporary design that complemented the new interiors of the Old Elephant House. JBL Control 14CT two-way 4-inch ceiling speakers allowed for seamless coverage in more difficult to reach spaces, while JBL AWC 62 compact all-weather loudspeakers were installed in the outdoor sections of the venue.

With specification assistance by JPRO, Skopik was able to design and install a system where staff could utilise an iPad to control sources and audio levels in all 4 zones.

“We simplified the installation process with a 4-channel Crown Drivecore CDi4300 amplifier, which gave us sufficient zones to work with,” adds Jeff Sundrum, “The CDi4300 speaker presets and internal DSP for JBL loudspeakers meant that we did not have to rely on any external DSP. Some basic programming on the Motion Control app allowed us to provide staff with a clean and simple-to-use interface to manage audio sources and volume in all four zones. Our client is enormously happy with the outcome.”

“JBL Control Contractor series has a profound heritage and is the industry leader for commercial speakers offering a massive variety of loudspeakers for any application,” says Eli Murray, AVC Sales at JPRO. “We are proud to be part of this project – Skopik has provided an amazing solution in this tranquil space.”

Established in the 1920’s, The Lido started as a single screen arthouse cinema. Patrons travel from across Auckland to enjoy a true cinematic outing with various recent art house releases and films aligned toward an older audience, all while taking in the venues Art Deco design, a lounge featuring a fireplace and wine bar for before-and-after-drinks.

A second screen, known as The Lounge, with 44-seat capacity, was added in 2005, shortly after managing director Richard Dalton took ownership of the facility. “It’s always been a bit of a troublesome venue for speaker placement due to the rear projection screen,” he says, “you can’t really place large speakers behind the screen, so you’re stuck with little speakers all around it.”

“The Lounge initially required a centre-channel replacement,” continues Richard Dalton. “However, after being given the opportunity to hear a L-C-R comparison with the JBL’s, the difference was literally night and day. We have had about 3 sound systems in there since it opened and none of them have been particularly good. The idea of working with the AV Integrator and JBL to create a dream soundscape was rather exciting.”

The high technology requirement meant partnering with experts in audio and visual system integration.

AV Integration company Avid Automation and JBL distributor JPRO were called upon to assist with the installation, audio design and commissioning of the system.

“The Lido is an institution for dedicated movie-goers, and we were excited to be associated with this project,” says Darian Sundar from Avid Automation. “JBL has a rich history of innovation in professional and cinematic audio and we were keen to provide a solution that would befit the venue.”

After the initial consultation and a dramatic improvement to the front soundscape, it was then decided to upgrade the facility from 5.1 to 7.1

“Due to the layout requirement of the venue and the rear projection screen, I quickly realised that the image control waveguide of the JBL 7 Series Master Reference Monitor would be a perfect solution for the cinema,” says JPRO AVC designer and Sales Director Paul Edlin. “The waveguide allows for a much wider sweet spot and greater accuracy in the audio spectrum for room-to-room consistency, especially in the critical dialogue range. It would also allow us to provide a unique solution within budget.”

JBL’s installation version of the 7 Series Master Reference Monitors were chosen, with the JBL 708i selected for the left, centre and right channels and run in bi-amplified configuration, maximising on the superb audio capability of the 7 Series. The smaller JBL 705i Master Reference Monitors were selected for an all-encompassing surround and rear audio experience. Custom JBL subwoofers deliver a smooth, solid low-end for sound effects and dramatic soundscapes.

“The JBL 7 Series were easy to install as they are equipped with rear, top and bottom mounting points,” adds Darian Sundar from Avid Automation. “We made use of Crown DriveCore amplifiers to power the loudspeakers and thanks to the onboard DSP and speaker presets, the install process was simplified. We were able to really unleash the full potential of the 708i’s in bi-amped mode. The audio quality, detailed imaging and expansive dynamic range from the entire system is pristine. I am happy to be part of this innovative solution.”

Audio amplification is achieved with three of Crown’s newest DriveCore series amplifiers, the CDi4300 4-channel installed audio amplifier, with the L-C-R channels run in bi-amplified mode. Loudspeaker management and signal processing is simplified with the on-board Digital Signal Processor of the CDi4300. The cinema re-deployed a Datasat AP20 digital audio processor for content management and playback.

An enthusiastic Richard Dalton concludes, “The amazing work in the little cinema has exceeded my expectations with a premium audio result – I love it. The team at Avid Automation and JPRO have done a great job – I look forward to doing more screens with them.”

Vodafone has officially opened its workplace of the future in Smales Farm – a fully enabled smart building at the heart of a world-leading innovative, sustainable and interactive precinct designed to foster business and community growth.  The building has 6 levels with over 70 meeting rooms and can accommodate up to 2000 people in any one day.

And Vodafone, with its love of all things tech, has installed the best tech available to achieve these goals.  JPRO is extremely proud to have products from our portfolio of professional AVC range included in this stat-of-the-art building.

Craig Hill the consultant for this impressive install comments “The solution is entirely network based, all video, audio and control, is routed and distributed, using the Vodafone’s Cisco switch infrastructure and Cat.6 structured cabling. This is currently the largest AV over IP solution of its type in the southern hemisphere, which includes, meeting rooms, IPTV, digital signage, 3 x operations centres, a multi-room events space and public cafe area with the largest OLED video wall in NZ.”

AV Products Installed at Vodafone Innov8 Auckland

Speakers:

• JBL Intellivox DSX280
• JBL SRX818SP
• JBL Control 47LP

Networked Video:

• AMX N1000 Encoders and Decoders
• AMX NX-2200 Netlinx Control
• AMX N1510 Windowing Processor
• AMX N2400 Encoders and Decoders
• AMX RMS Room Scheduling

Video Control:

• AMX MD-702 Modero Wall Mount Touch Panel
• AMX MD-1002 Modero Wall Mount Touch Panel
• AMX MT-702 Modero Tabletop Touch Panel
• AMX MT-1002 Modero Tabletop Touch Panel

Production company NZ Sound provided the audio for the event that featured Pendulum and Home Brew as some of the headline acts. The main PA system consisted of JBL Professional’s latest line array system, the VTX A12.

“It was my first time mixing on the VTX A12 system by JBL. As soon as we turned the system on, I was blown away. Detailed and crisp high end, beautiful mid-range and deep, defined lows,” says Pendulum’s FOH Engineer Owen Charles. “The system threw an extremely long way back and I was more than happy with the coverage.”

The main PA system featured a total of 24 JBL VTX A12 line array elements, with a ground shaking 18 JBL VTX G28 subwoofers. 4 Vertec 4888 were used as front fills and a number of JBL VTX M22 and M20 tour wedges were used for stage monitoring.

“Definitely my PA of the Day,” quips Tim Robertson, Tour Sound Manager for JPRO the NZ distributor for JBL Professional. “We are proud to have supported an event such as Ohakune with JBL VTX A12. “The system continues to impress locally and our aim is to have it added to more technical riders in the NZ market.”

All loudspeakers were powered by Crown V-Racks, which included I-Tech 12000HD and I-Tech 4x3500HD amplifiers, while system management and control were handled with JBL HiQnet Performance Manager software.

Featuring BSS OMNIDRIVEHD processing with linear phase FIR filters and the acclaimed LevelMAX Limiter Suite, both models provide crystal-clear amplification with ample headroom. Network connectivity via HiQnet and Ethernet protocols provides a high degree of control and real-time diagnostics.

The Impact

Owen Charles who currently mixes for Yungblud & Pendulum, has previously mixed audio for international artists such as Macy Gray, D’angelo, MF DOOM and Jay Electronica, adds: “When I was mixing on the Waves LV1 console, the JBL VTX A12 translated perfectly – what the artist and I were hearing in the studio during pre-production came out better than we could have hoped for on the day. Let’s just say the JBL VTX A12 line array and A-Series line array systems are now going straight on my rider.”

The Opportunity

Designed exclusively with esports in mind, LPL Studios is a state-of-the-art broadcast studio that includes an ultra-modern control room, dedicated console and PC booths as well as commentary and analysis desks and game pods. The facility allows for 4K or HD recording and live broadcast of esports events at most major New Zealand and Australian venues.

The studios are close to the SKYCITY Theatre, where live events with a 700-strong audience are possible. Up to 3000 fans are being projected due to the opening of the International Convention Centre in 2019.

The Solution

As a result of their experience and knowledge integrating systems in a wide range of applications, leading broadcast integrator Digital Video Technologies (DVT) was tasked to implement a broadcast service solution based around the unique requirements of esports.

“The layout of the venue is rather unique as it is cylindrical in shape, following the natural floor layout of the Sky Tower” comments Stuart Barnaby of DVT. “We needed to ensure that the acoustics of the various studios was efficient. Further to this we required a flexible, out-of-the-box audio solution.”

To ensure a unique world-class audio solution for the esports studio facility, DVT approached New Zealand Studer and HARMAN Professional Solutions distributor JPRO (formerly known as Jands NZ).

“When I heard the details of the audio requirement, I knew that the best broadcast solution for the studio would be Studer Micro, AKG Professional and JBL” says JPRO Broadcast Specialist Tim Robertson.

The Studer Micro fader control surface was included in the TV Control Room with Studer MicroCore set up as the audio hub and controller. JBL’s compact 305P studio monitors were added into the control room, with volume managed by a JBL MSC1 monitor system controller.

DVT specified AKG HM1000 and CK31 hanging microphones that are used as ambient mics and installed in the game pods. The commentary and analysis desks make use of AKG HSD271 professional studio headsets for the commentators while AKG DMS800 wireless microphones are distributed via Dante.

“With the opening of the first esports broadcast studio in Australasia, we are excited that JPRO and HARMAN Professional are able to provide a solution for an exceptional integrator such as DVT, for the enjoyment of gamers and fans alike,” adds Tim Robertson.

The Opportunity

The premiere entertainment destination is home to 22 of Auckland’s top restaurants and bars, a convention centre with up to 21 function rooms, two hotels and a 700-seat theatre. The Sky Tower, at 328 metres, is the tallest man-made structure in New Zealand, and offers views of up to 80km in every direction.

Co-ordinating and controlling audio on a site this diverse involves many challenges. There are several background music and television audio sources that need to be distributed to each zone, as well as local inputs in each area. Each of these sources needs to be available in every zone, and then prioritised depending on the function, or type of promotion that is running in that area.

The Solution

To gain this functionality and flexibility, SkyCity changed to the BSS BLU family of digital audio processors in 1995, and has grown to be New Zealand’s largest Soundweb installation.

The system currently consists of more than 35 BSS BLU processors and numerous ethernet control panels. Audio is distributed around the site using Dante.

The site is powered by a number of multi channel Crown DriveCore CDi and DCi installation amplifiers.

Each restaurant or bar within SkyCity has been architecturally designed and themed. Whether it be a discrete Control Contractor ceiling speaker, or something more stylised like the unobtrusive Pendant series, JBL’s extensive catalogue of purpose-built speakers help deliver that vision to the customer while maintaining the highest standards in audio fidelity. The site now totals more than 500 JBL speakers of various models.

Some venues in the complex have local control using AMX or Crestron interfaces, while a site-wide control interface has been created within the London Architect software.

Designed from the ground up, the JBL VTX A12 is a dual 12″ three-way line array element that has been purpose built for mid to large size touring applications and high-end fixed installations.

Guests were introduced to the theory behind the technologies of the A12 before being allowed hands-on demonstrations of the system.

“We wanted our guests to understand the philosophy behind the technology of the VTX A12 and then to experience first-hand the innovative new features such as the ease of set up due to the redesigned rigging system,” says JPRO Tour Sound Manager Tim Robertson. “We then gave each person the opportunity to conduct their own listening tests on the system.”

“There has been fantastic interest with the VTX A12 locally and our aim is to have it added to technical riders in the New Zealand market,” concludes JPRO’ Tim Robertson. “The VTX A12 has appeared at numerous festivals in the US, while JBL VTX line array systems have been used by a number of International artists such as Pitbull, Demi Lovato, Enrique Iglesius, Neil Diamond, Linkin Park, Kesha, DJ Zedd and Lenny Kravitz. VTX-A12 will be added to technical riders when the system becomes fully available after the promotional tours.”

Auckland Transport’s recently opened Ōtāhuhu station is more than a piece of infrastructure: it is a public sculpture. The new $28m interchange features stunning floor to ceiling glass and it aims to give a sense of history and culture, in addition to its primary objective of assisting commuters to take the train or bus.

With long hallways, large echo-ridden rooms and many reflective surfaces, it takes a good understanding of acoustics, as well as an understanding of architecture, design and construction to deploy an effective and intelligible sound system. Systems integrator Bartons Sound Systems knows this all too well having designed and installed many transportation sound systems over the years.

The design called for effective audio coverage within the main commuter infrastructure. The room was split into two zones, the lower atrium and the main mezzanine commuter platforms that stretches over 25 metres. Integration with an existing railway platform was also required.

Two JBL Intellivox DSX280 Active Beam Shaping Column speakers were selected due to their self-sufficient design of being powered, on-board DSP that could adjust to the acoustic requirements of the venue and ability to maintain an even sound pressure over long distances. This reduced the total equipment requirement considerably which in turn reduced the cost to the client.

Rob Waddell, Bartons Lead Systems Engineer specified the JBL Intellivox column speakers. Rob comments “Apart from the need to have an intelligent speaker that could automatically adjust volume and actively manage the acoustically challenging space, we selected the DSX Range as the application required high measurable speech intelligibility.”

The Digital Directivity Synthesis (DDS) concept is used in the beam shaping JBL Intellivox column speakers. This concept is well-suited in areas that have acoustically challenging spaces as minimum energy projection can be achieved at a room’s boundary.

FIR output filters are calculated by ‘reverse-mapping’ the desired audio coverage of a hall or space back to the column array. On-board DSP takes care of the real-time signal processing, surveillance routines and networked logging to achieve the best match between the desired and actual array response.

Rob concludes, “With the many reflective surfaces and complex panelised ceilings, the Intellivox column array system with its beam shaping ability covered the zones perfectly, with minimal reflection off of the hard surfaces.”