Islington’s Grade II-listed Assembly Hall has committed to an investment in its technical infrastructure, including the first UK installation of JBL’s new VTX A8 line array system at front of house.

Motivated by the experienced management team of Lucinda Brown and Technical Manager, Tom Watt, the Council-owned building, part of Islington Town Hall complex, can now build on a reputation that has seen Ed Sheeran, Rag’n’Bone Man and Snow Patrol play there in the past.

Future-proofing the installation will bring further stability to a venue which first opened back in 1929 before closing in the mid-1980s.After laying dormant for around 30 years Islington Council funded its refurbishment, and in 2010 it appeared back on the touring map.

Following a competitive tender, the Islington Assembly Hall team chose JBL’s new flagship VTX A-Series, specifically A8 and B18 elements.

The installation was undertaken by SSE Audio Group, who were also responsible for the new JBL VTX A12 installation (with VTX A8 acting as delays and front-fills) at London’s Troxy—coincidentally another Grade II-listed art deco building like the Assembly Hall. Able to use the existing infrastructure, and taking advantage of the advanced JBL rigging, they were able to hoist and align the system expediently, much to the delight of the venue.

“SSE worked hard to get the system in quickly working around events, and expedited the delivery seamlessly in the time allotted.” says Tom Watt.

They have flown L/R hangs of six VTX A8 elements per side, adding a further two as lip fills on the stage. Low frequency extension is provided by six B18 single 18” subs, with the entire system powered by four Crown I-Tech 4x3500HD four-channel amplifiers.

Ed Jackson is satisfied that the A8 concept has been proven. “My prime concerns were that we had coverage to the back of the room, which was noticeably lacking in the old PA, and achieve uniform balcony coverage. If it hadn’t worked with the shorter array we would probably have walked away.

“In terms of sound quality from the transducers this series has got the physical parts of the cabinets right to the point where we are not so reliant on DSP. The system sounds good as soon as you turn it on.”

Lucinda Brown is likewise impressed, both with the new system and the marketability it will give the venue. “We want to be the best and we can only offer that with high quality. Already people are appreciating the difference this system makes.” In addition to visiting sound engineers, this includes the venue’s own tech team, who are unanimous in their praise.

The momentum hasn’t stopped there, for Islington Assembly Hall have also just added six Martin MAC Quantum Wash lighting fixtures.

However, for now it’s all about the sound, and the last word on that goes to Tom Watt. “We now have a PA of which this fabulous building is worthy,” he declares with a smile.

This means that the need for clear, easily heard sound in conference (video) calling is vitally important. Poor audio can ruin your meeting experience. Lets face it – how many times have you struggled to make out what a person is saying during a video or audio call that just ruins the meeting experience?

We take a look at what essential WFH AV communication tools there are (that do not break the bank) that will help you to be heard clearly and seen no matter where it is you’re remotely connecting from.

Enhance Your Focus Time with AKG K361 and K371 Headphones

The new AKG K300 range of headphones offer two variants – the K361/K371 wired headphones and K361BT/K371BT Bluetooth version. K361-BT and K371-BT are the first AKG Professional headphones to combine pro-grade performance, Bluetooth functionality and comfort in a closed-back, over-the-ear, folding design that are perfectly suited for work and play.

The earpads across the range are designed for extended listening sessions, providing supreme comfort over the ear. They help isolate from some external distractions, allowing personal space to focus for home office and learning. The K371 headphones provide additional audiophile listening enjoyment with reference quality 50mm titanium drivers.

The Bluetooth headphones can be used wireless or wired. They have a built-in microphone for video or mobile calling, pairing easily with any device. K361-BT and K371-BT have gesture control, 40-hour battery life and you can fold them up for portability and storage. As with all AKG headphone and microphone technologies, they sound fantastic.

Be Heard Clearly with AKG USB Microphones

When working remotely, being heard clearly is the name of the game. Clear sound starts at the source – a standalone microphone, when used correctly, will almost always sound dramatically better than the one that’s built into your laptop or phone.

AKG USB Microphones are useful plug and play audio interfaces that greatly enhance your voice through a computer or mobile device and simply connect via USB.

With two models to choose from, AKG Ara and Lyra have eye-catching appeal based on iconic models that look stylish no matter the application.

The newly launched Ara is competitively priced with dual-pick up patterns that allow podcasters, communicators, vloggers, gamers and musicians to capture pro-quality, high-resolution sound right from their desktop.

If you’re on Teams, Zoom or other web conferencing platforms, both models give you quick access to a mute button and headphone volume, without fumbling for a mouse.

Inspired by classic studio microphones like the legendary AKG C414, AKG USB microphones have a sleek, retro look with future-oriented application, allowing users to look like a professional and sound like one too.

Get the Message Clearly with the JBL 104BT Desktop Speaker Set

Providing clarity and richness far above that of a laptop or computer that allows you to follow the conversation, JBL’s 104BT Series powered desktop speaker set is now available in a stylish matte white or matte black finish. In addition to Bluetooth, these speakers offer a variety of inputs via the front-panel source select for Bluetooth, RCA, TRS, 3.5mm or All with Volume Control. The 104BT can be used in conjunction with the AKG Lyra USB microphone for Audio & Video Conferencing calls. Should you need to have discrete audio, a headphone can be connected via the front panel.

JBL104BT are studio reference quality and can be used for office, content creation and critical audio listening as well as anyone looking for accurate, yet compact speakers on their desktop.

Be Seen and Heard with AMX Acendo Vibe Video Conference Solutions

The AMX Acendo Vibe is perfect for executives, small meeting rooms and home offices. If you are conducting business meetings by video conferencing and want an excellent sound and picture experience for you and your customer, without the need for headphones or external speakers, then the AMX Acendo Vibe all-in-one sound bar is an elegant solution. It can easily be used in small meeting spaces and huddle rooms or taken home for remote working*

The first total conferencing sound bar solution designed for the demands of the modern workspace, with tuned-for-voice JBL speakers and microphones delivering experienced audio with built-in signal processing and Acoustic Echo Cancellation (AEC). A wide-angle camera catches every movement in the space and professional features like CEC display control, USB and convenient Bluetooth connectivity ensure an optimised experience. A stylish external desktop remote provides easy source selection, volume and mute control. Installation is made easy with an integrated mounting bracket.

*Perfect for meeting room sizes of 3m x 3m or smaller.

Soundcraft Notepad USB Desktop Audio Mixer Interface

Soundcraft Notepad is the reimagined version of the legendary Soundcraft Spirit Folio Notepad Mixers released in the 1990s, updated with a modern look and USB connectivity that make them equally at home on your desktop or on-the-go.

Reimagined with today’s online streamers in mind, the Notepad mixers are perfect if you’re looking for a little more tech on your desktop. They have additional input connections for microphones and external audio devices while the USB audio interface allows you to easily connect to your computer, where you can record, edit and play projects using your favourite audio software.

Headphones and external speakers such as the JBL104BT can be connected for the optimum desktop audio experience. The latest driver updates include amongst others a pro-broadcast audio ducking feature.

Soundcraft Notepad mixers are available in 3 variants – Notepad5, Notepad 8FX and Notepad 12FX

Situated in the picturesque New Zealand town of Queenstown and near to its famous outdoor sporting and tourist locations, the newly built Wakatipu High School has breathtaking views of the Remarkables mountain range and Southern Alps.

Wakatipu High is one of several Kiwi schools that are embracing OECD Innovative Learning Environment principles, with flexible learning spaces and open plan learning environments, all of which encourage collaborative educational methods. The way teachers and learners engage with each other has changed significantly, which has led to changes in the way schools are designed. As a result, many new school building projects are designed with this method in mind, while older schools are being renovated to accomplish the same philosophy.

Built in a public-private partnership, the relocated state-of-the-art school was built to designing quality learning spaces (DQLS) guidelines, ensuring good lighting, acoustics and ventilation, and to meet a high standard of technology. Wakatipu has a strong focus on arts, indoor and outdoor sports and boasts facilities like a performing arts theatre, gymnasium, a café, aerobics room, dance and music recording studio.

The high technology requirement meant partnering with experts in audio and visual system integration. Leading AV integration company Strawberry Sound provided a HARMAN Professional school integration solution. JPRO NZ, one of New Zealand’s foremost specialists in Sound System design and supplier of HARMAN Professional audio equipment, was called upon because of their audio and product knowledge base, extensive support and ability to provide a unique approach to AV solutions.
The school’s intercom paging system and the sound systems for the gymnasium and auditorium run over fibre ties with Dante distribution between zones, providing a Layer 3 backbone. Audio processing is done with the open architecture platform BSS Soundweb Audio Architect. This design element creates a completely customisable platform for the end-client with an audio and paging system tailored specifically for their needs.

Future proofing was taken into consideration with the paging and PABX system that has been programmed to offer an all-page or individual-page zones. “Due to the open architecture platform, we can add customised panel settings via iPad for the paging system if required” adds Reuben Pearce of Strawberry. “The PABX has the ability to dial into the BSS BLU-103 if needed, and page school-wide through the headset.”

Audio processing and distribution is done primarily with BSS BLU-103 and BLU-100 signal processors and audio distributed throughout the school with JBL Control series and JBL CSS8006BM commercial series speakers.

“We encountered a challenge ensuring the Dante clocks synced over Layer 3,” comments JPRO NZ’s technical specialists when talking about the audio distribution via Dante. “This was ultimately achieved with the BSS BLU-DAN that adds Dante to the BSS network and has proven to be extremely solid and reliable.”

The music, dance and drama suites are purposeful, with three soundproof rooms available. A music recording studio and dance studio overlook the impressive cultural and performing arts auditorium that features a solid sound reinforcement system with JBL SRX812P powered 12” loudspeakers flown in a left-centre-right configuration. JBL SRX818SP subwoofers are flown using a customised rigging frame and take care of the lower bass frequencies.

“We are extremely satisfied with the way the SRX series is able to handle varying content, providing consistent and even distribution in the room,” adds Ryan Dougherty from Strawberry Sound. Audio is kept within the digital domain with a Soundcraft Si Impact Digital Mixer at FOH, MSB-16i Digital Stage Box with time-alignment and processing via BSS BLU-100.

With school’s embracing technology from an educational perspective, the importance of using good quality audio visual equipment and loudspeakers is critical. “Good quality speakers mean better coverage at a lower volume, often with less speakers due to the efficiency of its coverage in a professional audio design” says JPRO’s audio experts. “This in turn has a positive impact on teachers and pupils as they are not mentally fatigued due to poor sound and acoustics.”

Building project manager Blair Grier says that Wakatipu High has the best acoustic system he has installed in his 28 years in the industry.

When asked what some of his favourite features of the school were, principal Steve Hall says “The Arts Department with its new dance rehearsal rooms and a recording studio – and the Arts Theatre that can seat up to 600 people, which would be used ‘heaps’!”

The Opportunity

NZ guitarist, composer and producer Arli Liberman was given the honour to compose the opening music titles of this prestigious event.

The soundtrack combines futuristic elements, NZ culture and Kiwi flavour together to create an inspiring anthem that establishes the event firmly in New Zealand.

“This experience has been the complete opposite of anything that I have produced thus far,” says Arli. “It is indeed an honour to be involved with this unbelievable sport, combining technology with nature.”

The Solution

Arli relies on the accuracy of JBL708P Powered Master Reference Monitors and AKG Studio Headphones for his film scoring and composing projects.

“This project needed true versatility with the sonic palate that was required. When I decided to take the sound of the boat and use it as my focal point, it was essential that my production speakers have the most accurate, fast response to create the effects and imagery needed. The JBL 708P definitely meets this criteria.”

The BRX300 Series is an affordable, versatile portable line array for bands, DJs, rental firms, houses of worship and anyone who needs a compact, portable system that provides superior fidelity, class-leading output and consistent front-to-back coverage in a range of sound-reinforcement scenarios.

The modular BRX300 Series makes line array technology accessible to customers who are not fully-trained audio engineers, thanks to its plug-and-play simplicity, built-in amplification and corrective signal processing, smart transport system and hassle-free rigging hardware.

JBL IRX Series portable PA loudspeakers are targeted to provide budget-minded users with iconic JBL Professional sound in a highly affordable, portable, feature-rich package without the guesswork. Designed for performers, presenters and instructors alike, they are the class-leading choice in the entry-level portable PA market. JBL 108BT and 112BT provide class-leading volume, clarity, and total ease of use with performance that exceeds their size, with the convenience of the latest in Bluetooth streaming technology.

The series, which includes the 8-inch IRX108BT, 12-inch IRX112BT and 15-inch IRX115S subwoofer, provides legendary JBL fidelity and robust output in a compact footprint, thanks to custom, pro-grade drivers that are engineered to outperform larger competing systems.

IRX108 and IRX112BT loudspeakers provide superior sound without the guesswork, thanks to real-world EQ presets, built-in dbx automatic feedback suppression, Bluetooth streaming and one-touch music ducking. Round out your system with the JBL IRX115S powered subwoofer, which extends low-frequency response down to a room-shaking 35 Hz.

NORTHRIDGE, California. JBL Professional has introduced the JBL IRX115S powered subwoofer to the IRX Series portable powered loudspeakers.

The JBL IRX115S powered subwoofer, is the newest member of the JBL IRX Series, draws from JBL’s top professional touring technologies to deliver superior sound without the guesswork, thanks to its custom driver and amplifier designs; tuned, ported enclosure; and built-in crossover and polarity settings. It all adds up to an impressive 128 dB of deep, powerful low-frequency coverage in a rugged, compact cabinet weighing just 29.6kg.

“With our IRX Series, we’ve drawn from 70 years of JBL innovation to design a portable P.A. that’s lightweight, powerful and doesn’t take a lot of work to sound great,” says Craig Lambrecht, Director, Portable P.A.s,  HARMAN Professional Solutions. “JBL IRX Series loudspeakers already deliver stunning sound in an incredibly compact footprint. By adding the IRX115S subwoofer, users can enhance their systems with room-shaking bass, without breaking anyone’s budget—or back.”

A durable MDF enclosure features a tight-gauge, reinforced honeycomb grille that offers rugged protection without compromising acoustic performance. A built-in pole mount expands system configuration options. Transport is easy, thanks to thoughtfully designed ergonomic handles. And, like every JBL product, the IRX115S undergoes JBL’s legendary 100-hour stress test to ensure it’ll perform flawlessly in real-world conditions.

JBL IRX Series powered P.A.s offer legendary JBL fidelity, power and ease of use at a fraction of the price and size of comparable systems. Budget-conscious musicians, DJs, presenters and fitness instructors can count on versatile, full-featured JBL IRX Series portable P.A.s to deliver stunning sound, no audio engineer necessary.

Availability

The JBL IRX115S is distributed in New Zealand by JPRO and is now available to purchase.

The Opportunity

Organised by Pato Entertainment and the sister festival of the One Love Festival, the Good Vibes mUSIC Festival 2020 features an array of local artists, embracing the New Music as international borders were closed and setting the scene for summer reggae vibes. Wanting to elevate the event and treat fans to an unforgettable concert experience, the festival required a state-of-the-art audio system that delivered pristine sound with consistent coverage across the audience.

The Solution

To achieve its audio goals, the fesitval organizers hired New Zealand’s leading event production company, NZ Sound Reinforcement, which designed and installed a world-class HARMAN Professional networked audio solution. The impressive system features an arsenal of JBL Professional VTX A8 dual 8” compact line array loudspeakers, including a ground-stacked system as well as 12-speaker arrays flown on each side of the stage. With 110º dispersion, high-frequency transducers and JBL’s proprietary woofers and waveguide technology, VTX A8 loudspeakers deliver unmatched sound performance with even distribution across the venue.

While the venue offered acoustic challenges, NZ Sound Reinforcement overcame these obstacles with their design and deployment of more JBL VTX speakers. The system includes VTX A12 and VTX A12W dual 12” line array loudspeakers, while sub-arrays consisting of VTX G28 dual 18” and VTX B18 single 18” subwoofers offer authoritative, accurate low-frequency response. Rounding out the sound system, NZ Sound Reinforcement also deployed VTX M22 professional stage monitors, SRX835P loudspeakers and SRX828SP subwoofers. Designed and configured with JBL’s Line Array Calculator 3.5 and Performance Manager 2.7 software, the system is powered by Crown VRack 4×3500HD amplifiers.

The Impact

“We had multiple venues that demanded a specific combination of audio systems, so we used an assortment of JBL VTX loudspeakers. We also had tight SPL restrictions in most venues, whilst keeping the system sounding energetic and full, which we managed to deliver perfectly,” said Juan Soothill of NZ Sound Reinforcement. “We also had very tight load-in times, but with the easy and quick rigging of JBL’s VTX A-Series, we managed to get each system up and running extremely fast.”

“We required a high-fidelity audio solution for the festival, as we were looking to enhance the festival’s sound and provide an immersive atmosphere,” said one of the event’s organisers. “We needed a partner to set up a unique networked audio system with exceptional sound to support some of the world’s biggest artists performing at the festival, and NZ Sound Reinforcement delivered exceptional service.”

Regarded as one of the most iconic albums in New Zealand history, Drive was released in August 1997. It achieved platinum status seven times and won the New Zealand Music Award for Album of the Year in 1998.

Audiences were treated to a special full band performance of the entire album along with carefully chosen hits and select gems from her numerous multi-platinum releases, with accompaniment by special guests.

The Auckland leg of the anniversary tour was held at The Civic Performance Art Theatre to a sold-out audience. Guests were in for an unforgettable experience from talented artists and state-of-the-art production equipment.

The main sound system supplied especially for the event was JBL Professional’s newest line array series – the VTX A12. Designed from the ground up, JBL VTX A12 is a dual 12″ three-way line array element that has been purpose built for mid-to-large size touring applications and high-end fixed installations – which was perfectly suited for The Civic.

“When we were given the opportunity to mix with the VTX A12, it was a no-brainer really,” says leading sound engineer Kevin Bennett, who mixed FOH for the show. “I have never received as many compliments from an audience as I did after this performance. Sonically the A12 is exceptionally smooth – on and off axis. Very little tweaking was necessary to get the system to work at its optimum in the venue.”

It is seldom that an artist comments on the sound quality of a show, yet Bic was gracious enough to offer a spontaneous remark.

“The audience response to this show was not something I was expecting,” comments Bic Runga. “I do think a combination of Kevin Bennett’s experienced mixing and the PA he got to use gave the show an extra clarity and presence that translated to a special experience for the listener. Most of our feedback after the show was not just about the music, but about the sound quality – it seemed to move them.”

Four VTX A12 loudspeakers per side were ground-stacked to cover the floor area, while six VTX A12’s were flown to cover the balcony. 2x JBL VTX G28 subwoofers per side were used for the bottom end.

JBL have completely redesigned the rigging system for the A12 which has made a notable difference when setting up the system.

“The system is amazingly quick to install,” says Kevin Bennett. “When I entered the venue to set up the console, the rigging was almost complete and the PA ready to sound check before I was!”

Kevin mixed the show using Soundcraft’s smaller format Vi2000 digital console – which was just the right size for the band accompanying Bic Runga.

“I have a soft spot for the BSS DPR901ii Dynamic EQ,” quips Bennett. “I am familiar with the earlier generation Vi consoles and the straightforward, analogue-like design that allows for instant responses makes mixing a pleasure, as does the exceptional audio quality and road-proven reliability. Vi2000 is now my go-to console for smaller gigs.”

JBL’s flagship VTX-M professional stage monitors with their excellent sound quality ensured low but clear stage volume so that the musicians never missed a beat.

“We are immensely proud that we were able provide high-quality sound equipment for an icon such as Bic Runga in a venue like The Civic” concludes Tim Robertson, Tour Sound manager for JBL Professional distributor JPRO. “There has been fantastic interest with the VTX A12 locally and our aim is to have it added to more technical riders in the New Zealand market.”

Nano KX is a balanced Bluetooth and analogue volume controller that seamlessly integrates into your production space or mixing console. It is perfect for content creators, home-recording enthusiasts as well as mobile DJs, production companies and performers who want to integrate Bluetooth streaming in non-Bluetooth systems.

Key Features

• Bluetooth wireless audio streaming delivers modern connectivity to analogue systems.
• Compact size gives users high functionality without consuming a great deal of workspace.
• Industrial angle and design elements enhance usability and deliver a sleek look, while a heavy rubber base prevents slipping.
• A balanced XLR combo input and XLR output provide professional grade connections, while a 3.5mm aux input and output allows for monitor extension.
• An illuminated level control ring shows when the unit is powered and helps users to find and adjust controls in low light situations.
• Mini-USB power connection makes it easy to power via USB power supply.

Availability

JPRO is the authorised distributor for JBL Professional in New Zealand. The JBL NANO KX Balanced Bluetooth and Analogue Audio Controller is now available to purchase in NZ .

The Opportunity

The Christchurch Justice and Emergency Services Precinct was the first major government building to be built in Christchurch after a series of devastating earthquakes destroyed the city centre in 2011.

Completed in late 2017, the Precinct was purpose-built with an emphasis on collaboration, bringing together all regional justice and emergency services. The precinct is home to the Ministry of Justice, New Zealand Police, Department of Corrections, St John Ambulance, Fire and Emergency, Civil Defence and Emergency Management services. The Justice Building houses 19 courtrooms and associated court and legal functions.

The Solution

Due to the critical nature of the services rendered by the agencies in the Precinct, reliable specially configured loudspeakers and microphones are needed to reproduce high quality audio.

Leading audio visual systems integrator and supplier of courtroom and chamber technologies, Vega Global (formerly Kodum), were contracted to design, supply and install robust cutting edge audio and visual systems within the Justice and Emergency Services Precinct.

System Features

• JBL Professional Control Contractor series ceiling and wall mounted loudspeakers achieve balanced sound quality and broad, consistent coverage throughout the indoor sections.
• Control 47LP low-profile ceiling speakers are utilised in the areas with limited above-ceiling clearance with JBL’s Radiation Boundary Integrator providing very consistent coverage throughout the listening area.
• Control 47HC loudspeakers with a well-defined narrow coverage pattern provide improved sound quality and intelligibility in reverberant and high ceiling spaces.
• A range of AKG gooseneck and boundary microphones are deployed in the 19 courtrooms providing exceptional sound reproduction through the sound reinforcement and audio visual recording systems.
• Across the Precinct, BSS Soundweb audio processors form an integral part of the audio management and audio distribution.

The Impact

“During the design and construction phase it was essential the audio visual systems would work within the complex IT infrastructure of the Justice and Emergency Services Precinct,” says James Thompson, Civil Defence New Zealand. “The systems are excellent. Kodum were key partners in establishing our audio visual needs and have walked with us every step of the way. Post commissioning they have been readily available to help with fine tuning the system.”

The Opportunity

MediaWorks recently consolidated their Auckland radio facilities into a purpose-built location to house nine of New Zealand’s leading commercial radio stations.

The large 4400m2 converted warehouse located in Hargreaves Street, was specially designed to accommodate 16 studios and production suites, including meeting rooms, open plan offices and a semi-covered pavilion for private functions and guest performances.

The interior design and architecture features are inspired by music and sound, while the state-of-the-art technical infrastructure was conceptualised by the MediaWorks NZ technical team.

The Solution

“The technology that underpins the content delivery from Hargreaves St represents a significant upgrade in capability and is one of the world’s largest deployments of audio-over-IP,” says MediaWorks chairman Jack Matthews.

The studio suites have been optimised to allow for future video recording and live televised broadcasting. Radio Stations such as More FM require various satellite uplinks and local breakouts that simultaneously run a combination of localised and networked programming for different geographical areas.

A world class facility of this nature required affordable world-leading studio monitors for accurate audio in any production space and studio.

A combination of JBL Professional 3 Series 305PMKII 5” and 308PMKII 8” powered reference monitors were selected, depending on the layout of the studio. The JBL 3 series delivers an impressive dynamic range for a variety of music genres between the nine radio stations. The patented Image Control Waveguide provides a wide sweet spot with precise detail and imaging, allowing for tight segues and compelling audio imaging.

The Impact

“We searched world-wide for the best-integrated technologies and have really transcended the limits on what is a once-in-a-lifetime project that we are all so very proud of,” says Mike Heard, Solutions Architect at MediaWorks NZ. “Watching our content and tech teams work in complete harmony to achieve this goal and seeing each station and show go to air in their flash new studios has been incredibly rewarding. The feedback we have received from our colleagues and the added smiles behind the mic have elevated our shows to a whole new level. Our next brand is a few months away but will be the most innovative radio build in NZ, if not the world. Hold on tight it’s going to be a heck of a ride.”

We are pleased to introduce JBL BRX300 Series modular line array systems for small to mid-size applications.

The BRX300 Series is a versatile line array for bands, DJs, rental firms, houses of worship and anyone who needs a compact, portable system that provides superior fidelity, class-leading output and consistent front-to-back coverage in a range of sound-reinforcement scenarios.

The modular BRX300 Series makes line array technology accessible to customers who are not fully-trained audio engineers, thanks to its plug-and-play simplicity, built-in amplification and corrective signal processing, smart transport system and hassle-free rigging hardware.

A JBL BRX300 Series demo system is available now in New Zealand.

For further information and to request a demo, please click on the demo button below.

The Opportunity

Park Road Post Production is an award-winning purpose-built facility owned by WingNut Films, the production company of Sir Peter Jackson – the critically acclaimed director of The Lord of the Rings and The Hobbit Trilogy.

The vast facility consists of two large Dolby Premiere and THX certified mix theatres with full Dolby Atmos monitoring, a mid-sized cinema mix theatre, ADR and Foley stages with control rooms, home entertainment mix suites, a 180-seat client theatre, several edit suites, telecine and film laboratory facilities as well as client support spaces.

Park Road Post has an extensive filmography of celebrated blockbuster hits and it was essential that reference monitors with exceptional clarity and detail were installed into the post-production facilities.

The Solution

Park Road Post selected the JBL 9350 Cinema Surround speakers to replace the aging surrounds in the larger mix theatres. The 9350 enhances coverage with configurable vertical and horizontal coverage angles based on where the surround is positioned in the theatre.

In order to provide for an accurate sound reproduction with a broader sweet-spot in the smaller post-production facility, JBL’s 708P powered master reference monitors were chosen for a Left-Centre-Right arrangement.

System Features:

• JBL 708P Powered Master Reference Monitors set up in a left-centre-right configuration provide an expansive soundstage and greater accuracy.
• JBL 9350 Cinema Surround loudspeakers were selected for an immersive surround and rear audio experience. The coverage can be adjusted to fit a theatre’s unique environment.

The Impact

“JBL Professional has been in the movie business since the very beginning, providing innovation in cinematic audio. Leading production facilities around the world choose JBL and we rely on the advanced engineering, patented technologies and superior sonic character and dynamic range to create a premium cinematic sound experience,” says John Neill, Director of Engineering – Sound at Park Road Post.

“Great films are inevitably made with the minimum of compromise,” states Peter Jackson “That same clarity of vision guided us when we put this facility together.”

WHANGAREI, AUCKLAND, NEW ZEALAND. AV and ICT integration company Skopik has selected JBL Professional Screen Array loudspeakers and Crown amplification for a private 24-person 4K cinema at The Palms Lifestyle Village.

The Opportunity

Newly built lifestyle village The Palms required a private 24-person 4K cinema that could be controlled via a user-friendly control system that staff and residents could use with ease.

AV and ICT integration company Skopik were commissioned by The Palms management after viewing and experiencing another cinema installation by Skopik. “When our team visited a previous site, we were immediately impressed by the fidelity of the technical equipment and quality of workmanship conducted by the Skopik team” comments Daniel Skelton, Manager at The Palms Lifestyle Village.

The Solution

Skopik was able to transform an empty shell, into a tiered, fully automated cinema with a JBL 11.1 channel surround sound system.

The company handled acoustic panelling, seating layout, projection calculations, lighting design and audio ease mapping to provide The Palms with a premium cinematic experience.

As a result of their expert knowledge in professional audio and video solutions in NZ, with a large inventory of industry-leading AV equipment, JBL Professional and Crown Audio distributor JPRO was chosen to partner with Skopik on the initial audio design and specification phase of the Cinema.

System Features

• JBL 708i install version of the 7 Series Master Reference Monitors were selected for the left, centre and right channels, positioned behind the 150″ acoustically transparent screen.
• 6x side surrounds and 2x rear surrounds comprise of JBL 8320 Compact Cinema Surround Speakers that were easily installed using the JBL QuickMount.
• The 11.1 suround system is powered using Crown DriveCore CDI4300BL and CDI4600BL amplifiers. The amps have built-in DSP and speaker presets for all JBL speakers, allowing for a faster set up.

The Impact

“We tried our hand at a number of products before relying on JBL Professional for our audio solutions,” says Skopik AV Manager Jeff Sundrum. “JBL’s legacy of innovation in professional and cinematic audio combined with the product offering and audio fidelity is far superior to our other first-hand experiences. We knew that this project would have a premium result.”

After almost two years in the making, Tauranga Elim Church recently moved into their new building in Koromiko Street, in the sunny city of Tauranga in New Zealand.

The new venue is much larger than the previous church building and can accommodate 550 people in the Auditorium.

“As a church, we were blessed to have the opportunity to develop a shell of an industrial building into an awesome place of worship that speaks to the flavour and character of our people,” says Sean Verwey, Project Coordinator at Tauranga Elim. “Our primary focus was to create spaces that would encourage people to connect over great coffee, where children can feel safe and be nurtured, and where families can be inspired through connection, worship and community.”

The church features modern contemporary music styles with a live band in their services. As such, a sound system was required that would provide consistency in tone from soft levels to loud levels and smooth audio coverage from front to back.

“For the audio system in our auditorium, our requirements were simple; we wanted a system that sounded great, was punchy yet smooth through the dynamic range of a service, suited our style of music, covered the wide space evenly and overcame the challenging acoustics of the venue,” Verwey says “Our church services are quite vibrant, and the spoken word is equally as important.”

The church experimented with various loudspeaker brands before choosing JBL Professional’s CBT1000, its newest line array column loudspeaker. “We arranged a number of demonstrations from different suppliers, and from the start, the team at JPRO exceeded our expectations,” adds Sean Verwey. “We heard some great systems, but we felt that what JPRO offered met our requirements perfectly. We were also very comfortable with the level of support that they had provided up until that point, so our decision to accept their offer was unanimous.”

The system was supplied through Sound and Vision Connection and installed by the technical team from Tauranga Elim. System design, technical support and training was provided by JPRO, the JBL and Harman Professional distributor for New Zealand.

“The Auditorium space is quite wide with some tricky acoustics,” comments Eli Murray, church audio specialist at JPRO. “As part of our service and support, we provide complimentary audio designs that include – amongst others – predicted average SPL and STI readouts and from the outset we felt that the JBL CBT1000 loudspeaker would be able to adequately cover the wide angle and length of the venue.”

Due to its wide horizontal angle properties and the tapered horizontal waveguide, two JBL CBT1000 line array column loudspeakers were selected and custom-flown in a left-right configuration, with a JBL VT4883 subcompact used as a low-mid extension. Lower bass frequencies for the main PA are taken care of by a JBL VTX G28 subwoofer which was proven to be best suited to keep up with the CBT1000 line array column technology.

“In terms of the solution, JPRO was innovative,” says Sean Verwey. “The JBL CBT1000 provides more than enough grunt for youth services, yet is easy to mix to during a regular Sunday service and sounds amazing.”

A JBL CBT70, with its ability to send more sound toward the far area of a room for level consistency, is used for speech reinforcement in the mezzanine level. With proven reliability, four inputs available on a high-powered tour sound amplifier and OMNIDRIVEHD processing on each amp channel, the entire audio system is powered and managed by Crown iTech 4x3500HD and CDI4300 amplifiers.

“The JBL CBT1000 line array column loudspeaker is a perfect solution for customers that are looking for line array loudspeakers, but don’t quite have the budget for a fully-fledged line array system,” says Eli Murray. “Its consistency in tone from soft levels to loud levels and ability to cover audio over wide and long distances and overcome tricky acoustic spaces, make it an asset for church and auditorium environments today.”

It is recommended to update all software programs to maintain maximum compatibility.

JBL Performance Manager is the next-generation software application designed to configure networked audio systems for corporate and live concert events, as well as systems within performance venues such as theatres and houses of worship.

Highlights for the PM update include:

• Better placement of tools for system setup
• Improvements to GUI and zoom functionality
• Simplified amp rack building and renaming
• Sub delay values are now carried over and auto-updated when imported from LAC or adding new circuits
• Group editing and ordering mode improved
• LAC 3.5 includes the latest family of VTX loudspeakers and accessories, including the new JBL VTX B28 dual 18” subwoofer

System Requirements

• Supported Operating Systems:
• 64-bit versions of Windows 7, Windows 8.1 or Windows 10

Minimum Performance Guidelines:

• CPU: 64 bit dual core @ 2.0GHz or better
• Memory: 4GB

Optimal Performance Guidelines:

• CPU: 64 bit dual core @ 2.50 GHz or better
• RAM: 8GB or more
• OS: 64-bit Windows 7 or above
• Storage: SSD

Performance Manager 2.7.0 supported devices:

• JBL VTX A-Series: A12, A12W, A8, B18, B28 models
• JBL VTX V-Series: V25-II, V20, S25, G28 and S28 models
• JBL VTX F Series
• JBL VTX M Series
• JBL VRX900 Series
• JBL powered VerTec Series [with DP-DA installed]
• JBL passive VerTec Series
• Crown I-Tech HD Series
• Crown VRACK 12000
• Crown VRACK 4x3500dbx
• dbx DriveRack® 4800 / 4820

Please make use of the link below to download:

The Opportunity

HU’s Art Farm | Boutique Wedding and Event Venue is situated 30 minutes from Auckland in a picturesque rural setting with majestic elevated views between Coatesville and Riverhead Forest.

The venue was conceptualised by Mrs Hu, a patron of the arts, as an international art residence for performing and visual artists, enabling collaboration and a platform to showcase their work in a custom-built gallery. When the venue is not used as a residence, the facilities are hired out for boutique weddings, corporate events, retreats and accommodation.

The wedding venue and restaurant recently underwent extensive works that included improved acoustics and an upgrade of the sound system for its wedding venue. An important part of the audio requirement was the ability to minimise noise spill from the wedding venue and observe council guidelines in the idyllic setting.

To ensure high quality sound in a controlled environment, HU’s Art Farm | Boutique Wedding and Event Venue contracted Luma Audio Visual to design a high impact sound system with sound monitoring capability.

The Solution

Luma AV engaged with JPRO to provide a unique solution of a HARMAN Professional audio system design in conjunction with SoundEar Visual Noise Solutions to meet strict council requirements of no more than 40dbA at the property boundary.

A SoundEar3-320 noise monitor was specified to provide automated reports and monitor the overall noise level produced in the venue. The SoundEar is integrated with a BSS BLU-50 processor to manage the sound system.

Luma AV selected 16x JBL Control62P pendant speakers matched with 4x Control 50ST subwoofers to achieve a full-range performance and well balanced, distributed sound to meet the SPL requirements of the venue.

System Features:

• SoundEar3-320 noise monitor provides monitoring reports in conjunction with BSS BLU-50, including automated notifications and input gain reduction. It measures and logs the SPL in the room for a period of 600 days, with data accessible via USB for reference.
• JBL Control 62P white pendant speakers provide outstanding pattern control. They are evenly distributed throughout the wedding venue, allowing for consistent volume across the floor at a lower level.
• JBL Control 50ST compact subwoofers are surface mounted to the ceiling and provide high-power low-end bass response for the system.
• The system is powered by a Crown CDi  4300BL DriveCore amplifier with built-in audio presets; it sends and receives signals digitally through HARMAN’s BLU-Link audio bus.
• A JBL EON ONE Compact portable battery powered Bluetooth loudspeaker allows for fast and easy set up of sound reinforcement for outdoor functions, canapes and can be used as a monitor wedge on stage in the venue.

The Impact

“Our primary objective was to minimise noise spill and to meet council requirements of no more than 40dbA at the boundary. This was achieved through a professional audio design, complemented by purpose-built JBL Professional audio products and acoustic absorption and dampening,” says Josh Somerville from Luma. “SoundEar provides an ingenious method to effectively control the volume in the room and meet council noise requirements! SoundEar and BSS BLU-50 work cleverly together to create a big brother approach to noise control in the room. The combination of the JBL Control50 compact surface-mount subwoofers with the Control62P pendant loudspeakers provides an amazing experience for music and speech applications in the wedding venue that must be heard to be believed. Our client is exceedingly happy with the achieved result of meeting all objectives of this project.”

“We have improved our acoustics by installing white acoustic drapes and ceiling panels, while all air gaps are acoustically insulated,” says a HU’s Art Farm spokesperson. Our new professional JBL audio system allows for easy operation by any DJ and includes Bluetooth connectivity. The array of loudspeakers deliver crisp, clear sound with no dead spots when used for music or speech. The small portable battery powered sound system is reliable to use for our outdoor functions and easy to carry to other areas where needed. We are very pleased with this project and look forward to many successful events at HU’s Art Farm | Boutique Wedding and Event Venue.”

Tech Talk

JPRO’s technical design team adds “The system at HU’s farm was designed to deliver an outstanding music performance and experience – with the control of loudness. SoundEar provides an easy solution to reduce noise levels for businesses and institutions that need to comply with regulation. The system is designed to prevent the SPL from exceeding the limit and this is achieved using a limiter in the DSP for the PA, as well as a SoundEar 320 that monitors the ambient SPL in the room. If this exceeds a pre-determined average SPL over a minute, it triggers the BLU-50 DSP to reduce the input gain of the PA, thereby controlling the overall noise reduction in the room.”

“The use of quality loudspeakers with exceptional coverage is important in achieving this result. The design specification required multiple JBL Control62P pendant speakers distributed throughout the venue at a lower SPL. Unlike conventional loudspeakers mounted on speaker stands that need to be loud at the front to reach the back (thereby introducing loudness issues), SPL from the distributed Control62P system could be lower as it produces equal loudness across the coverage area.”

Nestled in Henderson Valley in Western Auckland, Whoa! Studios is a state-of-the-art film studio and theatre specialising in live action, puppetry and miniatures. Its flagship offering is an original, world class, live show based on the characters and sets of Custard’s World – adapted for stage from a script by Bob Baker, BAFTA award winning screenwriter of Wallace & Gromit.

Whoa’s owner David Sutherland wanted to create an exciting family destination in Auckland with unforgettable live experiences. He says “It started out as an idea to do something fun for children and for families, to do something that was different to what they had engaged with before. We wanted to try and do something that was magical.”

David’s vision has resulted in a world class facility with a children’s adventure playground, a modern family restaurant and hi-tech studio and theatre facilities. In order to realise this vision and create a truly immersive experience alongside the mix of puppets, digital effects and live action from within the main stage movie set, leading world class AV technologies were needed.

World Class meant that one of New Zealand’s top integration companies, ITAV was called upon to knit together this immersive experience that would create lasting memories. Their brief was clear: sound quality, flexibility and ease of use.

Consultant and ITAV Integrator Paul Ivory had no doubts when it came to selecting his team that would partner on this project. Paul declares “I called on the best of the best in all different aspects of this project.”

Leading AV equipment supplier and specialists in Sound System and Video Distribution design JPRO were selected because of their far-reaching support, emphasis on relationship, as well as audio and product knowledge base.

AMX specialist Quentin White designed the video and switching distribution system. Projector mapping was suggested in conjunction with specialist lighting to create themes for the shows. AMX touch panels control scene changes, projectors and video monitors. This resulted in a unique part of the delivery and a main component now written into all live shows.

JPRO Sales Director and Audio Designer Paul Edlin designed the fully integrated networked audio system for the theatre and restaurant. BSS Soundweb and Soundcraft Vi3000 are an integral part of the audio distribution and essentially, the heart of the theatre system.

The primary objective was to keep as much of the Audio Signal in the digital domain as possible. Audio was passed in and out of the Vi3000 via Dante, into the BSS BLU-806 signal processor before reaching the Crown DCi Amplifiers that powered the JBL CBT-70J Array speakers and eight Zones such as the Green Room and back of stage.

Audio outputs for the live film studio and theatre were configured in 7.1 and 5.1 respectively. This was not only for a surround sound effect, but for localised sources as puppets came in from different locations around the room.

For the theatre, the first choice of speakers for Paul Ivory was always going to be the JBL CBT 70’s. “They are great for speech and music” he says, “the array of the speakers is perfect for having clear sound for the front and back end of the room; there was nothing else that came close to that decision.”

The new AKG MicroLite HC81 headworn microphones were selected as they are comfortable and lightweight to wear for the actors while the AKG wireless microphone technology used has a track record of solid reliability.

Through clever configuration and use of the Soundcraft VISI App, from an operator’s point of view the Soundcraft Vi3000 mixing console provided the central control point for all performance areas.

Paul Edlin from JPRO explains the use of the VISI integration: “Vi3000 controls all the actors and playback audio within the main theatre and on the second layer it controls audio in the second theatre.” This resulted in a cost saving of an additional mixing surface. Paul continues, “So the main theatre can be running a show and the second theatre can simultaneously run another show with audio controlled via the VISI iPad App.”

The approach to the AV design for the restaurant and mezzanine areas is equally as ingenious, with exceptional sound quality produced by the unobtrusive JBL Pendant speakers.

“You can walk throughout the café, into the parent’s area, toilets, the shop into the entrance way and the sound is all even, it is not overbearing in any area” states ITAV’s Paul Ivory.

All AV technologies such as switching on projectors and lowering screens, operating lights and adjusting volume are controlled on a touch panel system via an automated process. Third party systems control is made simple and easy to execute with Audio Architect and AMX seamlessly integrating together.

Through effective communication, simplistic AV and sound system design and leading World Class products from Harman Professional, the teams from ITAV and JPRO were able to put together a solution that will provide simplistic user operation for staff, and unforgettable live experiences for families.

David Sutherland concludes “We wanted to exceed expectations. I didn’t think it would be as good as this result – and that makes it all worthwhile.”

The Opportunity

Newmarket, Auckland New Zealand: New Zealand’s largest mall, Westfield Newmarket, recently underwent a complete redevelopment to incorporate Westfield Broadway 277 and 309 to form a new benchmark as a world-class retail and lifestyle destination.

The new mall consists of over 200 specialty stores, gymnasium, 6 screen cinema complex and a new rooftop lifestyle, dining and entertainment precinct.

To fulfil the developer’s requirement of a premium shopping experience, a high-quality multi-zone audio system was needed to provide an even distribution of background and foreground music with multi-level zone capability.

To ensure the project was completed on time with superior audio quality throughout the complex, Westfield Newmarket hired Oceanic Communications Limited (OCL) to install the audio system.

The Solution

JBL Professional’s range of installed audio solutions were selected as the loudspeakers were able to meet the stringent specifications for audio quality, volume and STI readings as well as aesthetic requirement.

OCL outfitted the redeveloped Westfield Newmarket with a Dante enabled networked audio system that included JBL Professional loudspeakers, BSS Audio Processing, Atterotech I/O endpoints, AKG paging microphones and Crown CDI installed audio amplifiers. System design and equipment was provided by leading NZ distributor JPRO.

System Features:

• JBL 8128 commercial loudspeakers with high sensitivity drivers provided maximum amplifier power efficiency.
• High Performance loudspeakers for the Entertainment zones include ceiling mounted JBL Control47LP low profile wide-coverage loudspeakers, JBL CBT70-J IP rated column array speakers and JBL Control 85 360-degree landscape speakers.
• State-of-the-art auto-sensing Plug ’n Play zones with Atterotech UND6IO wall plates for Dante audio distribution.
• Crown CDI4300 and CDI41200 energy efficient installed power amplifiers, programmed with auto-on and auto-off features.
• BSS BLU-806 audio processing and Atterotech UNDIO2x2 Dante Interfaces allowed seamless Dante integration for the entire complex, incorporating all BSS and AKG paging stations.
• A customised Master Control Panel in the main server room allows quick monitoring and control of the audio in over 40 zones.

The Impact

“We were comfortable providing a design with STI readings as JBL manufacture a variety of loudspeakers that are purpose-built for their application” says JPRO’s audio design team. “Professional quality speakers provide better audio coverage at a lower volume, and this in turn works favourably for our customer as less speakers are needed due to the efficiency of the loudspeaker and accuracy of the predictions in a system design.”

“The audio coverage and quality for this scale of project is exceptional,” says a spokesperson for OCL. “The integration and usage of Dante in the system, along with the Atterotech wall plates are really creative. The range of JBL speakers work seamlessly together, and the JBL CBT-70 with the Control82M landscape speakers create a very full and extremely clear sound in the rooftop and entertainment precinct. We appreciate the extra effort into making it easy to monitor and control over 40 zones from the main server room – we are truly pleased with the overall outcome.”