PARK ROAD POST PRODUCTION STUDIOS CHOOSE JBL 7 SERIES MASTER REFERENCE MONITORS AND CINEMA SURROUND LOUDSPEAKERS

Internationally renowned post-production facility Park Road Post in Wellington, New Zealand recently outfitted their mix studios with JBL Professional’s 9350 high impact Cinema Surround loudspeakers and upgraded to 7 Series Master Reference Monitors in a sound editorial room.

The Opportunity

Park Road Post Production is an award-winning purpose-built facility owned by WingNut Films, the production company of Sir Peter Jackson – the critically acclaimed director of The Lord of the Rings and The Hobbit Trilogy.

The vast facility consists of two large Dolby Premiere and THX certified mix theatres with full Dolby Atmos monitoring, a mid-sized cinema mix theatre, ADR and Foley stages with control rooms, home entertainment mix suites, a 180-seat client theatre, several edit suites, telecine and film laboratory facilities as well as client support spaces.

Park Road Post has an extensive filmography of celebrated blockbuster hits and it was essential that reference monitors with exceptional clarity and detail were installed into the post-production facilities.

The Solution

Park Road Post selected the JBL 9350 Cinema Surround speakers to replace the aging surrounds in the larger mix theatres. The 9350 enhances coverage with configurable vertical and horizontal coverage angles based on where the surround is positioned in the theatre.

In order to provide for an accurate sound reproduction with a broader sweet-spot in the smaller post-production facility, JBL’s 708P powered master reference monitors were chosen for a Left-Centre-Right arrangement.

“We rely on JBL’s advanced engineering, patented technologies and superior sonic character and dynamic range to create a premium cinematic sound experience.”

System Features:
  • JBL 708P Powered Master Reference Monitors set up in a left-centre-right configuration provide an expansive soundstage and greater accuracy.
  • JBL 9350 Cinema Surround loudspeakers were selected for an immersive surround and rear audio experience. The coverage can be adjusted to fit a theatre’s unique environment.

“JBL Professional has been in the movie business since the very beginning, providing innovation in cinematic audio.”

The Impact

“JBL Professional has been in the movie business since the very beginning, providing innovation in cinematic audio. Leading production facilities around the world choose JBL and we rely on the advanced engineering, patented technologies and superior sonic character and dynamic range to create a premium cinematic sound experience,” says John Neill, Director of Engineering – Sound at Park Road Post.

“Great films are inevitably made with the minimum of compromise,” states Peter Jackson “That same clarity of vision guided us when we put this facility together.”

SKOPIK SELECTS JBL PROFESSIONAL FOR PRIVATE CINEMA AT THE PALMS LIFESTYLE VILLAGE

We tried our hand at a number of products before relying on JBL Professional for our audio solutions.

WHANGAREI, AUCKLAND, NEW ZEALAND. AV and ICT integration company Skopik has selected JBL Professional Screen Array loudspeakers and Crown amplification for a private 24-person 4K cinema at The Palms Lifestyle Village.

The Opportunity

Newly built lifestyle village The Palms required a private 24-person 4K cinema that could be controlled via a user-friendly control system that staff and residents could use with ease.

AV and ICT integration company Skopik were commissioned by The Palms management after viewing and experiencing another cinema installation by Skopik. “When our team visited a previous site, we were immediately impressed by the fidelity of the technical equipment and quality of workmanship conducted by the Skopik team” comments Daniel Skelton, Manager at The Palms Lifestyle Village.

JBL Professional NZ Cinema solutions
The Solution

Skopik was able to transform an empty shell, into a tiered, fully automated cinema with a JBL 11.1 channel surround sound system.

The company handled acoustic panelling, seating layout, projection calculations, lighting design and audio ease mapping to provide The Palms with a premium cinematic experience.

As a result of their expert knowledge in professional audio and video solutions in NZ, with a large inventory of industry-leading AV equipment, JBL Professional and Crown Audio distributor JPRO was chosen to partner with Skopik on the initial audio design and specification phase of the Cinema.

“JBL’s legacy of innovation in professional and cinematic audio combined with the product offering and audio fidelity is far superior to our other first-hand experiences.”

JBL and Crown simplify audio installations for cinema
System Features
  • JBL 708i install version of the 7 Series Master Reference Monitors were selected for the left, centre and right channels, positioned behind the 150″ acoustically transparent screen.
  • 6x side surrounds and 2x rear surrounds comprise of JBL 8320 Compact Cinema Surround Speakers that were easily installed using the JBL QuickMount.
  • The 11.1 suround system is powered using Crown DriveCore CDI4300BL and CDI4600BL amplifiers. The amps have built-in DSP and speaker presets for all JBL speakers, allowing for a faster set up.
JPRO provide NZ based audio designs for various immersive design formats for Cinema and Post Production Studios
JBL and Crown Cinematic audio solutions

“We tried our hand at several products before relying on JBL Professional for our cinema solutions. We knew that this project would have a premium result.”

The Impact

“We tried our hand at a number of products before relying on JBL Professional for our audio solutions,” says Skopik AV Manager Jeff Sundrum. “JBL’s legacy of innovation in professional and cinematic audio combined with the product offering and audio fidelity is far superior to our other first-hand experiences. We knew that this project would have a premium result.”

TAURANGA ELIM CHURCH RECENTLY MOVED INTO THEIR MODERN AND FLEXIBLE WORSHIP SPACE.

“As a church, we are very pleased with the result. JPRO were always available to assist and answer all our questions, they understood our brief and we feel that their depth of knowledge and experience resulted in the outcome we enjoy today. The sound is amazing.”

After almost two years in the making, Tauranga Elim Church recently moved into their new building in Koromiko Street, in the sunny city of Tauranga in New Zealand.

The new venue is much larger than the previous church building and can accommodate 550 people in the Auditorium.

“As a church, we were blessed to have the opportunity to develop a shell of an industrial building into an awesome place of worship that speaks to the flavour and character of our people,” says Sean Verwey, Project Coordinator at Tauranga Elim. “Our primary focus was to create spaces that would encourage people to connect over great coffee, where children can feel safe and be nurtured, and where families can be inspired through connection, worship and community.”

The church features modern contemporary music styles with a live band in their services. As such, a sound system was required that would provide consistency in tone from soft levels to loud levels and smooth audio coverage from front to back.

“For the audio system in our auditorium, our requirements were simple; we wanted a system that sounded great, was punchy yet smooth through the dynamic range of a service, suited our style of music, covered the wide space evenly and overcame the challenging acoustics of the venue,” Verwey says “Our church services are quite vibrant, and the spoken word is equally as important.”

The church experimented with various loudspeaker brands before choosing JBL Professional’s CBT1000, its newest line array column loudspeaker. “We arranged a number of demonstrations from different suppliers, and from the start, the team at JPRO exceeded our expectations,” adds Sean Verwey. “We heard some great systems, but we felt that what JPRO offered met our requirements perfectly. We were also very comfortable with the level of support that they had provided up until that point, so our decision to accept their offer was unanimous.”

The system was supplied through Sound and Vision Connection and installed by the technical team from Tauranga Elim. System design, technical support and training was provided by JPRO, the JBL and Harman Professional distributor for New Zealand.

In terms of the solution, JPRO was innovative. The JBL CBT1000 provides more than enough grunt for youth services, yet is easy to mix to during a regular Sunday service and sounds amazing.”

“The Auditorium space is quite wide with some tricky acoustics,” comments Eli Murray, church audio specialist at JPRO. “As part of our service and support, we provide complimentary audio designs that include – amongst others – predicted average SPL and STI readouts and from the outset we felt that the JBL CBT1000 loudspeaker would be able to adequately cover the wide angle and length of the venue.”

Due to its wide horizontal angle properties and the tapered horizontal waveguide, two JBL CBT1000 line array column loudspeakers were selected and custom-flown in a left-right configuration, with a JBL VT4883 subcompact used as a low-mid extension. Lower bass frequencies for the main PA are taken care of by a JBL VTX G28 subwoofer which was proven to be best suited to keep up with the CBT1000 line array column technology.

In terms of the solution, JPRO was innovative,” says Sean Verwey. “The JBL CBT1000 provides more than enough grunt for youth services, yet is easy to mix to during a regular Sunday service and sounds amazing.”

“As a church, we are very pleased with the result. JPRO were always available to assist and answer all our questions, they understood our brief and we feel that their depth of knowledge and experience resulted in the outcome we enjoy today. We highly recommend them.”

A JBL CBT70, with its ability to send more sound toward the far area of a room for level consistency, is used for speech reinforcement in the mezzanine level. With proven reliability, four inputs available on a high-powered tour sound amplifier and OMNIDRIVEHD processing on each amp channel, the entire audio system is powered and managed by Crown iTech 4x3500HD and CDI4300 amplifiers.

“The JBL CBT1000 line array column loudspeaker is a perfect solution for customers that are looking for line array loudspeakers, but don’t quite have the budget for a fully-fledged line array system,” says Eli Murray. “Its consistency in tone from soft levels to loud levels and ability to cover audio over wide and long distances and overcome tricky acoustic spaces, make it an asset for church and auditorium environments today.”

SOUNDEAR 3-320 NOISE MONITOR ALLOWS FOR A HIGH IMPACT JBL SOUND SYSTEM AT WEDDING VENUE WITH SOUND MONITORING AND NOISE CONTROL CAPABILITY

The Opportunity

HU’s Art Farm | Boutique Wedding and Event Venue is situated 30 minutes from Auckland in a picturesque rural setting with majestic elevated views between Coatesville and Riverhead Forest.

The venue was conceptualised by Mrs Hu, a patron of the arts, as an international art residence for performing and visual artists, enabling collaboration and a platform to showcase their work in a custom-built gallery. When the venue is not used as a residence, the facilities are hired out for boutique weddings, corporate events, retreats and accommodation.

The wedding venue and restaurant recently underwent extensive works that included improved acoustics and an upgrade of the sound system for its wedding venue. An important part of the audio requirement was the ability to minimise noise spill from the wedding venue and observe council guidelines in the idyllic setting.

To ensure high quality sound in a controlled environment, HU’s Art Farm | Boutique Wedding and Event Venue contracted Luma Audio Visual to design a high impact sound system with sound monitoring capability.

The Solution

Luma AV engaged with JPRO to provide a unique solution of a HARMAN Professional audio system design in conjunction with SoundEar Visual Noise Solutions to meet strict council requirements of no more than 40dbA at the property boundary.

A SoundEar3-320 noise monitor was specified to provide automated reports and monitor the overall noise level produced in the venue. The SoundEar is integrated with a BSS BLU-50 processor to manage the sound system.

Luma AV selected 16x JBL Control62P pendant speakers matched with 4x Control 50ST subwoofers to achieve a full-range performance and well balanced, distributed sound to meet the SPL requirements of the venue.

“SoundEar provides an ingenious method to effectively control the volume in the room and meet council noise requirements!”

System Features:
  • SoundEar3-320 noise monitor provides monitoring reports in conjunction with BSS BLU-50, including automated notifications and input gain reduction. It measures and logs the SPL in the room for a period of 600 days, with data accessible via USB for reference.
  • JBL Control 62P white pendant speakers provide outstanding pattern control. They are evenly distributed throughout the wedding venue, allowing for consistent volume across the floor at a lower level.
  • JBL Control 50ST compact subwoofers are surface mounted to the ceiling and provide high-power low-end bass response for the system.
  • The system is powered by a Crown CDi  4300BL DriveCore amplifier with built-in audio presets; it sends and receives signals digitally through HARMAN’s BLU-Link audio bus.
  • A JBL EON ONE Compact portable battery powered Bluetooth loudspeaker allows for fast and easy set up of sound reinforcement for outdoor functions, canapes and can be used as a monitor wedge on stage in the venue.

“We are very pleased with this project and look forward to many successful events at HU’s Art Farm.”

The Impact

“Our primary objective was to minimise noise spill and to meet council requirements of no more than 40dbA at the boundary. This was achieved through a professional audio design, complemented by purpose-built JBL Professional audio products and acoustic absorption and dampening,” says Josh Somerville from Luma. “SoundEar provides an ingenious method to effectively control the volume in the room and meet council noise requirements! SoundEar and BSS BLU-50 work cleverly together to create a big brother approach to noise control in the room. The combination of the JBL Control50 compact surface-mount subwoofers with the Control62P pendant loudspeakers provides an amazing experience for music and speech applications in the wedding venue that must be heard to be believed. Our client is exceedingly happy with the achieved result of meeting all objectives of this project.”

“We have improved our acoustics by installing white acoustic drapes and ceiling panels, while all air gaps are acoustically insulated,” says a HU’s Art Farm spokesperson. Our new professional JBL audio system allows for easy operation by any DJ and includes Bluetooth connectivity. The array of loudspeakers deliver crisp, clear sound with no dead spots when used for music or speech. The small portable battery powered sound system is reliable to use for our outdoor functions and easy to carry to other areas where needed. We are very pleased with this project and look forward to many successful events at HU’s Art Farm | Boutique Wedding and Event Venue.”

Tech Talk

JPRO’s technical design team adds “The system at HU’s farm was designed to deliver an outstanding music performance and experience – with the control of loudness. SoundEar provides an easy solution to reduce noise levels for businesses and institutions that need to comply with regulation. The system is designed to prevent the SPL from exceeding the limit and this is achieved using a limiter in the DSP for the PA, as well as a SoundEar 320 that monitors the ambient SPL in the room. If this exceeds a pre-determined average SPL over a minute, it triggers the BLU-50 DSP to reduce the input gain of the PA, thereby controlling the overall noise reduction in the room.”

“The use of quality loudspeakers with exceptional coverage is important in achieving this result. The design specification required multiple JBL Control62P pendant speakers distributed throughout the venue at a lower SPL. Unlike conventional loudspeakers mounted on speaker stands that need to be loud at the front to reach the back (thereby introducing loudness issues), SPL from the distributed Control62P system could be lower as it produces equal loudness across the coverage area.”

HARMAN PROFESSIONAL SOLUTIONS PROVIDE UNFORGETTABLE LIVE EXPERIENCES AT WHOA! STUDIOS | THE GROUNDS RESTAURANT

Nestled in Henderson Valley in Western Auckland, Whoa! Studios is a state-of-the-art film studio and theatre specialising in live action, puppetry and miniatures. Its flagship offering is an original, world class, live show based on the characters and sets of Custard’s World – adapted for stage from a script by Bob Baker, BAFTA award winning screenwriter of Wallace & Gromit.

Whoa’s owner David Sutherland wanted to create an exciting family destination in Auckland with unforgettable live experiences. He says “It started out as an idea to do something fun for children and for families, to do something that was different to what they had engaged with before. We wanted to try and do something that was magical.”

David’s vision has resulted in a world class facility with a children’s adventure playground, a modern family restaurant and hi-tech studio and theatre facilities. In order to realise this vision and create a truly immersive experience alongside the mix of puppets, digital effects and live action from within the main stage movie set, leading world class AV technologies were needed.

JBL AMX BSS Soundcraft improve fan experience for NZ multipurpose venue theatre studio restaurant

World Class meant that one of New Zealand’s top integration companies, ITAV was called upon to knit together this immersive experience that would create lasting memories. Their brief was clear: sound quality, flexibility and ease of use.

Consultant and ITAV Integrator Paul Ivory had no doubts when it came to selecting his team that would partner on this project. Paul declares “I called on the best of the best in all different aspects of this project.”

Leading AV equipment supplier and specialists in Sound System and Video Distribution design JPRO were selected because of their far-reaching support, emphasis on relationship, as well as audio and product knowledge base.

AMX specialist Quentin White designed the video and switching distribution system. Projector mapping was suggested in conjunction with specialist lighting to create themes for the shows. AMX touch panels control scene changes, projectors and video monitors. This resulted in a unique part of the delivery and a main component now written into all live shows.

JPRO Sales Director and Audio Designer Paul Edlin designed the fully integrated networked audio system for the theatre and restaurant. BSS Soundweb and Soundcraft Vi3000 are an integral part of the audio distribution and essentially, the heart of the theatre system.

AMX touch panels control scene changes, projectors and video monitors. This resulted in a unique part of the delivery and a main component now written into all live shows.

Best audio coverage and smooth sound from JBL Pendant loudspeakers for Commercial Restaurant Office and entertainment venues in NZ New Zealand JPRO

The primary objective was to keep as much of the Audio Signal in the digital domain as possible. Audio was passed in and out of the Vi3000 via Dante, into the BSS BLU-806 signal processor before reaching the Crown DCi Amplifiers that powered the JBL CBT-70J Array speakers and eight Zones such as the Green Room and back of stage.

Audio outputs for the live film studio and theatre were configured in 7.1 and 5.1 respectively. This was not only for a surround sound effect, but for localised sources as puppets came in from different locations around the room.

For the theatre, the first choice of speakers for Paul Ivory was always going to be the JBL CBT 70’s. “They are great for speech and music” he says, “the array of the speakers is perfect for having clear sound for the front and back end of the room; there was nothing else that came close to that decision.”

The new AKG MicroLite HC81 headworn microphones were selected as they are comfortable and lightweight to wear for the actors while the AKG wireless microphone technology used has a track record of solid reliability.

Through clever configuration and use of the Soundcraft VISI App, from an operator’s point of view the Soundcraft Vi3000 mixing console provided the central control point for all performance areas.

Paul Edlin from JPRO explains the use of the VISI integration: “Vi3000 controls all the actors and playback audio within the main theatre and on the second layer it controls audio in the second theatre.” This resulted in a cost saving of an additional mixing surface. Paul continues, “So the main theatre can be running a show and the second theatre can simultaneously run another show with audio controlled via the VISI iPad App.”

JBL Professional Control Contractor loudspeakers are the best choice for every commercial audio requirement indoors and outdoors throughout New Zealand NZ JPRO
AMX by Harman is the preferred video control and switching solution for pro AV AVOIP with next gen touch panels in NZ JPRO

“You can walk throughout the cafe, into the parent’s area, toilets, the shop into the entrance way and the sound is all even, it is not overbearing in any area”

The approach to the AV design for the restaurant and mezzanine areas is equally as ingenious, with exceptional sound quality produced by the unobtrusive JBL Pendant speakers.

“You can walk throughout the café, into the parent’s area, toilets, the shop into the entrance way and the sound is all even, it is not overbearing in any area” states ITAV’s Paul Ivory.

All AV technologies such as switching on projectors and lowering screens, operating lights and adjusting volume are controlled on a touch panel system via an automated process. Third party systems control is made simple and easy to execute with Audio Architect and AMX seamlessly integrating together.

Through effective communication, simplistic AV and sound system design and leading World Class products from Harman Professional, the teams from ITAV and JPRO were able to put together a solution that will provide simplistic user operation for staff, and unforgettable live experiences for families.

David Sutherland concludes “We wanted to exceed expectations. I didn’t think it would be as good as this result – and that makes it all worthwhile.”

JBL CONTROL CONTRACTOR LOUDSPEAKERS PROVIDE A PREMIUM SHOPPING EXPERIENCE AT WESTFIELD NEWMARKET

The Opportunity

Newmarket, Auckland New Zealand: New Zealand’s largest mall, Westfield Newmarket, recently underwent a complete redevelopment to incorporate Westfield Broadway 277 and 309 to form a new benchmark as a world-class retail and lifestyle destination.

The new mall consists of over 200 specialty stores, gymnasium, 6 screen cinema complex and a new rooftop lifestyle, dining and entertainment precinct.

To fulfil the developer’s requirement of a premium shopping experience, a high-quality multi-zone audio system was needed to provide an even distribution of background and foreground music with multi-level zone capability.

To ensure the project was completed on time with superior audio quality throughout the complex, Westfield Newmarket hired Oceanic Communications Limited (OCL) to install the audio system.

JBL The Bavarian
The Solution

JBL Professional’s range of installed audio solutions were selected as the loudspeakers were able to meet the stringent specifications for audio quality, volume and STI readings as well as aesthetic requirement.

OCL outfitted the redeveloped Westfield Newmarket with a Dante enabled networked audio system that included JBL Professional loudspeakers, BSS Audio Processing, Atterotech I/O endpoints, AKG paging microphones and Crown CDI installed audio amplifiers. System design and equipment was provided by leading NZ distributor JPRO.

“We were comfortable providing a design with STI readings as JBL manufacture a variety of loudspeakers that are purpose-built for their application”

JBL Outdoor Speakers CBT-70J Control82M
System Features:
  • JBL 8128 commercial loudspeakers with high sensitivity drivers provided maximum amplifier power efficiency.
  • High Performance loudspeakers for the Entertainment zones include ceiling mounted JBL Control47LP low profile wide-coverage loudspeakers, JBL CBT70-J IP rated column array speakers and JBL Control 85 360-degree landscape speakers.
  • State-of-the-art auto-sensing Plug ’n Play zones with Atterotech UND6IO wall plates for Dante audio distribution.
  • Crown CDI4300 and CDI41200 energy efficient installed power amplifiers, programmed with auto-on and auto-off features.
  • BSS BLU-806 audio processing and Atterotech UNDIO2x2 Dante Interfaces allowed seamless Dante integration for the entire complex, incorporating all BSS and AKG paging stations.
  • A customised Master Control Panel in the main server room allows quick monitoring and control of the audio in over 40 zones.

“Professional speakers provide better audio coverage at a lower volume, which works favourably for a customer as less speakers are needed.”

The Impact

“We were comfortable providing a design with STI readings as JBL manufacture a variety of loudspeakers that are purpose-built for their application” says JPRO’s audio design team. “Professional quality speakers provide better audio coverage at a lower volume, and this in turn works favourably for our customer as less speakers are needed due to the efficiency of the loudspeaker and accuracy of the predictions in a system design.”

“The audio coverage and quality for this scale of project is exceptional,” says a spokesperson for OCL. “The integration and usage of Dante in the system, along with the Atterotech wall plates are really creative. The range of JBL speakers work seamlessly together, and the JBL CBT-70 with the Control82M landscape speakers create a very full and extremely clear sound in the rooftop and entertainment precinct. We appreciate the extra effort into making it easy to monitor and control over 40 zones from the main server room – we are truly pleased with the overall outcome.”

AUCKLAND’S STARDOME OBSERVATORY & PLANETARIUM UPGRADES WITH JBL PROFESSIONAL AND CROWN DRIVECORE AMPLIFIERS

“A system of this nature is a significant investment, with performances 6 days a week, the selected system would need to work day-in and day-out”

Auckland, New Zealand. The Stardome Observatory and Planetarium in Auckland’s One Tree Hill Domain recently upgraded its Cinema and Live Performance System with a 5.1 surround multi-purpose high-performance JBL AE Series sound system.

The new system was specified and installed by AV Integration company Avid Automation after they were called upon by the Auckland Observatory and Stardome team to provide a state-of-the-art sound system for the planetarium theatre.

Stardome opened to the public in 1967 as an observatory, while New Zealand’s largest planetarium theatre was added in 1997. The 360-degree panoramic theatre allows for a complete immersive experience with a full-dome concave screen on which 360-degree films are projected with laser projectors, IMAX model angled seating and the brand new JBL Professional AE series surround sound system.

“A system of this nature is a significant investment,” says Darian Sundar, Director at Avid Automation. “The venue is open to the public with performances 6 days a week, requiring the selected system to work day-in and day-out – so for Stardome and Avid Automation, localised support, reliability and versatility was key in our decision making.”

Leading specialists in sound system design and JBL distributor JPRO were chosen to assist with the supply and commissioning because of their product knowledge base and approach to the system design.

Darian Sundar continues “The primary use of the system would be to provide an immersive 5.1 cinema experience, but the theatre also doubles as a live performance venue for small bands and events – everything from strings to electronica. So, whilst having to offer an accurate cinematic experience the system would need to be capable of handling larger SPL to accommodate live performances.”

JPRO Sales Director Paul Edlin and his audio design team specified JBL AE Series loudspeakers for the theatre. “JBL have an extensive range of purpose-built products that are manufactured in-house. The AE series are specifically manufactured for theatrical sound design and performing arts facilities, so we knew that they would suit the scope of this project perfectly.”

“The HARMAN Professional range of products and JPRO were the only choice for us and our client to achieve all the objectives with minimal downtime. It is not only about the product; it is also about the knowledge pool that you tap into and the service you get.”

To fit in with the demanding schedule of the Stardome and minimise down time, the Avid Automation team were given two days to remove the old infrastructure and install the new system. Knowing that this would not be enough time AVID implemented all the new system cable infrastructure ahead of time after evening show times.

“We needed to be ready for business as usual Tuesday morning,” says Darian. “To achieve this the entire sound and control systems were built off-site at the Avid workshop. We essentially torture tested the system through multiple configuration modes such as it would be used in real day-to-day use – this is the only way we could be confident that any programming issues where found and resolved. The ability to plot all JBL speakers in a 3D model of the Stardome gave us the confidence that we knew it would work 100 percent. The translation into a real-life installation was incredibly accurate with very little tweaking necessary, saving us heaps of time.”

Due to the shape of the venue, all brackets and flyware were custom-built and physically attached to the exterior of the Stardome structure.  The surround system comprises of 2x JBL AM7215-95 High Power 2-Way Loudspeakers for Left and Right, while a JBL AM7215-26 with a 120° x 60° rotatable waveguide provide accurate audio for the critical centre channel.

JBL AC18/95 compact 2-way loudspeakers were selected for the surround channels as their enclosure design allows for installation very close to the ceiling, providing a smooth, natural immersive audio experience throughout the intended listening area.

Three JBL VTX-B18 single 18″ high performance subwoofers provide a solid bass foundation for a ground-shaking experience.

“The cardioid sub array configuration is simply magic and is an integral part of the system design,” enthuses Darian. “It allows the performance volume of the bass to be focused into the room without sub-bass spill into the foyer and office areas.”

“The cardioid sub array configuration is simply magic and is an integral part of the system design.”

Amplification and system management is achieved with two Crown DriveCore CDI41200BL power amplifiers. “That allowed for an impressive mix of high-performance and ease of use. Taking full advantage of the preloaded JBL Speaker tunings allowed us to get the best performance not only out of the speakers but the amplifiers as well.

Additional audio system processing, including Dante distribution and interfacing with the venues fire evacuation system was achieved with a BSS BLU-806 signal processor.

The Stardome system is used on heavy rotation daily by various Stardome operators, including volunteers. It was essential that a user-friendly operating system was implemented that could be understood and operated by all. Avid Automation designed a custom touch panel interface known as ‘TP Mode’ that could be used to operate the system via the touch panel or switch the system over to ‘Console Mode’ where the Soundcraft Si Performer digital mixer with Dante card and MSB16 stage box was the main controller for live performance events.

The interface was designed in collaboration with the client to ensure it was easy and intuitive to use. Specific ‘dark mode’ colour palates were chosen to not only minimise light pollution within the observatory during shows but to also tie in with the Soundcraft Fader Glow colour coded layers of the Si Performer for continuity.

Darian Sundar concludes: “The HARMAN Professional range of products and JPRO were the only choice for us and our client to achieve all the objectives with minimal downtime. It is not only about the product; it is also about the knowledge pool that you tap into and the service you get and with this in mind everyone one benefitted.”

MAORI TV INVESTS IN A STUDER VISTA DIGITAL CONSOLE

“We wanted consoles that were reliable and easy to use, so that most of the people in our studio would be able to operate them.”

Mâori Television provides a range of local and international programming for New Zealand’s audiences across the country and online. Founded in 2004, the station is dedicated to the revitalization and normalization of the Mâori language and culture through high-quality, readily accessible programming in both Mâori and English. Reflecting its commitment to quality, Mâori Television recently upgraded its studios with the addition of HARMAN’s Studer 32-fader Vista 5 M3 and 12-fader OnAir 2500 digital consoles.

The studio needed to replace its aging analogue mixing desks and make the move to digital. They wanted consoles that were flexible and easy to use. “Our studios are used for a variety of shows, including live news and current affairs programs, talk shows, sports programming and more,” said Kane Dickie, sound team leader. “One of the most challenging requirements is doing the sound for a live music show that requires mixing multiple hosts talking at once plus a live band.”

Mâori Television wanted to avoid having to patch the consoles into external effects devices, and chose the Studer consoles because they had enough built-in effects to handle all the processing for all the shows that are produced at Mâori Television. Ease of use was equally important – “we wanted consoles that were intuitive to use, so that most of the people in our studio would be able to operate them.” In addition, the consoles had to be able to link together so they could share sources between Mâori Televisions two broadcast studios. The Vista 5 M3 offers access of up to 240 channels, ensuring the station would have all the inputs it needs. Along with the Vista 5 M3 and On Air 2500, Mâori Television purchased three Studer Compact Stagebox expansion units, a 32-in/16-out and two 16-in/16-out models.

“We’ve noticed that the Studer consoles’ preamps have made all of our mics sound much cleaner”

Before Mâori TV purchased them, JPRO set up the complete system on their premises to allow Kane and his team to try them out. The Mâori TV staff took to the consoles immediately, giving high marks to the consoles’ easy, fast and responsive operation, accessible control layouts, convenient Vistonics™ and Touch’n’Action color touch screens, and variety of useful built-in effects.”

Now that the Vista 5 M3 and On Air 2500 are up and running at Mâori Television, Kane confirms their initial positive experience with the consoles at JPRO. “The transition from analogue to digital consoles went smoothly. In addition to doing everything we need them to and then some, we’ve noticed that the Studer consoles’ preamps have made all of our mics sound much cleaner. In addition, all of the old analogue buzz we could never get rid of in the past has disappeared.” In Mâori it’s called “Kia Tika” – being professional and maintaining high standards. It’s one of Mâori Television’s core values, and the Studer Vista 5 M3 and On Air 2500 reflect the station’s commitment to “Kia Tika.”

JBL VTX A12 AND A8 LINE ARRAYS FEATURE AT NEW ZEALAND’S GREATEST SUMMER MUSIC FESTIVAL

Mount Maunganui, Tauranga, New Zealand: Literally the world’s first festival of 2019 saw over 30-thousand festival goers brave the hot summer sun at Mount Maunganui to enjoy world class music entertainment.

Local and International artists including Peking Duk, Sticky Fingers, London Elektricity, Shapeshifter, Ladi6, Tash Sultana and rapping superstar Cardi B formed part of the line-up.

In only four years, Bay Dreams has fast become one of New Zealand’s best summer festivals. The event began in 2016 with 5,000 attendees to over 30,000 in 2019 for the North Island event. A second South Island location has now been added to the itinerary in the city of Nelson.

NZ Sound Reinforcement, a full-service production company deployed a stunning JBL Professional audio solution for the second stage with a combined audio output of 500,000 watts RMS that included the innovative JBL VTX A12 and new VTX A8 line array elements.

Subwoofer power for NZ JBL VTX G28

Having recently become part of the JBL VTX A-series family in New Zealand, NZ Sound owners Ray and Brenda Ward are exceedingly happy. “We are blown away; Bay Dreams was pretty epic. The JBL VTX A12 and A8 systems have performed even beyond our expectations – they sound amazing. JBL certainly helped the artists to put on some of their best performances and the crowd loved it,” says Brenda Ward.

Ray Ward adds: “The new JBL VTX A-Series systems have provided an amazing experience for all involved, from the artists to the spectators. The systems have shown impressive coverage outdoors, providing a very smooth and natural top-end. We look forward to providing incredible sound for the summer festivals and international artists making their way to New Zealand in the coming months. We thank organisers Pato Alvarez and Mitch Lowe for putting on another sold-out masterpiece.”

“JBL VTX A12 and A8 Line Arrays certainly helped the artists to put on some of their best performances and the crowd loved it.”

System Features

NZ Sound deployed a complete JBL Professional audio system featuring 24 VTX A12 line array loudspeakers on the main hang and 18 of the all-new smaller format VTX A8 line array loudspeakers on side hangs. Due to the nature of the performances, 24 ground shaking VTX G28 subwoofers provided tight, powerful bass coverage. Infills comprised of 8 VTX F12 12” biamplified loudspeakers.

Stage monitoring was equally impressive, allowing for exceptional audio for all performers with 16 JBL VTX M20 dual 10” and 4 VTX M22 dual 12” tour monitors for DJ and drum wedges. 2 VT4883 subwoofers took care of the drum subs with side-fills consisting of 2 VTX F35 dual 15” 3-way enclosures and 2 G28 subs.

All amplification was provided by Crown V-Racks with Crown iTech 3500 amplifiers, totalling in excess of 500,000 watts of sound power. Audio System management and control were handled through JBL HiQnet Performance Manager software and system set-up made easy with JBL’s Line Array Calculator.

“This is easily the most impressive event we have ever put together, I am ecstatic.”

The Impact

“Performance Manager and Line Array Calculator has helped save time and energy as we were able to pre-configure settings and system alignment before the event,” says Tim Robertson from local JBL distributor JPRO, who provided technical support and system design for the event. “System predictions have been very accurate and minor tweaks were needed once the system was loaded in and set up.”

NZ Sound is set to bring exceptional audio coverage to the Summer Festivals and international artists such as Bryan Adams, Toto and UB40 who are making their way to New Zealand in the coming months.

At the time of writing, with the new Bay Dreams location on his mind, organiser Mitch Lowe can hardly contain himself. “This is easily the most impressive event we have ever put together, I am ecstatic. Its off to Nelson we go!”

WELLINGTON CATHEDRAL OF ST PAUL UPGRADES ITS SOUND WITH JBL INTELLIVOX BEAM STEERING COLUMN SPEAKERS AND HARMAN PROFESSIONAL SOLUTIONS

The Wellington Cathedral of St Paul is the mother church of the Anglican Diocese of Wellington in New Zealand and the parish church of the historic district of Thorndon. It is situated within Wellington’s parliamentary precinct and attracts a vibrant and diverse community of people drawn by a particular style of Anglican Cathedral worship which includes fine choral music.

Apart from its role in the Church, the Cathedral has a number of functions as it serves an important civic and national role in New Zealand. It is frequently used to host services of particular attention or significant events, while the fine acoustics in the Cathedral make it a sought after venue for concerts, both choral and orchestral.

Sound reinforcement plays a critical role in the Cathedral, where the tonal balance needs to be just right, complementing the natural acoustics of the building with amplified and distributed sound, ensuring that the spoken word and music accompaniment can be clearly heard.

David Kendall Audio Visual was tasked with the sound system upgrade where leading sound system technologies were needed for the sanctuary and surrounding areas. Due to their professional audio expertise and ability to provide unique custom designs, David Kendall chose supplier JPRO to partner on the project.

“This was always going to be a challenging job – over the years quite a few people have had a crack at it,” says David Kendall, Integrator. “Thanks to the technology provided by HARMAN solutions, we were able to make big improvements while staying within the church’s budget. Lots of work went into getting the design right and even more into the installation and tuning. I am very proud of what we achieved with a very tricky acoustic space. And now the Anglican Church have a usable Cathedral space in Wellington.”

Paul Edlin and the technical design team from JPRO designed the networked audio and distribution system for the Cathedral. Soundcraft Si Impact, JBL Intellivox and CBT array column speakers and BSS Soundweb processing form the primary parts of the audio distribution, critical for the sensitive nature of the acoustics in the venue.

“One of the main objectives with the system design was to ensure that the sound energy produced by the loudspeakers was distributed evenly in the areas needed, avoiding any unnecessary reflections that could negatively affect the sound and acoustics,” states Paul Edlin. “The JBL Intellivox and CBT line array column speakers were selected as they have been manufactured to work in challenging acoustic spaces and they are perfect for speech and music.”

Earlier generation Intellivox speakers had been used as part of the previous sound system and these were re-configured and re-deployed into the system upgrade.

“I am now extremely happy having heard it in action. Many thanks to David Kendall and the JPRO team for the expertise and hard work they displayed during the installation – you’re legends!”

The main part of the Cathedral – the front Nave – is covered using JBL Intellivox DS280 Active Beamshaping Array loudspeakers which are capable of maintaining a constant sound pressure level up to 35 metres. These speakers have on-board amplification and DSP that are able to adjust to the acoustic requirements of the venue. The existing Intellivox DC280 speakers were redeployed into the rear Nave of the Cathedral.

JBL CBT-50 and CBT-100 line array column speakers, powered by Crown DCi Amplification were used for the Chancel, Choir and Front Fills.

As for the audio processing and distribution, audio is passed in and out of 2x BSS BLU-100 processors and a Soundcraft Si Impact digital mixing console. Basic education and smart system design has allowed simple operation for everyone; offering uncomplicated functionality for lay people, yet great flexibility for skilled AV operators. A BLU-100 was configured to be used as a stage box, allowing for ease of use during liturgy and preaching, as the microphones are automatically mixed using the Soundweb automix function. Control is done via an iPad with the ViSi App and the Si Impact digital mixer is used when greater control is required and for guest artists when the venue is used for concerts.

“The JBL Intellivox and CBT line array column speakers were selected as they have been manufactured to work in challenging acoustic spaces and they are perfect for speech and music.”

“The sound system usually has an upgrade every 10 years or so,” says the Dean of Wellington Reverend Digby Wilkinson. “I am very happy with this upgrade – the sound quality, coverage and control provided by the system is a huge improvement and it sounds fantastic!”

Events Manager and Assistant Director of Music Richard Apperley adds: “I expended a lot of nervous energy while the sound system work was underway. I am now extremely happy having heard it in action. Many thanks to David Kendall and the JPRO team for the expertise and hard work they displayed during the installation – you’re legends!”

MARITIME NEW ZEALAND EQUIPPED WITH AMX SVSI TO PROVIDE A SCALABLE, FLEXIBLE NETWORKED AV SYSTEM CAPABLE OF CARRYING OUT MILITARY-GRADE OPERATIONS

New Era Technology (formerly Asnet) recently installed an AMX SVSI networked AV solution to provide Maritime NZ’s new Risk Coordination Centre with a scalable, flexible AV system capable of carrying out military-grade operations.

Maritime NZ has a vital role in national security. Its purpose is to ensure that all maritime activities are carried out safely, with minimal impact on the environment and the nation’s security. The Risk Coordination Centre in New Zealand (RCCNZ) provides search and rescue services to the third largest area in the world, 24 hours a day, seven days a week, 365 days a year.

While planning the construction of a new Risk Coordination Centre, Maritime NZ reached out to New Era (formerly Asnet) for help relocating their existing AV system to the new facility. However, after evaluating the risks involved with moving an aged system, they quickly decided to upgrade to a more modern, flexible technology solution that could adapt to their unique needs. New Era selected an AMX SVSI Networked AV solution — one of the first of its type to be deployed in New Zealand.

HDMI over CAT extender HDBaseT networked AV distribution solutions for government infrastructure

“Looking at the current Risk Coordination Centre, we realised that we needed a new system that could adapt to the future developments of Maritime NZ, and the AMX SVSI system was the best possible solution for our needs,” said Paul Thompson, Account Manager, Asnet Technologies. “We needed the ability to switch any input to any output across their environment. The AMX SVSI solution was able to provide us with the flexibility, functionality, and scalability we needed to get the job done.”

Maritime NZ is responsible for land, air and sea rescue coordination — which meant the installation of the new AV system needed to be completed quickly to prevent disruption in operations. Leveraging SVSI’s simple installation the Asnet team took only three days to deploy the solution. This worked within the tight timeframe, ensuring that the risk coordination centre was never offline.

“Looking at the current Risk Coordination Centre, we realised that we needed a new system that could adapt to the future developments of Maritime NZ, and the AMX SVSI system was the best possible solution for our needs.”

With the AMX SVSI solution we can now work faster, smarter and safer

“Our 10-year old video solution was obsolete — and an AV solution is critical for us,” said Aaron Mikoz, CIO Maritime NZ. “With the new AMX SVSI solution, we can now work faster, smarter and safer. During search-and-rescue operations, we can see key information displayed on the screen, providing us with a better understanding of the situation without having to depend on complicated briefings.”

AMX SVSI scalable Networked AV solutions are reliable and secure for mission critical applications

“With the new AMX SVSI solution, we can now work faster, smarter and safer.”

New Era installed AMX touch panels with integrated controllers to integrate the audio system with other AV devices and the AMX N1000 Video Over IP Encoder/Decoders as part of a full AV solution. To be able to address larger groups of people, JBL surface mount and pendant speakers were positioned to reduce audio spill into other areas. The system allows the new and improved RCCNZ to distribute media leveraging common network switches in any size and configuration.

“To be associated with Maritime NZ and to provide effective technologies in AV and control products is a privilege for Harman Professional Solutions,” said Ramesh Jayaraman, VP & GM Harman Professional Solutions, APAC. “We would like to thank New Era (formerly Asnet Technologies) for successfully completing this project within a tight schedule of three days, ensuring zero downtime. To be able to implement mission-critical AV applications for a defence agency is an absolute honour.”

AUCKLAND ZOO’S OLD ELEPHANT HOUSE RESTAURANT EQUIPPED WITH JBL CONTROL CONTRACTOR AND ALL-WEATHER OUTDOOR SPEAKERS

The Old Elephant House was once home to Auckland Zoo’s elephants, today it is an iconic multi-purpose restaurant in a relaxed environment. The historical house, built in 1922, features new interiors with the restaurant suited to host a variety of events including seated dinners, wedding receptions and cocktail parties – inside as well as outside in a courtyard bar.

AV and ICT integration company Skopik was commissioned to design and install an easy-to-use multi-zone audio system to cater for the needs of the venue.

Control your restaurant and bar sound system with Crown CDI Amplifiers and the Motion Control App

“The brief was simple,” says Jeff Sundrum, AV Service & Installations Manager at Skopik. “Our client required a high-fidelity audio solution for a number of areas at the Old Elephant House, which could be used by any staff member. We selected the JBL Control Contractor series and all-weather outdoor speakers as JBL have a broad range of products to choose from and the audio quality and coverage is pristine. This ensured that the best type of speaker was utilised in each location.”

“JBL Control Contractor and all-weather outdoor speakers have a broad range of products to choose from and the audio quality and coverage is pristine.”

JBL Professional all-weather outdoor loudspeaker

Several JBL Control 25-1 two-way 5-inch compact wall-mount speakers were selected for their sonic characteristic and contemporary design that complemented the new interiors of the Old Elephant House. JBL Control 14CT two-way 4-inch ceiling speakers allowed for seamless coverage in more difficult to reach spaces, while JBL AWC 62 compact all-weather loudspeakers were installed in the outdoor sections of the venue.

With specification assistance by JPRO, Skopik was able to design and install a system where staff could utilise an iPad to control sources and audio levels in all 4 zones.

JBL AWC 62 compact all-weather loudspeakers were specified for the outdoor sections of the Auckland Zoo Old Elephant House Restaurant
JBL Control 25-1 two-way 5-inch compact wall-mount speakers were selected for their sonic characteristic and contemporary design that complemented the new interiors of the Old Elephant House

“The CDi4300 internal DSP and speaker presets meant that we did not have to rely on any external DSP, which simplified the installation process.”

“We simplified the installation process with a 4-channel Crown Drivecore CDi4300 amplifier, which gave us sufficient zones to work with,” adds Jeff Sundrum, “The CDi4300 speaker presets and internal DSP for JBL loudspeakers meant that we did not have to rely on any external DSP. Some basic programming on the Motion Control app allowed us to provide staff with a clean and simple-to-use interface to manage audio sources and volume in all four zones. Our client is enormously happy with the outcome.”

“JBL Control Contractor series has a profound heritage and is the industry leader for commercial speakers offering a massive variety of loudspeakers for any application,” says Eli Murray, AVC Sales at JPRO. “We are proud to be part of this project – Skopik has provided an amazing solution in this tranquil space.”

Hospitals can be stressful places. Researchers at The Ottawa Hospital began to understand one reason why when they started tracking noise levels in areas where patients were sleeping.

When concluding their research, the team at Ottawa Hospital’s General Campus discovered that noise levels at night in one unit averaged 76 decibels — the staggering equivalent of sleeping next to a busy highway.

Beeping monitors, ventilators and constant chatter from hospital staff annoy patients and in some cases, endanger their health.

“Noise from many sources can keep patients awake, leaving them exhausted in the morning. It is consistently one of the top reasons patients and their families tell us they were unsatisfied with their care,” said Debra Bournes, chief nursing executive and vice-president of clinical programs.

The Ottawa Hospital — with the help of SoundEar, an electronic ear and visual noise monitor that changes colour when noise levels increase — has made an effort to change that.

SoundEar devices have full in-built monitoring and reporting functions, with transfer of log data via USB that gives a complete overview of the noise environment. Automated noise reports can also be set up to receive reports before or after a shift, directly to email.

The “SoundEar” was tried as a pilot project, offering a visual reminder of sound levels on wards during the night. It is green when noise levels are low and turns yellow and red as levels rise.

Bournes said the device allows hospital staff to track patterns of noise and make changes.

“A busy hospital can be as loud at night as during the day. It can be like standing beside a highway.”

Numerous studies have found a direct link between uninterrupted sleep and faster, more complete healing. Interrupted or disturbed sleep affects the immune system and delays recovery from major surgery and from heart attacks. A 2005 study by researchers in Sweden found that patients with heart disease who were hospitalised in noisier rooms had higher blood pressure readings, and also had higher rates of readmission after they were discharged from hospital.

The 2009 study of noise levels in intensive care units found high rates of sleep deprivation among patients. Researchers have even documented increased heart rate and breathing rate and lower oxygen levels among premature babies admitted to the neonatal intensive care unit.

The SoundEar, says Debra Bournes, “raises awareness. For staff working at night, it is like their daytime. You sometimes don’t realise how loud you are speaking or how loud alarms can be.”

“When we decided to do this, we did look at what the research says,” said Bourne, including that people who don’t get enough rest are more anxious and report higher levels of pain more often.

One 2014 study, whose lead researcher is from the Peter Munk Cardiac Centre, at the University Health Network in Toronto, found it is crucial to make sure a patient’s sleep is uninterrupted in the first few days after a heart attack to promote healing.

The lead author, Dr. Michael Sole, said watching patients’ sleep get interrupted was part of the impetus for the research on mice.

He suggested various techniques to make hospitals more sleep friendly, including light-blocking glasses, earplugs, lower volume ring tones and greater attention to noise at night.

SoundEar Visual Noise Reminder

Building materials in hospitals can help reduce noise and improve acoustics. A study from Sweden that looked at acoustics and health found that walls, fabric and ceiling tiles that absorb instead of reflect sound, lower the blood pressure and heart rate of patients.

Some of these techniques are in use in Ottawa. Although alarms can’t be turned off, they can be turned down, said Bournes, and staff can be reminded of the need for quiet and why that is so important.

Among other things, she noted that research has found patients who do not get enough rest are more anxious, report pain more often and report higher levels of pain than other patients.

“One of the biggest things we did is reduce overhead paging to only emergencies at night — we used to page for all kinds of things.”

The hospital also offers patients earplugs to help them sleep and keeps rooms dark.

The hospital has installed a number of SoundEars to monitor noise levels. And it is getting fewer complaints from patients.

“It’s common sense,” said Bournes.

JPRO is the authorised distributor for SoundEar in NZ. The Journal of the Intensive Care society conducted a 2018 study on the benefits of using SoundEar, stating that SoundEar noise warning devices cause a sustained reduction in ambient noise. For more information on SoundEar products in New Zealand, click here.

Do you need to have better control over noise in your environment? Feel free to reach out and contact us to assist you with your noise related query:

THE LIDO ARTHOUSE CINEMA CHOOSES JBL 7 SERIES MASTER REFERENCE MONITORS

EPSOM, AUCKLAND, NEW ZEALAND. One of New Zealand’s most popular independent cinemas The Lido, recently upgraded its audio to Dolby 7.1 and chose JBL for a premium cinematic sound experience.

Established in the 1920’s, The Lido started as a single screen arthouse cinema. Patrons travel from across Auckland to enjoy a true cinematic outing with various recent art house releases and films aligned toward an older audience, all while taking in the venues Art Deco design, a lounge featuring a fireplace and wine bar for before-and-after-drinks.

A second screen, known as The Lounge, with 44-seat capacity, was added in 2005, shortly after managing director Richard Dalton took ownership of the facility. “It’s always been a bit of a troublesome venue for speaker placement due to the rear projection screen,” he says, “you can’t really place large speakers behind the screen, so you’re stuck with little speakers all around it.”

“The Lounge initially required a centre-channel replacement,” continues Richard Dalton. “However, after being given the opportunity to hear a L-C-R comparison with the JBL’s, the difference was literally night and day. We have had about 3 sound systems in there since it opened and none of them have been particularly good. The idea of working with the AV Integrator and JBL to create a dream soundscape was rather exciting.”

Lido VIP Room Upgrades with JBL and Crown

The high technology requirement meant partnering with experts in audio and visual system integration.

AV Integration company Avid Automation and JBL distributor JPRO were called upon to assist with the installation, audio design and commissioning of the system.

“The Lido is an institution for dedicated movie-goers, and we were excited to be associated with this project,” says Darian Sundar from Avid Automation. “JBL has a rich history of innovation in professional and cinematic audio and we were keen to provide a solution that would befit the venue.”

After the initial consultation and a dramatic improvement to the front soundscape, it was then decided to upgrade the facility from 5.1 to 7.1

“The amazing work in the little cinema has exceeded my expectations with a premium audio result – I love it. The team at Avid Automation and JPRO have done a great job – I look forward to doing more screens with them.”

Premium Cinematic Experience JBL Crown

“Due to the layout requirement of the venue and the rear projection screen, I quickly realised that the image control waveguide of the JBL 7 Series Master Reference Monitor would be a perfect solution for the cinema,” says JPRO AVC designer and Sales Director Paul Edlin. “The waveguide allows for a much wider sweet spot and greater accuracy in the audio spectrum for room-to-room consistency, especially in the critical dialogue range. It would also allow us to provide a unique solution within budget.”

JBL’s installation version of the 7 Series Master Reference Monitors were chosen, with the JBL 708i selected for the left, centre and right channels and run in bi-amplified configuration, maximising on the superb audio capability of the 7 Series. The smaller JBL 705i Master Reference Monitors were selected for an all-encompassing surround and rear audio experience. Custom JBL subwoofers deliver a smooth, solid low-end for sound effects and dramatic soundscapes.

Cinema Upgrade with Crown and JBL
JBL Premium Cinema Experience

“Due to the layout requirement of the venue and the rear projection screen, I quickly realised that the image control waveguide of the JBL 7 Series Master Reference Monitor would be a perfect solution for the cinema.”

“The JBL 7 Series were easy to install as they are equipped with rear, top and bottom mounting points,” adds Darian Sundar from Avid Automation. “We made use of Crown DriveCore amplifiers to power the loudspeakers and thanks to the onboard DSP and speaker presets, the install process was simplified. We were able to really unleash the full potential of the 708i’s in bi-amped mode. The audio quality, detailed imaging and expansive dynamic range from the entire system is pristine. I am happy to be part of this innovative solution.”

Audio amplification is achieved with three of Crown’s newest DriveCore series amplifiers, the CDi4300 4-channel installed audio amplifier, with the L-C-R channels run in bi-amplified mode. Loudspeaker management and signal processing is simplified with the on-board Digital Signal Processor of the CDi4300. The cinema re-deployed a Datasat AP20 digital audio processor for content management and playback.

An enthusiastic Richard Dalton concludes, “The amazing work in the little cinema has exceeded my expectations with a premium audio result – I love it. The team at Avid Automation and JPRO have done a great job – I look forward to doing more screens with them.”

HARMAN PROFESSIONAL AV PRODUCTS CHOSEN FOR VODAFONE’S “WORKPLACE OF THE FUTURE”

“This is currently the largest AV over IP solution of its type in the southern hemisphere.”

Vodafone has officially opened its workplace of the future in Smales Farm – a fully enabled smart building at the heart of a world-leading innovative, sustainable and interactive precinct designed to foster business and community growth.  The building has 6 levels with over 70 meeting rooms and can accommodate up to 2000 people in any one day.

And Vodafone, with its love of all things tech, has installed the best tech available to achieve these goals.  JPRO is extremely proud to have products from our portfolio of professional AVC range included in this stat-of-the-art building.

Craig Hill the consultant for this impressive install comments “The solution is entirely network based, all video, audio and control, is routed and distributed, using the Vodafone’s Cisco switch infrastructure and Cat.6 structured cabling. This is currently the largest AV over IP solution of its type in the southern hemisphere, which includes, meeting rooms, IPTV, digital signage, 3 x operations centres, a multi-room events space and public cafe area with the largest OLED video wall in NZ.”

AV Products Installed at Vodafone Innov8 Auckland

Speakers:

  • JBL Intellivox DSX280
  • JBL SRX818SP
  • JBL Control 47LP

Networked Video:

  • AMX N1000 Encoders and Decoders
  • AMX NX-2200 Netlinx Control
  • AMX N1510 Windowing Processor
  • AMX N2400 Encoders and Decoders
  • AMX RMS Room Scheduling

Video Control:

  • AMX MD-702 Modero Wall Mount Touch Panel
  • AMX MD-1002 Modero Wall Mount Touch Panel
  • AMX MT-702 Modero Tabletop Touch Panel
  • AMX MT-1002 Modero Tabletop Touch Panel

JBL VTX A12 LINE ARRAY POWERS NZ’S FAMED OHAKUNE MARDI GRAS

After a break of two years, NZ’s highly anticipated Ohakune Mardi Gras returned with an exciting line-up of local and international artists. The one-day spectacular is one of New Zealand’s much-loved winter parties for the past 20 years.

Production company NZ Sound provided the audio for the event that featured Pendulum and Home Brew as some of the headline acts. The main PA system consisted of JBL Professional’s latest line array system, the VTX A12.

“It was my first time mixing on the VTX A12 system by JBL. As soon as we turned the system on, I was blown away. Detailed and crisp high end, beautiful mid-range and deep, defined lows,” says Pendulum’s FOH Engineer Owen Charles. “The system threw an extremely long way back and I was more than happy with the coverage.”

JBL VTX A12 Ohakune

The main PA system featured a total of 24 JBL VTX A12 line array elements, with a ground shaking 18 JBL VTX G28 subwoofers. 4 Vertec 4888 were used as front fills and a number of JBL VTX M22 and M20 tour wedges were used for stage monitoring.

“Definitely my PA of the Day,” quips Tim Robertson, Tour Sound Manager for JPRO the NZ distributor for JBL Professional. “We are proud to have supported an event such as Ohakune with JBL VTX A12. “The system continues to impress locally and our aim is to have it added to more technical riders in the NZ market.”

JBL VTX G28 subwoofer Ohakune

All loudspeakers were powered by Crown V-Racks, which included I-Tech 12000HD and I-Tech 4x3500HD amplifiers, while system management and control were handled with JBL HiQnet Performance Manager software.

Featuring BSS OMNIDRIVEHD processing with linear phase FIR filters and the acclaimed LevelMAX Limiter Suite, both models provide crystal-clear amplification with ample headroom. Network connectivity via HiQnet and Ethernet protocols provides a high degree of control and real-time diagnostics.

“Let’s just say the JBL VTX A12 and A-Series line array systems are now going straight on my rider.”

The Impact

Owen Charles who currently mixes for Yungblud & Pendulum, has previously mixed audio for international artists such as Macy Gray, D’angelo, MF DOOM and Jay Electronica, adds: “When I was mixing on the Waves LV1 console, the JBL VTX A12 translated perfectly – what the artist and I were hearing in the studio during pre-production came out better than we could have hoped for on the day. Let’s just say the JBL VTX A12 line array and A-Series line array systems are now going straight on my rider.”

BSS BLU-800 AND CROWN DRIVECORE AMPLIFIERS HELP CREATE A CEDIA AWARD WINNING INSTALLATION THAT INTEGRATES SEAMLESSLY WITH THE EXISTING BUILDING MANAGEMENT SYSTEM

The Opportunity

New Zealand’s most exclusive retreat Helena Bay Lodge is an 800-acre luxury resort situated in the stunning Bay of Islands. With a variety of indoor and outdoor spaces including four private beaches, a gym, massage room, swimming pool, library, lounge areas, and multiple dining areas, the facility needed a centrally controlled AV system that could comprehensively cover the residences and common areas of the resort.

To address this, JPRO worked in conjunction with Liquid Automation and ABL Group to design a cutting-edge HARMAN AV solution featuring Crown amplifiers and BSS processing. The new HARMAN solution offers complete control of the resort’s audio, lighting and video distribution systems, and integrates seamlessly with the existing building management system.

Crown Amplifiers and BSS BLU control for Luxury Lodge
The Solution

A BSS Soundweb London BLU-800 networked signal processor and Crown DriveCore Install Series amplifiers provide networked control of 46 audio zones spread out over the property, with 126 channels of audio inputs. The system distributes audio over the network to multiple locations, and then via BLU-link to the Crown DCi-N multi-channel network amplifiers. The audio distribution system is monitored remotely, which was a requirement due to the isolated location of the lodge.

“To handle this many channels we had to turn to a high-end professional audio solution and BSS Soundweb was the obvious and only choice at the time for sound quality, reliability and flexibility”

Seamless audio integration into hotel management system for BSS BLU and Crown Drivecore
The Impact

Darian from Liquid Automation comments “All the sources and outputs were run in stereo which created a complex audio matrix. To handle this many channels we had to turn to a high-end professional audio solution and BSS Soundweb was the obvious and only choice as it is known for sound quality, reliability and flexibility.”

Liquid Automation and ABL Group also won the “Best Special Project” and “Best Design and Documentation” awards at both CEDIA Asia/Pacific and CEDIA Americas for this state-of-the-art installation.

BSS BLU processors and Crown Amplifiers at Helena Bay Luxury resort
About Helena Bay Lodge, New Zealand

Expectations are high here when you consider the $5m per guest investment: this unique $50M property has just five suites, accommodating no more than ten guests. And while financial investment doesn’t guarantee luxury and service, we are pleased to report that it does here. Every conceivable luxury is to hand. The architecture and décor is intentionally on the bland side, so as not to distract from the beautiful surrounding landscape. This is destined to become one of the world’s best hotels.

HARMAN PROFESSIONAL SOLUTIONS FOR NEW ZEALAND’S FIRST DIRECT-TO-TELEVISION ESPORTS STUDIO

The first direct-to-television esports studio in Australasia recently opened in Auckland New Zealand’s iconic Sky Tower. The studio is an outcome of a partnership between esports company LetsPlayLive and SKYCITY Entertainment Group.

The Opportunity

Designed exclusively with esports in mind, LPL Studios is a state-of-the-art broadcast studio that includes an ultra-modern control room, dedicated console and PC booths as well as commentary and analysis desks and game pods. The facility allows for 4K or HD recording and live broadcast of esports events at most major New Zealand and Australian venues.

The studios are close to the SKYCITY Theatre, where live events with a 700-strong audience are possible. Up to 3000 fans are being projected due to the opening of the International Convention Centre in 2019.

The Solution

As a result of their experience and knowledge integrating systems in a wide range of applications, leading broadcast integrator Digital Video Technologies (DVT) was tasked to implement a broadcast service solution based around the unique requirements of esports.

“The layout of the venue is rather unique as it is cylindrical in shape, following the natural floor layout of the Sky Tower” comments Stuart Barnaby of DVT. “We needed to ensure that the acoustics of the various studios was efficient. Further to this we required a flexible, out-of-the-box audio solution.”

To ensure a unique world-class audio solution for the esports studio facility, DVT approached New Zealand Studer and HARMAN Professional Solutions distributor JPRO (formerly known as Jands NZ).

“We are excited that HARMAN Professional are able to provide a solution for the enjoyment of gamers and fans alike.”

“When I heard the details of the audio requirement, I knew that the best broadcast solution for the studio would be Studer Micro, AKG Professional and JBL” says JPRO Broadcast Specialist Tim Robertson.

The Studer Micro fader control surface was included in the TV Control Room with Studer MicroCore set up as the audio hub and controller. JBL’s compact 305P studio monitors were added into the control room, with volume managed by a JBL MSC1 monitor system controller.

DVT specified AKG HM1000 and CK31 hanging microphones that are used as ambient mics and installed in the game pods. The commentary and analysis desks make use of AKG HSD271 professional studio headsets for the commentators while AKG DMS800 wireless microphones are distributed via Dante.

“With the opening of the first esports broadcast studio in Australasia, we are excited that JPRO and HARMAN Professional are able to provide a solution for an exceptional integrator such as DVT, for the enjoyment of gamers and fans alike,” adds Tim Robertson.

SKYCITY IS NEW ZEALAND’S LARGEST BSS SOUNDWEB AND JBL PROFESSIONAL INSTALLATION

SkyCity is New Zealand’s largest single-site, multi-purpose entertainment venue. Located in the heart of Auckland City, the SkyCity complex boasts a casino with more than 100 gaming tables and over 1600 of the latest machines.

The Opportunity

The premiere entertainment destination is home to 22 of Auckland’s top restaurants and bars, a convention centre with up to 21 function rooms, two hotels and a 700-seat theatre. The Sky Tower, at 328 metres, is the tallest man-made structure in New Zealand, and offers views of up to 80km in every direction.

Co-ordinating and controlling audio on a site this diverse involves many challenges. There are several background music and television audio sources that need to be distributed to each zone, as well as local inputs in each area. Each of these sources needs to be available in every zone, and then prioritised depending on the function, or type of promotion that is running in that area.

NZ's premiere entertainment destination relies on JBL Crown and BBS
The Solution

To gain this functionality and flexibility, SkyCity changed to the BSS BLU family of digital audio processors in 1995, and has grown to be New Zealand’s largest Soundweb installation.

The system currently consists of more than 35 BSS BLU processors and numerous ethernet control panels. Audio is distributed around the site using Dante.

The site is powered by a number of multi channel Crown DriveCore CDi and DCi installation amplifiers.

“SkyCity has grown to be New Zealand’s largest BSS Soundweb installation and has more than 500 JBL Professional speakers of various models.”

Each restaurant or bar within SkyCity has been architecturally designed and themed. Whether it be a discrete Control Contractor ceiling speaker, or something more stylised like the unobtrusive Pendant series, JBL’s extensive catalogue of purpose-built speakers help deliver that vision to the customer while maintaining the highest standards in audio fidelity. The site now totals more than 500 JBL speakers of various models.

Some venues in the complex have local control using AMX or Crestron interfaces, while a site-wide control interface has been created within the London Architect software.

“Each restaurant and bar has been architecturally designed and themed. JBL’s extensive catalogue of purpose-built speakers help deliver that vision to the customer.”

JPRO recently launched JBL’s new medium to large format line array at the ASB Theatre in Auckland.

Designed from the ground up, the JBL VTX A12 is a dual 12″ three-way line array element that has been purpose built for mid to large size touring applications and high-end fixed installations.

Guests were introduced to the theory behind the technologies of the A12 before being allowed hands-on demonstrations of the system.

“We wanted our guests to understand the philosophy behind the technology of the VTX A12 and then to experience first-hand the innovative new features such as the ease of set up due to the redesigned rigging system,” says JPRO Tour Sound Manager Tim Robertson. “We then gave each person the opportunity to conduct their own listening tests on the system.”

The listening tests have impressed, especially with regard to the “new JBL sound” with some varying responses from guests.

“I’ve never tested anything so uniformly flat both on and off axis in the HF range, and they have heaps of detail there,” says sound engineer Chris Tait from College Hill Productions.

JBL have patented a rigging mechanism and redesigned the suspension system that has streamlined deployment and setup.

“The rigging is incredible – one of the fastest I’ve seen for a line array,” says Ray Ward of NZ Sound. “It looks like it could be a one-man job to bring the PA up and down. The coverage and sound of the A12’s were fantastic, much smoother than I thought they would be.”

Regarding the innovative rigging element, Danielle de Waal from Oceania Audio adds: “I weigh 60kg and I can put the whole system up myself – that’s just so mind blowing.”

“There has been fantastic interest with the VTX A12 locally and our aim is to have it added to technical riders in the New Zealand market,” concludes JPRO’ Tim Robertson. “The VTX A12 has appeared at numerous festivals in the US, while JBL VTX line array systems have been used by a number of International artists such as Pitbull, Demi Lovato, Enrique Iglesius, Neil Diamond, Linkin Park, Kesha, DJ Zedd and Lenny Kravitz. VTX-A12 will be added to technical riders when the system becomes fully available after the promotional tours.”

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