The Opportunity

Te Pae Christchurch Convention Centre is now firmly established as New Zealand’s premiere meeting and events venue. Identified as one of the anchor projects for the Christchurch Central Recovery Plan after the destruction of the previous convention centre by the 2011 earthquakes, Te Pae Christchurch was officially opened in December 2021 after years of planning, construction and pandemic delays.

New Zealand’s first convention centre to meet international standards, Te Pae has capacity to host 2000 delegates and has already attracted interest for national and international business events, with more than 100 events confirmed in its first year of operation.

The precinct includes riverside banquet rooms, a large exhibition hall, flexible meeting spaces and a 1400-seat auditorium. To complement the magnificent architecture, Te Pae is outfitted with state-of-the-art audio-visual and ICT solutions to allow their clients to create memorable experiences.

The Solution

To achieve Christchurch’s vision of what an international convention centre should be in terms of technology, Audio-Visual integrators TenFour were appointed to provide a complete AV solution in three separate buildings. This integration included background music systems, outdoor advertising screens, an Emergency Warning and Intercommunication System as well as a complete digital signage system.

Planning for the centre’s digital signage included a centre-wide, fully integrated digital signage solution consisting of LED screens, projectors and LCD panels. A requirement was that the centre’s digital signage system should provide flexible content for any event, including custom content management for branding, advertising, or visual impact opportunities and the ability to broadcast live TV.

Due to its ability to manage, schedule and play content in just a few clicks, giving real time access to content in large venues, TenFour selected the Tripleplay Signage and IPTV platform to achieve the client’s objectives. Tripleplay gives the Te Pae operator the ability to easily record or stream content from the Auditorium venue-wide, simply by initiating it on the touch panels in the Auditorium spaces. Content is stored on the Tripleplay servers to be edited and distributed as required.

The Impact

Nathan Roche, TenFour’s Sales and Marketing Director says, “This was the largest roll out we’ve done in New Zealand with over forty IPTV, digital signage and wayfinding screens installed across the site. We are stoked with the result and proud to have been part of this project, contributing to Christchurch’s success.”

The Opportunity

Renowned streetwear retailer Culture Kings recently opened their first New Zealand store in Auckland. Located in Sylvia Park, Culture Kings is setting a new benchmark for retail spaces worldwide by providing an incredible user-experience.

Music, sport and fashion are the fundamentals to its success, creating an electrifying atmosphere along with sought-after exclusive streetwear providing a premium retail experience.

Because music plays such an important role, the quality of sound and volume form an integral part of the Culture Kings international brand. The client’s brief was to have high-quality sound throughout the store and a dedicated PA System in the live performance area for DJ, MC and brand activations.

The Solution

AV integration company Avid Automation provide high fidelity customised technology solutions and were called upon to provide a high-impact, exceptional audio experience for the store.

As the store was in a mall with adjacent tenancies – one of which is a movie cinema – it was imperative that the sound design not only provide exceptional sound coverage, but effective volume control, adhering to the sound limits set by the mall.

Acoustic consultants Marshall Day were engaged by the client to ensure that all walls were acoustically treated and floating walls placed in front of structural walls to prevent audio leakage.

Avid Automation worked in conjunction with JBL Professional distributor JPRO to design an audio model within Ease to calculate speaker performance, speaker location and mounting angles – the objective to focus the audio within the retail space. All speaker locations were coordinated with the acoustic consultants.

It was decided that all wall-mounted speakers would be mounted to a ‘floating bracing’ (bracing which is not secured to the studs or joists), while Avid Automation fabricated a custom suspension system for the live performance area.

JBL Control28-1 loudspeakers, known for their consistent wide coverage and rich sonic character, were selected for the main retail area. The versatile mounting options ensured that the sound was projected in the areas they were needed, assisting with the volume requirement of the venue.

JBL SRX 812P active loudspeakers powered by Crown Drivecore Amplifiers and a full suite of user controllable DSP were deployed in the performance area, while powerful JBL SRX818SP active single 18” subwoofers provide additional bass reinforcement for DJ and guest artist appearances.

The heart or ‘ears’ of the volume management was a SoundEar 3-300 noise monitor combined with a BSS BLU-806 processor, programmed to monitor and control the overall sound level produced in the store.

System Features

• BSS BLU-806 Dante Audio Processor with open architecture which is fully configurable through Audio Architect with a full range of processing and logic objects and a “drag and drop” method of configuration provided a powerful volume control system in conjunction with the SoundEar.
• SoundEar3-300 monitors the overall SPL in the store and in conjunction with the BLU-806 manages the sound system volume reduction.
• BSS EC-8BV 8-Button controller with volume control allowed precise control of various zones and source selection.
• Atterotech Dante enabled Bluetooth wallplates and interface provided seamless device connectivity for visiting DJ’s.
• 2x JBL SRX 812P active loudspeakers and 2x SRX818SP active single 18” subwoofers provided powerful sound reinforcement for the performance area.
• 12x JBL Control28-1 loudspeakers powered by a Crown Drivecore CDI2600BL installation amplifier ensured consistent audio coverage in the retail area.

The Impact

“We are very happy to have been involved with this project in what essentially was a very basic sound system configuration, thanks to JBL’s purpose-built speakers that just work as they are intended,” says Darian Sundar of Avid Automation. “The real success and smarts of this project is based around how SoundEar and the BLU-806 are integrated to perform volume reduction. The BSS open architecture platform makes virtually anything possible. The system has performed flawlessly – which is what we have come to expect from JBL, BSS and Crown.”

“Launching Culture Kings in New Zealand is a really exciting step for us so we can deliver the iconic in-store atmosphere that we’re known for to our NZ customers,” says Simon Beard, CEO of Culture Kings. “Our Sylvia Park location gives New Zealanders an immersive experience unlike anything in the market.”

Tech Talk

“SoundEar is a SPL Monitoring device that gives the client a visual indication of the current SPL,” says Darian Sundar. “With the ability to set custom limits and thresholds in the SoundEar, the volume limits imposed by the mall were loaded into the device with a threshold a few dB under the limit, so that the client would see a visual warning prior to reaching the system limit.”

An automated volume reduction was still needed and as a result, SoundEar and BSS were integrated together and programmed so that if the volume went above the set volume limit, the BSS BLU would reduce the volume and continue to do so until the incoming level was decreased by the user.

This achieved a satisfactory result better than using limiters and compression. Signal integrity was maintained so that the audio experience within the store remained clean and undistorted.

The Swansea Arena is the latest of Ambassador Theatre Group’s (ATG) 58 operator run venues. It has been equipped with a versatile JBL VTX A8 line array system, installed by Glantre Engineering following a competitive tender issued by main contractors, Buckingham Group Contracting Ltd. Consultant on the project was Neill Woodger Acoustics and Theatre Design. Glantre’s contract as system integrator was a turnkey, covering rigging, drapes, full AV (including IPTV) and lighting, as well as the audio component—not only in the main event rooms but also the meeting rooms.

However, the recommendation for JBL’s compact line array had come from ATG’s Head of Technical Operations, Stuart Graham, who had been involved in the project from the outset four years ago. “We were able to have some influence on the design and I was able to shape the technical requirement.”

He noted the transition to JBL after another premium system had originally been specified.  “What had been proposed was a ‘safe’, medium sized system typically found in a theatre.

“But I wanted to challenge it [with this installation], I just didn’t want to keep going down the same route. This was our first UK arena and I thought we should reach and test new products. “There was a more ample budget available for the system’s design and implementation, and we wanted to focus on the scalability of the system and that it would work within every conceivable application. With that in mind, we opted for something tailored very much towards versatility and broader functionality.”

At the same time Stuart Graham was mindful that the venue had been designed not only as a multipurpose space, but with a modular auditorium, that would host a wide range of events—from theatre productions, comedy, conferences and exhibitions—some of them simultaneously. He envisaged it more than a place for different production companies to plug into, and worked closely alongside Neill Woodger to fulfil this.

It had been Woodger who had first directed Graham to Eastbourne’s Congress Theatre in order to demo the VTX A8, a venue where he and fellow consultant Sam Wise had overseen the successful JBL sound system installation in 2019.  He had wanted to hear the system not only with Swansea in mind but also other venues requiring a comprehensive system.

Stuart Graham’s verdict on first hearing the system was unequivocal. “I absolutely loved the sound of the A8 and B18 sub, and was blown away by the quality of the box. They had much more grunt and as for the usability of the system … it was easy to put up and take down.”

Graham subsequently heard the system again on the touring version of Carole King’s Beautiful, before auditioning it thoroughly at the HQ of British and Ireland distributors, Sound Technology Ltd., in Hertfordshire. But he said it was hearing the system again on Beautiful—the Carole King Musical “that signed, sealed and delivered the deal.”

Neill Woodger was happy to sign-off on the JBL solution given the technical proposals supplied and his previous experience with JBL at Congress Theatre.

In total 38 JBL VTX A8 have been rigged in their own flying frames at the Arena.

The set-up needed to be flexible as, thanks to a partition wall which closes the balcony, multiple events can be hosted simultaneously; for example, a banquet for 750 on the auditorium floor can be complemented by a seminar ongoing within the Circle, with no risk of interference or distraction. It was vital therefore that the sound system needed to be quicky reconfigurable and effective across the board.

The standard ‘full arena’ set-up is therefore two hangs each comprising 12 x A8 and 6 x B18 subs in cardioid configuration forming a conventional pros arch system. An additional 6 x B18 subs are available for ground-stacking as required. Two delay hangs each comprise of 5 x VTX A8 and 1 x VTX B18, plus four further VTX A8 as front fills, and a VTX M20 stage monitor package.

Powering the system are 15 Crown 4x3500HD amplifiers, while routing and processing is via BSS Soundweb BLU-806 and BLU-100.

The room can then be configured into conference mode, when the front rake goes in and the box angles change and reduce to eight a side; extra enclosures are then added to the delay arrays which are lowered and angled up slightly when the acoustic partition drops to divide the hall.

Matt Watt, Head of Sound Technology’s Application Team worked with ATG and Glantre on the design proposal and acoustic modelling.

“We modelled several alternative solutions before settling on the flexible A8 design.” commented Matt. “We were limited by the curtain as to where the speakers could be positioned, and the system still needed to work as delay for front of house and as the independent conference system. A8’s ease of rigging makes the reconfiguration of these areas possible as it’s so quick and easy!”

Glantre set up and optimised the entire system using JBL LAC (Line Array Calculator) and Performance Manager software, with BSS and amp config, working closely with Matt and Danny at Sound Technology’s Applications team, who were responsible for final commissioning. Glantre’s project manager and senior engineer, Tim Davies, explained, “There are a number of operating modes, both standing and seating and set up various presets as a base, with three or four different configurations.

“Essentially it’s a converged network and runs on the IT hardware, apart from the lighting.”

In addition, Glantre dipped further into the Harman portfolio, specifying AMX video switchers to manage conference events and video distribution for 4K capability projection, as well as touch screen control in other areas, including the VIP lounge.

Keith Powles Technical and Building Manager of Swansea Arena, also added favourable comment. “Now that the arena is fully operational, I have had many different opportunities to use the system in various setups and configurations within the space

“The first thing that was apparent when using the system was just how flexible and intuitive it was for the user to set up, in a broad range of different scenarios—everything from conference, comedy all the way to large scale music events.

“Sonically the system has completely blown me away. The overall quality is outstanding and a particularly surprising element for me was just how well this system performs with spoken word style performances. The clarity and precision of vocals through the system is by far one of the best I have ever used. The system alongside the venue itself seems to be a perfect combination.“

In conclusion, Stuart Graham has no doubts about the wisdom of his preference for the JBL rig, particularly noting the speed of speaker reconfiguration during fast moving event changeovers. “JBL has a rich history and I know this was the right time and place for us to make a shift over to the brand. Longer term, once the reputation of the system comes more into play, we want to be able to offer the system competitively to certain size productions who don’t need all the investment of bringing equipment in.”

The Opportunity

Ebbett is a household name for everything automotive in the Waikato region of New Zealand. The company has built its highly respected reputation since 1928 and now represents 20 vehicle brands across 17 dealerships throughout the North Island.

The proposed construction of the Union Square development in Hamilton’s CBD prompted Ebbett’s owners to consider relocating from their home of 93 years and create a brand-new purpose-built facility, incorporating its head office in the light industrial area of Te Rapa, northwest of central Hamilton.

The new centre of operations features numerous office and meeting spaces, a reception and board room – with one of the technical requirements being that this should be a ‘cable-free’ environment. Designed using modern architecture with a desire to create a relaxed customer focused environment for its clients, the headquarters shares the facility with Ebbett Volkswagen. The dealership facilities provide for a wide range of services incorporating a customer-focused showroom including classic car displays, large workshop, pre-sales and after-sales area and a customer lounging area.

The Solution

In order to complement the world-class buying experience with exceptional audio quality and provide clear communications to staff across the large facility, a state-of-the-art AV system was required.

Audio and Visual specialist The Listening Post (Structured Technologies) were commissioned by Ebbett to supply and install a high quality AV system that included a ‘cable free’ board room, background music and paging systems providing an even coverage of sound throughout the premises.

System Features

• JBL PSB-1 commercial-grade active soundbar ensures excellent full-range sound while minimising sound transfer to neighbouring meeting rooms
• JBL 8128 8-inch full-range cost-effective commercial loudspeakers distributed throughout the premises provide a clear, high-fidelity performance.
• JBL Commercial series paging microphones allow for intelligible communication
• Crown CDI2300 DriveCore install series amplifiers ensure a faster and easier installation thanks to preset JBL speaker tunings and advanced DSP
• BSS BLU-100 networked audio processor provides a seamless integration and management of all audio signals throughout the complex

The Impact

Karl Nation, Dealer principal says “We found the experience with Listening Post (Structured Technologies) and the Team to be very proactive in what they have done. The installation is to an extremely high standard and their follow up service is second to none. We are enormously pleased with the overall quality and outcome.”

Situated in a region of the USA crowded with television broadcast stations and numerous event sites using wireless mic and in-ear monitor systems that contribute to a challenging RF environment, exceptional RF coordination and distribution is key in setting up a wireless system free of drop out.

The church live streams its services from a portable broadcast campus—where volunteers perform load-in and load-out every weekend

Robert Roy is the central production lead for Vox Church. “We have a very small paid staff for each campus, as far as production-wise. And so equipment-wise, we try to be as efficient as we can, so that we can make the job easier for each volunteer on a Sunday morning.”

One way the church speeds load-in and load-out is through its heavy reliance on wireless mics and in-ear monitors (IEMs). Using more wireless systems, for instance, reduces the time and effort involved in uncoiling and wrapping cables. It also reduces on-stage clutter—an important factor when shooting video.

In a recent effort to improve audio quality and reliability, the church’s technical leadership added technology to solidify signals for its wireless microphones and in-ear monitor systems across all of the campuses, using wireless antennas and signal combiners from RF Venue.

Geno Mulcahy, the lead audio engineer at Vox Church, says using wireless is a time-saver. “Well, that’s the big thing, being a load-in church. We’re moving in, moving out, so time is not our friend,” he says. “So, not to have to spend a half hour coordinating frequencies and doing stuff—that in itself is worth the investment in RF Venue. I have the confidence of just turning on the rack and going.”

Roy says there’s a very small learning curve for volunteers when it comes to wireless, and that RF Venue systems give them the benefit of not having to understand everything about wireless. They can just plug and play, a benefit of finding a single wireless solution that works together well regardless of the make and model of wireless mics or IEMs.

Experience Pays Off

Mulcahy previously partnered with RF Venue in a large-scale wireless RF project and has learnt how critical the antenna and its distribution is to a reliable wireless system.

“Antennas and distribution are the non-fun part of working with wireless, but they’re mission-critical to making any event happen flawlessly,” he says. “The RF Venue products do the one thing that absolutely has to happen with wireless, and that’s make sure there are no dropouts. If you lose audio during a service, especially during the streaming audio that’s going out to other campuses that depend on taking their music cues from us, it’s game over. It’s as bad as losing video.”

The church operates a combination of Shure ULX-D wireless microphones and Sennheiser IEM G4 in ear monitor systems. “RF Venue allows us to use any brand of wireless microphone and IEM system we want, all with solid reliability” Mulcahy adds.

The Solution

Vox uses RF Venue’s Diversity Fin Antenna, a multi-purpose antenna for wireless microphones that’s less susceptible to drop outs, due to a patented cross-polarized design. It provides a diversity solution in a single package by combining one log-periodic dipole array (LPDA) and one dipole antenna in an orthogonal (right angle) configuration. One element captures vertically polarized waves, and the other horizontally polarized waves.

Unlike traditional “paddle” or “shark fin” antennas, the Diversity Fin allows receivers to see a constant signal regardless of microphone orientation, allowing the user to hold a wireless microphone in any position relative to the antenna without signal loss – typical of live performance movement when using wireless transmitters.

The Diversity Fin antennas interface with DISTRO4 and DISTRO9 distribution amplifiers, which feed RF to multiple wireless microphone receivers of any brand. The DISTRO4 has dual inputs that combine the two outputs of the Diversity Fin Antenna for distribution of up to five wireless microphone receivers, along with regulated 12-volt DC power. Six DISTRO4 units can be connected together to feed up to 25 receiver channels.

The DISTRO9 offers dual zone inputs for reception from dual Diversity Fin antennas, and its nine outputs can be used to directly feed wireless receivers or to feed the inputs of additional DISTRO9 units to in turn feed up to 81 receiver inputs.

Further, to help ensure consistent signal with in-ear monitors, COMBINE4 and COMBINE8* IEM combiners combine the outputs of four or eight wireless monitor system transmitters into a single output to feed a CP Beam circularly polarized helical antenna.

*Combine8 only available for 470mhz-608mhz systems.

The Impact

“I nicknamed RF Venue, ‘The Glue.’ They are the glue for my wireless. Antenna choice, placement, and management are the most important aspects of wireless, and RF Venue has made those aspects easy to take care of. They are that last part of the puzzle that you need to have to make sure it’s all together.” Concludes Mulcahy.

“And when my volunteers have success, it motivates them to do more – they want to be involved more when they’re successful. We’ve all but eliminated wireless problems with this solution – and never a single drop out. RF antennas aren’t the glamorous part of audio, but without them there’s no show. With RF Venue, there’s never a dropout.”

The Opportunity

The Museum of New Zealand Te Papa Tongarewa in Wellington is an interactive, contemporary Museum and Convention Centre. With attractions for young and old, Te Papa is a must-visit for visitors to Wellington – one of the world’s leading travel sites Tripadvisor lists the facility in the Top 25 Museums of the World while Lonely Planet rates it in the Top 500 Places on Earth.

New Zealand’s National museum is more than just a museum, it is a multi-purpose facility with numerous venues spanning six levels, including multiple conference, convention and meeting spaces for hire. The facility relies on the latest technologies to enable cutting-edge interactive exhibitions, immersive short term shows and successful conferences.

A variety of Harman Professional audio solutions are deployed within the complex to provide a premium immersive experience, including JBL Professional Loudspeakers, Crown Amplifiers, BSS networked audio processors and controllers as well as Soundcraft mixing consoles.

The Solution

Te Papa’s Technology Solutions Team recently implemented a large Dante distribution network. With so many rooms and systems being used by visiting AV Technicians and commercial clients, it was essential to have a system that could manage the hardware and audio streams in an efficient and secure manner.

After consulting with JPRO’s Technical Design Team, it was recommended that with the implementation of the Dante distribution network, the entire infrastructure should be managed through Dante Domain Manager (DDM).

“We opted for Dante Domain Manager as part of a building wide venue upgrade,” says Andy Allison, Technology Solutions Systems Engineer at Te Papa. “Prior to this upgrade we had not used any Dante products. With everything being IP based, the security of our network is extremely important, and we needed to ensure the integrity of our corporate data and the data of our commercial clients and guests.”

Dante Domain Manager allows the Te Papa team to utilise IT best practices within AV, with the ability to unify its systems, easily categorise and control audio streams, while managing user access to their Dante network.

And Allison continues, “We can manage our Dante equipment throughout the entire organisation with DDM. All Dante audio runs on a dedicated VLAN, we have 802.11X authentication servers that prevent any untrusted devices accessing our various VLANs.”

The Impact

“The experience of installing and configuring DDM in our environment has been seamless, with 14 venues divided into 6 Dante Domains plus a Global Domain,” says Andy Allison. “The system design allows users to route audio to and from any of our venues and public spaces, with managed switches in all locations. No venue switch is more than 2 hops from the core. Dante Domain Manager has really made our task of managing the Dante network easier and secure.”

“Without DDM a venue is at risk of its entire audio network infrastructure crashing due to external sources connecting to the network,” says JPRO’s design experts. “We are pleased we can bring added value and ease of mind to our customers, with DDM allowing for simplified site management and a secure audio network.”

Massey University’s heritage listed Sir Geoffrey Peren Building, recently underwent a three year $17 million renovation which has brought back to life many of the building’s original features and provided seismic strengthening. The NZ Institute of Architects Heritage Award winning multipurpose venue features the Central Auditorium, a key space which has been restored to its original elegant form and now a grand function room filled with natural light and is an ideal space for events.

The University specified an audio system that would predominantly be used for speech, with occasional musical performance. The system not only had to be versatile but easy to use, meet the aesthetic requirements in keeping with the elegant building status and of come within budget.

ML Consultants were appointed to supply and install a world class sound system and worked with JPRO’s audio team to design a system that would cover all of the customer requirements.

A Soundweb BSS BLU-100 audio processor with BSS Contrio Ethernet EC-8BV wall controller was installed to control the conference events, with the wall controller also controlling the functioning of the projector. The system processor was programmed and commissioned by ProVision Technologies.

Two JBL CBT-70J column array speakers and CBT70-JE extension speakers were installed for FOH with JBL Control25AV speakers installed for delays and balcony speakers. As JBL CBT column arrays are designed to perform without additional audio signal processing, Crown XTi series amplifiers power the loudspeakers.

JPRO’s audio designer comments “The ease model showed less than 3dB variation of volume throughout the venue for speech. This model was backed up once installed as the sound throughout the venue is extremely consistent at every listening position. It is what I like to call a good day at the office!”

For musical performances, two JBL PRX715XLF powered subwoofers were installed for when extra Low Frequencies are required.

A Soundcraft Si Impact digital mixing console was selected for its simplicity. The Si Impact offers the unique FaderGlow system for an easy-to-follow workflow. “The Soundcraft digital consoles are the easiest to use digital consoles on the market,” says JPRO. “This is perfect for a venue where the console could be used by multiple users with varying levels of ability”.

To make set up easy for the venue technician a BSSBLU-SI card was installed into the console. This provides flexibility for when a production is performed in the venue and the Si-Impact is in use, the system can be switched over to the local inputs at the console. Further expandability is achieved with a Madi Controlled MSB-16 Channel Digital Stagebox, mounted in the Auditorium next to the stage area and run via CAT5.

“We are incredibly pleased with the audio system that has been expertly installed in the Sir Geoffrey Peren Building,” says a spokesperson for Massey University. “The audio fidelity is quite impressive – we are able to hear all around the room and balcony without the sound being too loud.”

JBL even won its own Oscar®! In 2002, three JBL engineers were presented with two of the most prestigious honours that the Motion Picture Academy can give for technical achievements in loudspeaker technology – a Scientific and Engineering Award “for the concept, design and engineering of the modern constant-directivity, direct radiator style motion picture loudspeaker systems,” and a Technical Achievement Award “for the engineering and design of filtered line arrays and screen spreading compensation as applied to motion picture loudspeaker systems.”

Technology and Innovation Propel JBL’s Sonic Cinematic Future

Engineered to invoke emotion and meet the demands of the moment, whether they’re reproducing a quiet, intimate scene or an aggressively loud action sequence, JBL’s cinema sound excellence continues unabated to this day, with JBL products found in 40% of movie theatres around the world, including the majority of Dolby® equipped theaters. JBL speakers also appear in Warner Brothers, Technicolor and Dolby® screening rooms, as well as The Directors Guild of America and the Academy of Television Arts & Sciences.

JBL is always thinking about the future of how audiences will experience Oscar®-nominated films. Engineers at JBL recently worked on developing a custom Sculpted Sound solution for Samsung’s groundbreaking new Cinema LED technology called “Onyx” that are being installed in theatres around the world.

“Today, JBL is among the most trusted names in cinema sound, as our role in the 93^rd Academy Awards demonstrates,” said Dave Rogers, President of the Lifestyle Division. “After decades of collaboration with the movie industry, JBL’s expertise has grown and evolved alongside the silver screen, ensuring that generations of movie-going audiences around the world continue to experience jaw-dropping cinema sound.”

Islington’s Grade II-listed Assembly Hall has committed to an investment in its technical infrastructure, including the first UK installation of JBL’s new VTX A8 line array system at front of house.

Motivated by the experienced management team of Lucinda Brown and Technical Manager, Tom Watt, the Council-owned building, part of Islington Town Hall complex, can now build on a reputation that has seen Ed Sheeran, Rag’n’Bone Man and Snow Patrol play there in the past.

Future-proofing the installation will bring further stability to a venue which first opened back in 1929 before closing in the mid-1980s.After laying dormant for around 30 years Islington Council funded its refurbishment, and in 2010 it appeared back on the touring map.

Following a competitive tender, the Islington Assembly Hall team chose JBL’s new flagship VTX A-Series, specifically A8 and B18 elements.

The installation was undertaken by SSE Audio Group, who were also responsible for the new JBL VTX A12 installation (with VTX A8 acting as delays and front-fills) at London’s Troxy—coincidentally another Grade II-listed art deco building like the Assembly Hall. Able to use the existing infrastructure, and taking advantage of the advanced JBL rigging, they were able to hoist and align the system expediently, much to the delight of the venue.

“SSE worked hard to get the system in quickly working around events, and expedited the delivery seamlessly in the time allotted.” says Tom Watt.

They have flown L/R hangs of six VTX A8 elements per side, adding a further two as lip fills on the stage. Low frequency extension is provided by six B18 single 18” subs, with the entire system powered by four Crown I-Tech 4x3500HD four-channel amplifiers.

Ed Jackson is satisfied that the A8 concept has been proven. “My prime concerns were that we had coverage to the back of the room, which was noticeably lacking in the old PA, and achieve uniform balcony coverage. If it hadn’t worked with the shorter array we would probably have walked away.

“In terms of sound quality from the transducers this series has got the physical parts of the cabinets right to the point where we are not so reliant on DSP. The system sounds good as soon as you turn it on.”

Lucinda Brown is likewise impressed, both with the new system and the marketability it will give the venue. “We want to be the best and we can only offer that with high quality. Already people are appreciating the difference this system makes.” In addition to visiting sound engineers, this includes the venue’s own tech team, who are unanimous in their praise.

The momentum hasn’t stopped there, for Islington Assembly Hall have also just added six Martin MAC Quantum Wash lighting fixtures.

However, for now it’s all about the sound, and the last word on that goes to Tom Watt. “We now have a PA of which this fabulous building is worthy,” he declares with a smile.

Situated in the picturesque New Zealand town of Queenstown and near to its famous outdoor sporting and tourist locations, the newly built Wakatipu High School has breathtaking views of the Remarkables mountain range and Southern Alps.

Wakatipu High is one of several Kiwi schools that are embracing OECD Innovative Learning Environment principles, with flexible learning spaces and open plan learning environments, all of which encourage collaborative educational methods. The way teachers and learners engage with each other has changed significantly, which has led to changes in the way schools are designed. As a result, many new school building projects are designed with this method in mind, while older schools are being renovated to accomplish the same philosophy.

Built in a public-private partnership, the relocated state-of-the-art school was built to designing quality learning spaces (DQLS) guidelines, ensuring good lighting, acoustics and ventilation, and to meet a high standard of technology. Wakatipu has a strong focus on arts, indoor and outdoor sports and boasts facilities like a performing arts theatre, gymnasium, a café, aerobics room, dance and music recording studio.

The high technology requirement meant partnering with experts in audio and visual system integration. Leading AV integration company Strawberry Sound provided a HARMAN Professional school integration solution. JPRO NZ, one of New Zealand’s foremost specialists in Sound System design and supplier of HARMAN Professional audio equipment, was called upon because of their audio and product knowledge base, extensive support and ability to provide a unique approach to AV solutions.
The school’s intercom paging system and the sound systems for the gymnasium and auditorium run over fibre ties with Dante distribution between zones, providing a Layer 3 backbone. Audio processing is done with the open architecture platform BSS Soundweb Audio Architect. This design element creates a completely customisable platform for the end-client with an audio and paging system tailored specifically for their needs.

Future proofing was taken into consideration with the paging and PABX system that has been programmed to offer an all-page or individual-page zones. “Due to the open architecture platform, we can add customised panel settings via iPad for the paging system if required” adds Reuben Pearce of Strawberry. “The PABX has the ability to dial into the BSS BLU-103 if needed, and page school-wide through the headset.”

Audio processing and distribution is done primarily with BSS BLU-103 and BLU-100 signal processors and audio distributed throughout the school with JBL Control series and JBL CSS8006BM commercial series speakers.

“We encountered a challenge ensuring the Dante clocks synced over Layer 3,” comments JPRO NZ’s technical specialists when talking about the audio distribution via Dante. “This was ultimately achieved with the BSS BLU-DAN that adds Dante to the BSS network and has proven to be extremely solid and reliable.”

The music, dance and drama suites are purposeful, with three soundproof rooms available. A music recording studio and dance studio overlook the impressive cultural and performing arts auditorium that features a solid sound reinforcement system with JBL SRX812P powered 12” loudspeakers flown in a left-centre-right configuration. JBL SRX818SP subwoofers are flown using a customised rigging frame and take care of the lower bass frequencies.

“We are extremely satisfied with the way the SRX series is able to handle varying content, providing consistent and even distribution in the room,” adds Ryan Dougherty from Strawberry Sound. Audio is kept within the digital domain with a Soundcraft Si Impact Digital Mixer at FOH, MSB-16i Digital Stage Box with time-alignment and processing via BSS BLU-100.

With school’s embracing technology from an educational perspective, the importance of using good quality audio visual equipment and loudspeakers is critical. “Good quality speakers mean better coverage at a lower volume, often with less speakers due to the efficiency of its coverage in a professional audio design” says JPRO’s audio experts. “This in turn has a positive impact on teachers and pupils as they are not mentally fatigued due to poor sound and acoustics.”

Building project manager Blair Grier says that Wakatipu High has the best acoustic system he has installed in his 28 years in the industry.

When asked what some of his favourite features of the school were, principal Steve Hall says “The Arts Department with its new dance rehearsal rooms and a recording studio – and the Arts Theatre that can seat up to 600 people, which would be used ‘heaps’!”

The Opportunity

NZ guitarist, composer and producer Arli Liberman was given the honour to compose the opening music titles of this prestigious event.

The soundtrack combines futuristic elements, NZ culture and Kiwi flavour together to create an inspiring anthem that establishes the event firmly in New Zealand.

“This experience has been the complete opposite of anything that I have produced thus far,” says Arli. “It is indeed an honour to be involved with this unbelievable sport, combining technology with nature.”

The Solution

Arli relies on the accuracy of JBL708P Powered Master Reference Monitors and AKG Studio Headphones for his film scoring and composing projects.

“This project needed true versatility with the sonic palate that was required. When I decided to take the sound of the boat and use it as my focal point, it was essential that my production speakers have the most accurate, fast response to create the effects and imagery needed. The JBL 708P definitely meets this criteria.”

The Opportunity

Organised by Pato Entertainment and the sister festival of the One Love Festival, the Good Vibes mUSIC Festival 2020 features an array of local artists, embracing the New Music as international borders were closed and setting the scene for summer reggae vibes. Wanting to elevate the event and treat fans to an unforgettable concert experience, the festival required a state-of-the-art audio system that delivered pristine sound with consistent coverage across the audience.

The Solution

To achieve its audio goals, the fesitval organizers hired New Zealand’s leading event production company, NZ Sound Reinforcement, which designed and installed a world-class HARMAN Professional networked audio solution. The impressive system features an arsenal of JBL Professional VTX A8 dual 8” compact line array loudspeakers, including a ground-stacked system as well as 12-speaker arrays flown on each side of the stage. With 110º dispersion, high-frequency transducers and JBL’s proprietary woofers and waveguide technology, VTX A8 loudspeakers deliver unmatched sound performance with even distribution across the venue.

While the venue offered acoustic challenges, NZ Sound Reinforcement overcame these obstacles with their design and deployment of more JBL VTX speakers. The system includes VTX A12 and VTX A12W dual 12” line array loudspeakers, while sub-arrays consisting of VTX G28 dual 18” and VTX B18 single 18” subwoofers offer authoritative, accurate low-frequency response. Rounding out the sound system, NZ Sound Reinforcement also deployed VTX M22 professional stage monitors, SRX835P loudspeakers and SRX828SP subwoofers. Designed and configured with JBL’s Line Array Calculator 3.5 and Performance Manager 2.7 software, the system is powered by Crown VRack 4×3500HD amplifiers.

The Impact

“We had multiple venues that demanded a specific combination of audio systems, so we used an assortment of JBL VTX loudspeakers. We also had tight SPL restrictions in most venues, whilst keeping the system sounding energetic and full, which we managed to deliver perfectly,” said Juan Soothill of NZ Sound Reinforcement. “We also had very tight load-in times, but with the easy and quick rigging of JBL’s VTX A-Series, we managed to get each system up and running extremely fast.”

“We required a high-fidelity audio solution for the festival, as we were looking to enhance the festival’s sound and provide an immersive atmosphere,” said one of the event’s organisers. “We needed a partner to set up a unique networked audio system with exceptional sound to support some of the world’s biggest artists performing at the festival, and NZ Sound Reinforcement delivered exceptional service.”

The Opportunity

With nearly 2,000 employees, the Ministry of Education is one of New Zealand’s largest government agencies, overseeing the nation’s education system. To accommodate their large staff with a professional and modern work environment, the Ministry of Education recently moved their headquarters to Mātauranga House, a previously occupied 12-story office building located at 33 Bowen Street. In order to distribute a wide range of audio and video sources to various destinations throughout the building, officials hired Futureworks to install a premium corporate AV control solution. Futureworks selected an array of AMX networked AV solutions to facilitate intuitive control over the sophisticated AV system.

“We required an AV system that could be integrated with our existing meeting room technologies,” said a spokesperson at New Zealand Ministry of Education. “The AMX networked AV system provided by Futureworks satisfied all our requirements, and its centralised platform makes it very easy for us to access, maintain and upgrade the system from anywhere in the building.”

The Ministry of Education’s AV platform is based on the centralised architecture of AMX’s Enova DGX 100 Series, which is deployed on the building’s existing network and integrated directly with the room booking system. Futureworks installed Enova DGX3200 and DGX6400 digital media switchers to manage and distribute a wide range of video and audio signals in analogue and digital formats. A comprehensive set of Enova DGX hot-swappable boards are utilised in conjunction with DGX transmitters and receivers to provide an end-to-end distribution network over shielded cable.

“The Ministry of Education asked us to supply a sophisticated AV solution to support their meeting room technologies,” said a spokesperson, Futureworks. “We chose AMX systems because they are end-to-end solutions that support a wide range of distribution formats, regardless of the application or distance between sources and destinations.”

Futureworks also included a NetLinx NX Integrated Controller to enable management of all sources and displays throughout the building. Modero MSD-701L and MST-701 touch panels offer intuitive local control of numerous analogue and digital inputs in conference rooms, meeting rooms and other spaces.

Additionally, Futureworks outfitted the meeting rooms with NMX-VCC-1000 cameras and MET-6NE Control Keypad to support high-quality video conferencing applications. Finally, the new AV system can be controlled from a single interface utilizing AMX Resource Management Suite Enterprise software, which improves the efficiency of meeting spaces and technology by allowing users to schedule meeting spaces and pre-configure room technologies for upcoming meetings.

“It’s an honour to be associated with the New Zealand Ministry of Education and for delivering technology that facilitates ideal meeting spaces,” said Ramesh Jayaraman, VP & GM, HARMAN Professional Solutions, APAC. “We would like to thank Futureworks and our New Zealand partners for trusting AMX to create seamlessly integrated workspaces, inspiring people to come together and collaborate with efficiency.”

Regarded as one of the most iconic albums in New Zealand history, Drive was released in August 1997. It achieved platinum status seven times and won the New Zealand Music Award for Album of the Year in 1998.

Audiences were treated to a special full band performance of the entire album along with carefully chosen hits and select gems from her numerous multi-platinum releases, with accompaniment by special guests.

The Auckland leg of the anniversary tour was held at The Civic Performance Art Theatre to a sold-out audience. Guests were in for an unforgettable experience from talented artists and state-of-the-art production equipment.

The main sound system supplied especially for the event was JBL Professional’s newest line array series – the VTX A12. Designed from the ground up, JBL VTX A12 is a dual 12″ three-way line array element that has been purpose built for mid-to-large size touring applications and high-end fixed installations – which was perfectly suited for The Civic.

“When we were given the opportunity to mix with the VTX A12, it was a no-brainer really,” says leading sound engineer Kevin Bennett, who mixed FOH for the show. “I have never received as many compliments from an audience as I did after this performance. Sonically the A12 is exceptionally smooth – on and off axis. Very little tweaking was necessary to get the system to work at its optimum in the venue.”

It is seldom that an artist comments on the sound quality of a show, yet Bic was gracious enough to offer a spontaneous remark.

“The audience response to this show was not something I was expecting,” comments Bic Runga. “I do think a combination of Kevin Bennett’s experienced mixing and the PA he got to use gave the show an extra clarity and presence that translated to a special experience for the listener. Most of our feedback after the show was not just about the music, but about the sound quality – it seemed to move them.”

Four VTX A12 loudspeakers per side were ground-stacked to cover the floor area, while six VTX A12’s were flown to cover the balcony. 2x JBL VTX G28 subwoofers per side were used for the bottom end.

JBL have completely redesigned the rigging system for the A12 which has made a notable difference when setting up the system.

“The system is amazingly quick to install,” says Kevin Bennett. “When I entered the venue to set up the console, the rigging was almost complete and the PA ready to sound check before I was!”

Kevin mixed the show using Soundcraft’s smaller format Vi2000 digital console – which was just the right size for the band accompanying Bic Runga.

“I have a soft spot for the BSS DPR901ii Dynamic EQ,” quips Bennett. “I am familiar with the earlier generation Vi consoles and the straightforward, analogue-like design that allows for instant responses makes mixing a pleasure, as does the exceptional audio quality and road-proven reliability. Vi2000 is now my go-to console for smaller gigs.”

JBL’s flagship VTX-M professional stage monitors with their excellent sound quality ensured low but clear stage volume so that the musicians never missed a beat.

“We are immensely proud that we were able provide high-quality sound equipment for an icon such as Bic Runga in a venue like The Civic” concludes Tim Robertson, Tour Sound manager for JBL Professional distributor JPRO. “There has been fantastic interest with the VTX A12 locally and our aim is to have it added to more technical riders in the New Zealand market.”

The Opportunity

The Christchurch Justice and Emergency Services Precinct was the first major government building to be built in Christchurch after a series of devastating earthquakes destroyed the city centre in 2011.

Completed in late 2017, the Precinct was purpose-built with an emphasis on collaboration, bringing together all regional justice and emergency services. The precinct is home to the Ministry of Justice, New Zealand Police, Department of Corrections, St John Ambulance, Fire and Emergency, Civil Defence and Emergency Management services. The Justice Building houses 19 courtrooms and associated court and legal functions.

The Solution

Due to the critical nature of the services rendered by the agencies in the Precinct, reliable specially configured loudspeakers and microphones are needed to reproduce high quality audio.

Leading audio visual systems integrator and supplier of courtroom and chamber technologies, Vega Global (formerly Kodum), were contracted to design, supply and install robust cutting edge audio and visual systems within the Justice and Emergency Services Precinct.

System Features

• JBL Professional Control Contractor series ceiling and wall mounted loudspeakers achieve balanced sound quality and broad, consistent coverage throughout the indoor sections.
• Control 47LP low-profile ceiling speakers are utilised in the areas with limited above-ceiling clearance with JBL’s Radiation Boundary Integrator providing very consistent coverage throughout the listening area.
• Control 47HC loudspeakers with a well-defined narrow coverage pattern provide improved sound quality and intelligibility in reverberant and high ceiling spaces.
• A range of AKG gooseneck and boundary microphones are deployed in the 19 courtrooms providing exceptional sound reproduction through the sound reinforcement and audio visual recording systems.
• Across the Precinct, BSS Soundweb audio processors form an integral part of the audio management and audio distribution.

The Impact

“During the design and construction phase it was essential the audio visual systems would work within the complex IT infrastructure of the Justice and Emergency Services Precinct,” says James Thompson, Civil Defence New Zealand. “The systems are excellent. Kodum were key partners in establishing our audio visual needs and have walked with us every step of the way. Post commissioning they have been readily available to help with fine tuning the system.”

The Opportunity

MediaWorks recently consolidated their Auckland radio facilities into a purpose-built location to house nine of New Zealand’s leading commercial radio stations.

The large 4400m2 converted warehouse located in Hargreaves Street, was specially designed to accommodate 16 studios and production suites, including meeting rooms, open plan offices and a semi-covered pavilion for private functions and guest performances.

The interior design and architecture features are inspired by music and sound, while the state-of-the-art technical infrastructure was conceptualised by the MediaWorks NZ technical team.

The Solution

“The technology that underpins the content delivery from Hargreaves St represents a significant upgrade in capability and is one of the world’s largest deployments of audio-over-IP,” says MediaWorks chairman Jack Matthews.

The studio suites have been optimised to allow for future video recording and live televised broadcasting. Radio Stations such as More FM require various satellite uplinks and local breakouts that simultaneously run a combination of localised and networked programming for different geographical areas.

A world class facility of this nature required affordable world-leading studio monitors for accurate audio in any production space and studio.

A combination of JBL Professional 3 Series 305PMKII 5” and 308PMKII 8” powered reference monitors were selected, depending on the layout of the studio. The JBL 3 series delivers an impressive dynamic range for a variety of music genres between the nine radio stations. The patented Image Control Waveguide provides a wide sweet spot with precise detail and imaging, allowing for tight segues and compelling audio imaging.

The Impact

“We searched world-wide for the best-integrated technologies and have really transcended the limits on what is a once-in-a-lifetime project that we are all so very proud of,” says Mike Heard, Solutions Architect at MediaWorks NZ. “Watching our content and tech teams work in complete harmony to achieve this goal and seeing each station and show go to air in their flash new studios has been incredibly rewarding. The feedback we have received from our colleagues and the added smiles behind the mic have elevated our shows to a whole new level. Our next brand is a few months away but will be the most innovative radio build in NZ, if not the world. Hold on tight it’s going to be a heck of a ride.”

The Opportunity

Park Road Post Production is an award-winning purpose-built facility owned by WingNut Films, the production company of Sir Peter Jackson – the critically acclaimed director of The Lord of the Rings and The Hobbit Trilogy.

The vast facility consists of two large Dolby Premiere and THX certified mix theatres with full Dolby Atmos monitoring, a mid-sized cinema mix theatre, ADR and Foley stages with control rooms, home entertainment mix suites, a 180-seat client theatre, several edit suites, telecine and film laboratory facilities as well as client support spaces.

Park Road Post has an extensive filmography of celebrated blockbuster hits and it was essential that reference monitors with exceptional clarity and detail were installed into the post-production facilities.

The Solution

Park Road Post selected the JBL 9350 Cinema Surround speakers to replace the aging surrounds in the larger mix theatres. The 9350 enhances coverage with configurable vertical and horizontal coverage angles based on where the surround is positioned in the theatre.

In order to provide for an accurate sound reproduction with a broader sweet-spot in the smaller post-production facility, JBL’s 708P powered master reference monitors were chosen for a Left-Centre-Right arrangement.

System Features:

• JBL 708P Powered Master Reference Monitors set up in a left-centre-right configuration provide an expansive soundstage and greater accuracy.
• JBL 9350 Cinema Surround loudspeakers were selected for an immersive surround and rear audio experience. The coverage can be adjusted to fit a theatre’s unique environment.

The Impact

“JBL Professional has been in the movie business since the very beginning, providing innovation in cinematic audio. Leading production facilities around the world choose JBL and we rely on the advanced engineering, patented technologies and superior sonic character and dynamic range to create a premium cinematic sound experience,” says John Neill, Director of Engineering – Sound at Park Road Post.

“Great films are inevitably made with the minimum of compromise,” states Peter Jackson “That same clarity of vision guided us when we put this facility together.”

WHANGAREI, AUCKLAND, NEW ZEALAND. AV and ICT integration company Skopik has selected JBL Professional Screen Array loudspeakers and Crown amplification for a private 24-person 4K cinema at The Palms Lifestyle Village.

The Opportunity

Newly built lifestyle village The Palms required a private 24-person 4K cinema that could be controlled via a user-friendly control system that staff and residents could use with ease.

AV and ICT integration company Skopik were commissioned by The Palms management after viewing and experiencing another cinema installation by Skopik. “When our team visited a previous site, we were immediately impressed by the fidelity of the technical equipment and quality of workmanship conducted by the Skopik team” comments Daniel Skelton, Manager at The Palms Lifestyle Village.

The Solution

Skopik was able to transform an empty shell, into a tiered, fully automated cinema with a JBL 11.1 channel surround sound system.

The company handled acoustic panelling, seating layout, projection calculations, lighting design and audio ease mapping to provide The Palms with a premium cinematic experience.

As a result of their expert knowledge in professional audio and video solutions in NZ, with a large inventory of industry-leading AV equipment, JBL Professional and Crown Audio distributor JPRO was chosen to partner with Skopik on the initial audio design and specification phase of the Cinema.

System Features

• JBL 708i install version of the 7 Series Master Reference Monitors were selected for the left, centre and right channels, positioned behind the 150″ acoustically transparent screen.
• 6x side surrounds and 2x rear surrounds comprise of JBL 8320 Compact Cinema Surround Speakers that were easily installed using the JBL QuickMount.
• The 11.1 suround system is powered using Crown DriveCore CDI4300BL and CDI4600BL amplifiers. The amps have built-in DSP and speaker presets for all JBL speakers, allowing for a faster set up.

The Impact

“We tried our hand at a number of products before relying on JBL Professional for our audio solutions,” says Skopik AV Manager Jeff Sundrum. “JBL’s legacy of innovation in professional and cinematic audio combined with the product offering and audio fidelity is far superior to our other first-hand experiences. We knew that this project would have a premium result.”

The Opportunity

HU’s Art Farm | Boutique Wedding and Event Venue is situated 30 minutes from Auckland in a picturesque rural setting with majestic elevated views between Coatesville and Riverhead Forest.

The venue was conceptualised by Mrs Hu, a patron of the arts, as an international art residence for performing and visual artists, enabling collaboration and a platform to showcase their work in a custom-built gallery. When the venue is not used as a residence, the facilities are hired out for boutique weddings, corporate events, retreats and accommodation.

The wedding venue and restaurant recently underwent extensive works that included improved acoustics and an upgrade of the sound system for its wedding venue. An important part of the audio requirement was the ability to minimise noise spill from the wedding venue and observe council guidelines in the idyllic setting.

To ensure high quality sound in a controlled environment, HU’s Art Farm | Boutique Wedding and Event Venue contracted Luma Audio Visual to design a high impact sound system with sound monitoring capability.

The Solution

Luma AV engaged with JPRO to provide a unique solution of a HARMAN Professional audio system design in conjunction with SoundEar Visual Noise Solutions to meet strict council requirements of no more than 40dbA at the property boundary.

A SoundEar3-320 noise monitor was specified to provide automated reports and monitor the overall noise level produced in the venue. The SoundEar is integrated with a BSS BLU-50 processor to manage the sound system.

Luma AV selected 16x JBL Control62P pendant speakers matched with 4x Control 50ST subwoofers to achieve a full-range performance and well balanced, distributed sound to meet the SPL requirements of the venue.

System Features:

• SoundEar3-320 noise monitor provides monitoring reports in conjunction with BSS BLU-50, including automated notifications and input gain reduction. It measures and logs the SPL in the room for a period of 600 days, with data accessible via USB for reference.
• JBL Control 62P white pendant speakers provide outstanding pattern control. They are evenly distributed throughout the wedding venue, allowing for consistent volume across the floor at a lower level.
• JBL Control 50ST compact subwoofers are surface mounted to the ceiling and provide high-power low-end bass response for the system.
• The system is powered by a Crown CDi  4300BL DriveCore amplifier with built-in audio presets; it sends and receives signals digitally through HARMAN’s BLU-Link audio bus.
• A JBL EON ONE Compact portable battery powered Bluetooth loudspeaker allows for fast and easy set up of sound reinforcement for outdoor functions, canapes and can be used as a monitor wedge on stage in the venue.

The Impact

“Our primary objective was to minimise noise spill and to meet council requirements of no more than 40dbA at the boundary. This was achieved through a professional audio design, complemented by purpose-built JBL Professional audio products and acoustic absorption and dampening,” says Josh Somerville from Luma. “SoundEar provides an ingenious method to effectively control the volume in the room and meet council noise requirements! SoundEar and BSS BLU-50 work cleverly together to create a big brother approach to noise control in the room. The combination of the JBL Control50 compact surface-mount subwoofers with the Control62P pendant loudspeakers provides an amazing experience for music and speech applications in the wedding venue that must be heard to be believed. Our client is exceedingly happy with the achieved result of meeting all objectives of this project.”

“We have improved our acoustics by installing white acoustic drapes and ceiling panels, while all air gaps are acoustically insulated,” says a HU’s Art Farm spokesperson. Our new professional JBL audio system allows for easy operation by any DJ and includes Bluetooth connectivity. The array of loudspeakers deliver crisp, clear sound with no dead spots when used for music or speech. The small portable battery powered sound system is reliable to use for our outdoor functions and easy to carry to other areas where needed. We are very pleased with this project and look forward to many successful events at HU’s Art Farm | Boutique Wedding and Event Venue.”

Tech Talk

JPRO’s technical design team adds “The system at HU’s farm was designed to deliver an outstanding music performance and experience – with the control of loudness. SoundEar provides an easy solution to reduce noise levels for businesses and institutions that need to comply with regulation. The system is designed to prevent the SPL from exceeding the limit and this is achieved using a limiter in the DSP for the PA, as well as a SoundEar 320 that monitors the ambient SPL in the room. If this exceeds a pre-determined average SPL over a minute, it triggers the BLU-50 DSP to reduce the input gain of the PA, thereby controlling the overall noise reduction in the room.”

“The use of quality loudspeakers with exceptional coverage is important in achieving this result. The design specification required multiple JBL Control62P pendant speakers distributed throughout the venue at a lower SPL. Unlike conventional loudspeakers mounted on speaker stands that need to be loud at the front to reach the back (thereby introducing loudness issues), SPL from the distributed Control62P system could be lower as it produces equal loudness across the coverage area.”

Nestled in Henderson Valley in Western Auckland, Whoa! Studios is a state-of-the-art film studio and theatre specialising in live action, puppetry and miniatures. Its flagship offering is an original, world class, live show based on the characters and sets of Custard’s World – adapted for stage from a script by Bob Baker, BAFTA award winning screenwriter of Wallace & Gromit.

Whoa’s owner David Sutherland wanted to create an exciting family destination in Auckland with unforgettable live experiences. He says “It started out as an idea to do something fun for children and for families, to do something that was different to what they had engaged with before. We wanted to try and do something that was magical.”

David’s vision has resulted in a world class facility with a children’s adventure playground, a modern family restaurant and hi-tech studio and theatre facilities. In order to realise this vision and create a truly immersive experience alongside the mix of puppets, digital effects and live action from within the main stage movie set, leading world class AV technologies were needed.

World Class meant that one of New Zealand’s top integration companies, ITAV was called upon to knit together this immersive experience that would create lasting memories. Their brief was clear: sound quality, flexibility and ease of use.

Consultant and ITAV Integrator Paul Ivory had no doubts when it came to selecting his team that would partner on this project. Paul declares “I called on the best of the best in all different aspects of this project.”

Leading AV equipment supplier and specialists in Sound System and Video Distribution design JPRO were selected because of their far-reaching support, emphasis on relationship, as well as audio and product knowledge base.

AMX specialist Quentin White designed the video and switching distribution system. Projector mapping was suggested in conjunction with specialist lighting to create themes for the shows. AMX touch panels control scene changes, projectors and video monitors. This resulted in a unique part of the delivery and a main component now written into all live shows.

JPRO Sales Director and Audio Designer Paul Edlin designed the fully integrated networked audio system for the theatre and restaurant. BSS Soundweb and Soundcraft Vi3000 are an integral part of the audio distribution and essentially, the heart of the theatre system.

The primary objective was to keep as much of the Audio Signal in the digital domain as possible. Audio was passed in and out of the Vi3000 via Dante, into the BSS BLU-806 signal processor before reaching the Crown DCi Amplifiers that powered the JBL CBT-70J Array speakers and eight Zones such as the Green Room and back of stage.

Audio outputs for the live film studio and theatre were configured in 7.1 and 5.1 respectively. This was not only for a surround sound effect, but for localised sources as puppets came in from different locations around the room.

For the theatre, the first choice of speakers for Paul Ivory was always going to be the JBL CBT 70’s. “They are great for speech and music” he says, “the array of the speakers is perfect for having clear sound for the front and back end of the room; there was nothing else that came close to that decision.”

The new AKG MicroLite HC81 headworn microphones were selected as they are comfortable and lightweight to wear for the actors while the AKG wireless microphone technology used has a track record of solid reliability.

Through clever configuration and use of the Soundcraft VISI App, from an operator’s point of view the Soundcraft Vi3000 mixing console provided the central control point for all performance areas.

Paul Edlin from JPRO explains the use of the VISI integration: “Vi3000 controls all the actors and playback audio within the main theatre and on the second layer it controls audio in the second theatre.” This resulted in a cost saving of an additional mixing surface. Paul continues, “So the main theatre can be running a show and the second theatre can simultaneously run another show with audio controlled via the VISI iPad App.”

The approach to the AV design for the restaurant and mezzanine areas is equally as ingenious, with exceptional sound quality produced by the unobtrusive JBL Pendant speakers.

“You can walk throughout the café, into the parent’s area, toilets, the shop into the entrance way and the sound is all even, it is not overbearing in any area” states ITAV’s Paul Ivory.

All AV technologies such as switching on projectors and lowering screens, operating lights and adjusting volume are controlled on a touch panel system via an automated process. Third party systems control is made simple and easy to execute with Audio Architect and AMX seamlessly integrating together.

Through effective communication, simplistic AV and sound system design and leading World Class products from Harman Professional, the teams from ITAV and JPRO were able to put together a solution that will provide simplistic user operation for staff, and unforgettable live experiences for families.

David Sutherland concludes “We wanted to exceed expectations. I didn’t think it would be as good as this result – and that makes it all worthwhile.”