The University of Auckland has opened its new 26,000-square-metre state-of-the-art home for sport, recreation and student life – the Hiwa Recreation Centre. Located in the heart of the student precinct, it serves as both a wellness destination and a social hub for the University community.

The eight-floor centre features New Zealand’s largest gym fit-out, cardio zones, rooftop turf and running track, two sports halls, an aquatics hall, squash courts and a bouldering wall – offering something for everyone.

The original facility on Symonds Street, built in 1978 for a campus of 10,000 students, could no longer meet the needs of today’s 46,000 students and 5,000 staff. It had reached capacity and was limiting opportunities for recreation and wellbeing.

Following extensive consultation, the new Recreation Centre was designed to enrich campus life and foster lifelong wellbeing. Research shows that students who used the facility weekly achieved significantly better grades. With green rooftops for recreation and reflection, spaces that connect users to nature and one another and roof turf with sweeping views of Auckland and the harbour, the centre stands as a vibrant central hub for student life.

Hiwa’s scale and unique design meant that an audio system was needed that could deliver not only high-quality sound, but also flexibility and ease of use. AV integrator Connect NZ was selected for the audiovisual contract and worked in close partnership with the University of Auckland’s AV design team to deliver a seamless integrated solution.

JBL Professional loudspeakers were selected for their exceptional sound performance, long-term durability and versatility across diverse spaces. Systems were supplied and supported by JPRO, JBL’s New Zealand distributor, who worked with the project team to ensure the right solutions were delivered for each application. Engineered to withstand heat, humidity and outdoor exposure, JBL’s weather-resistant loudspeakers deliver clear, consistent audio throughout, from indoor fitness studios to rooftop training zones, enhancing every moment within the space.

A diverse mix of speakers were installed to meet the acoustic and environmental demands of each space, while maintaining consistent, high-quality audio across the entire facility. JBL AC28-95 loudspeakers and ASB6118 subwoofers feature prominently in high-energy zones such as the Group Fitness, Dance and Bike Studios, delivering detailed high-output sound with added low-end support. The compact form factor of the AC28-95s suits flexible and visually sensitive spaces, while the powerful ASB6118 subs enhance impact for music-led workouts. In Sports Halls 1 and 2 CBT 70J column arrays and AC28-95 loudspeakers respectively provide wide, even coverage for large, dynamic environments.

Weather-resistant solutions were key for challenging areas such as the Aquatic Hall, Rooftop and Outdoor Turf. JBL AWC82 all-weather loudspeakers and CBT 1000 column arrays with CBT 1000E low frequency extenders were deployed for their durability and consistent performance in high-humidity and open-air settings. CBT 70Js on the rooftop and around the running track ensure wide, controlled coverage, while Control 25-1 and SLP14-T on-wall speakers cater to more intimate zones like entrances and quiet areas. Pendant models such as the Control 65PT and 67PT blend seamlessly into the open ceilings of the weights rooms, offering impactful sound for every workout.

The entire audio system throughout the Recreation Centre is distributed via Dante and powered by Crown DCi DriveCore installation amplifiers. Designed for demanding, mission-critical environments, the DCi Series delivers clean sound and rock-solid reliability. To streamline installation, reduce cable runs and simplify ongoing system management, multiple equipment racks were installed across each level of the building.

The Impact

Throughout all applications, JBL Professional’s loudspeaker solutions help elevate the energy, clarity and versatility of the new facility.

“It’s exciting to see a project of this scale come to life and we’re really pleased with the overall outcome,” says Paul Edlin, Audio Designer and Sales Director at JPRO. “All the loudspeakers have performed as per the design modelling. All in all, this is a great upgrade for the Rec Centre.”

The University AV Design Team agrees: “We’ve tried various brands over the years but always come back to JBL. Their loudspeakers are reliable and purpose-built, and the support we receive from distributor JPRO makes a project of this scale far simpler. From system design and specification to final commissioning, Paul Edlin and his team are world-class.”

Keith Block, General Manager of Connect NZ, adds: “It’s been fantastic working with JPRO to deliver the audio system for Hiwa. Rolling out a solution for a facility of this size and complexity, easily one of the biggest gym fit-outs in the Southern Hemisphere, was a real challenge but also a great opportunity. Together we made sure every part of the building, from the rooftop turf to the sports halls, has clear reliable sound that really lifts the experience. It’s awesome to see how Hiwa is already making a difference on campus and in the wider community. We’re proud to have played a part in bringing this world-class facility to life.”

Aquatic Hall

High humidity and corrosive conditions made JBL’s AWC82 all-weather loudspeakers the ideal choice for the Aquatic Hall, delivering clear, consistent audio for music and announcements across the stainless steel pool, spa, sauna and dive well. CBT 1000 line array column speakers with CBT 1000E extenders are discreetly installed on either side of the large video wall, JBL’s Constant Beamwidth Technology providing even, powerful coverage from the pool to the Spectator Mezzanine and Pool Lounge, despite acoustically challenging environments.

Group Fitness, Body and Dance Studios

JBL’s compact AC28-95 loudspeakers, supported by ASB6118 subwoofers, deliver high-output, detailed audio for music-driven classes. Their unobtrusive design suits the flexible studio spaces, used for group sessions and individual workouts.

Sports Halls

Home to the Southern Hemisphere’s first full glass LED sports floor, Sports Hall 1 supports a range of activities on a single dynamic surface. JBL CBT 70J column loudspeakers are positioned for even coverage, reducing overall volume while delivering clear audio throughout the space.

In Sports Hall 2, JBL AC28-95 loudspeakers positioned in the ceiling plenum deliver high-output, clear audio across the timber-floored court. With pre-marked lines for basketball, volleyball, netball, futsal and badminton, the space is ready for a wide range of indoor sports.

Rooftop

JBL CBT 70J column loudspeakers, weather-rated for outdoor use, provide consistent coverage across the rooftop pitch that is used for football, hockey, tennis and more. Four speakers are mounted on each side, with additional CBT 70Js along the running track and Control 25-1 on-wall speakers at the entrance. The rooftop also includes seating and open space for study, relaxation and fitness.

Cardio Room

JBL Control 16CT ceiling loudspeakers deliver clear, high-quality audio throughout the cardio rooms, supporting a wide range of medium to high-intensity workouts.

Weights Room

JBL Control65PT and 67PT pendant loudspeakers provide clear, detailed audio throughout the expansive weights area. Blending seamlessly into the open ceiling, they deliver consistent coverage across zones for resistance training, dumbbell work and powerlifting.

Bike Studio

JBL AC28-95 loudspeakers with ASB6118 subwoofers, deliver powerful sound in an immersive set-up for a next-level cycling experience. Positioned on each side of an 8-metre curved screen with surrounds at the rear, the system enhances the energy and impact of each ride.

Quiet Zone and Chill-out Areas

JBL SLP14-T low-profile on-wall loudspeakers provide rich, detailed sound throughout the quieter spaces—ideal for relaxing, studying, or unwinding after a workout.

Outdoor Turf

Near the main entrance, CBT 1000 line array column speakers with CBT 1000E extenders are installed on either side of the large video wall, delivering impactful sound across the outdoor turf and landscaped artificial hills.

Amplification

Crown DriveCore DCi Amplifiers deliver reliable, clean sound to the entire audio system:

• DCI41250DA
• DCI4300DA
• DCI4600DA
• DCI8300DA
• DCI8600DA

Originally a temporary film set for The Lord of the Rings trilogy, this section of the Alexander sheep farm was rebuilt for The Hobbit trilogy before becoming a permanent tourist attraction in 2012. Thousands of visitors each day stroll along its winding paths, imagining what lies on the other side of the round doors of the 40-plus Hobbit holes tucked into the folds of the sloping landscape.

For years, there was nothing on the other side, the iconic doors mere movie-set façades. Then, in April 2023, Owner Russell Alexander, Hobbiton CEO Shayne Forrest, Project Lead Brian Massey, and Creative Director Ra Vincent set about to create two fully-habitable Hobbit holes on Bagshot Row.

Today, when visitors enter the homes, they see the same snug, earth-sheltered, natural abodes with the curving architecture, soft oil lamps, and hand-crafted furniture that Director Peter Jackson envisioned for the films. Guests wander first through bedrooms, a parlor, and a bathroom, and then continue their tour in the second half of the home, taking in a kitchen, dining room, study, and pantries stocked to reflect the trades of the two families, the Twofoots and the Proudfoots, one in wicker baskets and the other in wine and cheese.

While oil lamps flicker warmly, most of the lighting in the underground, concrete bunkers remains unobtrusive, allowing visitors to forget that they are in an attraction. It is the subtlety of the illumination and the apparent absence of light sources and technology that make the design stand out.

Into the Hobbit Hole

“Every light had to be built-in, disguised as lanterns, or made invisible,” noted Simpson. The team began by adding 24-V, 2700K COB LED light strips to a decorative rail that sat at shoulder-height, the lower lights washing downward and the uppers gently illuminating the domed roof. LED light strips were also integrated into each piece of furniture, from shelves to drawers and tables. For high shelves, recessed lights were placed at their bases, thus shining upward, while busier shelves possess luminaires at the front edge that shine both up and down. Each piece of joinery was given legs so that there would be room for under-lighting beneath tables and cabinetry.

As the project moved along, Simpson and the team worked collaboratively with the furniture and props designers, marking up all drawings and designs, indicating where lights would go and spending many hours in the various workshops resolving how the cables could be routed, exiting into the wall before connecting into the roof.

This illumination created a warm and cozy aesthetic, but it didn’t provide enough light. “It was beautiful but there was no direction. It wasn’t punchy enough,” admitted Simpson. This concern tied into early discussions about creating “Instagram moments”—photo spots where groups of visitors could gather, perhaps pose at the head of a table, and quickly capture memorable images. To meet this need, Simpson introduced subtle ceiling illumination within the molded, fire-safe, plaster-like ceiling beams, hiding Lightstudio’s K1X30 periscope downlights in knots and splits within the timber. Alongside these were deeply recessed, adjustable, Bevel Flute mini 3-W downlights from LightKit. These were fitted between the beams in the crafted plaster ceilings, carefully themed and hidden so that when guests entered a room or took a photo, the light sources were never visible.

Lanterns, sconces, and chandeliers constituted an additional layer of illumination. These fixtures needed to appear like Tolkien’s oil lamps, but commercially available flame bulbs, often designed for the distant stage, were not convincing at close range. Instead, Toulouse iterated multiple prototypes, building miniature flame-effect LED screens to replace the lamps until the glow was natural to those in the immediate vicinity. The Toulouse workshop team—Nora Thunders, Matthias Goeb, Oscar Pierson, and Jed Drake-Brockman—also developed a bespoke light source by fitting more than 120 sources into the hand-built lanterns, wall sconces, and chandeliers created by the Hobbiton Art Department themed to pass as Hobbit craftwork.

The glasswork was created by a scientific glassblower who, starting with Pyrex tubing designed for lab equipment, blew, twisted, and frosted the glass to create authentic lantern shades. These were painted and aged by the art department. Meanwhile, the Toulouse team engineered custom LED flame boards by adapting and modifying designs found online. These boards play looping flame animations and, when installed back-to-back in fixtures, give the appearance of a natural flicker. Each chandelier head can play a slightly different animation, producing an effect that makes the flames look convincingly real. The LED flames provide control over brightness, color, and flicker speed, allowing, for example, a bright daytime scene to transition into a dimmed evening setting.

The immersive effect extends beyond the interior lighting. Weather-responsive window projections powered by Epson UST EB-805F ultra-short-throw projectors allow visitors to look “outside” and see the same clouds or sunshine they just experienced outdoors.

There and Back Again

Behind the scenes, the scale of the installation was considerable, including over 750 channels of dimming across roughly 800 fixtures, most addressed individually. “Every light or every piece of furniture is a different channel, so they could all be balanced,” said Simpson. Achieving that balance resulted in long hours of fine-tuning, adjusting levels so that one light didn’t change the effect of another.

To preserve the warmth of Tolkien’s world, vaporproof jelly jars are set at 2700K for a lantern-like glow. Only the LEDs by the windows are slightly warmer, set to 3000K to avoid a “muddy” effect. Power is supplied through a backbone of Meanwell supplies and eldoLED DMX drivers (LIN180D linear drive DC 180 watts and PW50SA powerdrive), with hundreds of drivers tucked discretely onto the roof. Each is a reliable, multichannel unit designed to run flawlessly through Hobbiton’s 12-hour days, seven days a week.

At the heart of the system is a Pharos Designer control system, programmed with custom Toulouse scripts and synchronized through BrightSign media players so that light, sound, and projection work seamlessly together.

Environmental audio is layered subtly through Crown CDI4300 amplification and JBL Control 23 and Sonance speakers.

In November 2023, eight and a half months after the start of the project, the doors of the two Hobbit holes swung open to their first tourists. The illuminated Hobbit holes on Bagshot Row demonstrate how design, craft and technology can converge to create immersive environments. In these comfy, underground homes, the lighting design disappears into the narrative, guiding visitors, highlighting details, and shaping the mood, lending credence to Bilbo Baggins’ expression: “Bother burgling and everything to do with it! I wish I was at home in my nice hole by the fire, with the kettle just beginning to sing!”

Located in Takapuna on Auckland’s North Shore, the Bruce Mason Centre is one of the region’s premier venues for the performing arts, offering a diverse range of events.

With a seating capacity of over 1,100, it features tiered seating that can be reconfigured into an open-floor space for gala dinners or cocktail receptions, hosting everything from family entertainment and dance performances to live music and comedy shows.

After 20 years of operation, the theatre’s JBL VRX sound system was no longer sufficient to meet the demands of the venue’s evolving event schedule, prompting the decision to upgrade. After careful evaluation, a JBL VTX A6 system was chosen for its compact yet powerful format and flexible rigging system, which simplifies speaker repositioning due to the A Series’ industry-leading design.

The two-year upgrade, delivered by JPRO in consultation with the Auckland Live technical team, included installing new Crown I-Tech 43500HD amplifiers, under balcony fills and rewiring the entire system.

The array design and performance predictions were carried out using JBL’s Venue Synthesis 3D Acoustic Simulation software.

“The platform enables precise angle prediction, system tuning and delay time optimisation for each loudspeaker position,” says Tim Robertson, Tour Sound Manager with JBL Professional distributor JPRO. “It is remarkably accurate compared to real-world performance, significantly streamlining live tuning and system commissioning.”

The upgraded system now includes two flown arrays, each consisting of 12 x VTX A6 dual 6-inch line array elements. Using JBL’s ArrayLink mobile app which integrates seamlessly with the Venue Synthesis 3D Acoustic Simulation software, JPRO developed six system presets to streamline deployment. With the combination of ArrayLink and the VTX A Series’ quick-rigging system, the arrays can be scaled, repositioned and ready to operate in under 30 minutes, depending on event requirements.

Twelve VTX B18 arrayable 18-inch subwoofers are deployed in a cardioid configuration and can be either flown or ground stacked. For under-balcony coverage, eight JBL AC18 high-performance compact loudspeakers are discreetly positioned. The system is powered by Crown I-Tech 43500HD amplifiers, with audio management handled by BSS BLU-806 networked signal processors.

“The VTX rigging system delivers the flexibility and performance the venue needs for its varied event schedule,” said Lindsay Clements from the Bruce Mason Centre technical team. “The sound is really clean and holds up beautifully across different instruments and sources.”

The hotel offers a sophisticated and welcoming environment for its guests, and its stylish contemporary design demands an equally high-quality sound system capable of supporting a variety of settings, from ambient background music in public spaces to vibrant soundscapes in bars, restaurants and outdoor areas. Audio Workshop was engaged to develop and implement a solution that would deliver clear, high-quality audio across multiple zones while remaining unobtrusive and maintaining a relaxed atmosphere throughout the hotel.

Led by Matt Chapman, Audio Workshop selected a range of HARMAN Professional products to ensure premium sound quality, reliability and ease of operation. The system was designed to integrate seamlessly across five floors, with each area of the hotel benefiting from tailored audio delivery to suit its individual purpose.

Flexibility and ease of use was important, allowing hotel staff to manage the audio experience in every zone. Whether adjusting volume in the restaurant, selecting a different audio source for the lobby or fine-tuning sound levels in the outdoor spaces, the system provides intuitive and convenient control across the entire property.

Inside the lobby and reception areas, JBL Control 16CT ceiling loudspeakers were deployed to deliver clean, discreet audio, allowing ambient background music to gently shape the atmosphere without visually intruding on the space. This extended all the way to the lifts, providing guests with a seamless experience from the moment they step inside the building.

Control 16CT speakers in black were installed in the hotel’s bar and restaurant areas to match the interior design, while delivering clarity and warmth, helping to establish a pleasant audio backdrop for dining and socialising.

Outdoors where the Wellington climate can be less predictable, JBL Control 25-1 loudspeakers with WeatherMax grilles were selected. Covering the terraces and valet zones, their rugged build and weather-resistant design ensure guests enjoy the same high-quality sound outdoors as they do indoors.

Apart from the lift areas, all audio zones are powered by Crown CDi amplifiers. Designed to streamline installations, the CDi range has become a favourite among integrators because of their versatility, reliability and powerful onboard digital signal processing and networking capabilities, delivering strong performance at an attractive cost.

Loudspeaker management and control is handled by a BSS BLU-100 networked signal processor, ensuring reliable distribution across all zones. Its flexible open architecture and seamless integration allow the hotel to adjust settings for each area, such as control over source selection or volume levels, enabling staff to manage the system effortlessly.

To enhance usability, BSS Contrio EC-8BV Ethernet wall controllers were installed in key locations including reception and restaurant areas. These intuitive interfaces allow staff to adjust volume or switch audio sources with just a few taps, making day-to-day operation straightforward even for users with minimal technical experience.

The system went live smoothly, immediately transforming the hotel’s audio experience. Hotel management has since praised its ease of use, consistent sound quality and reliability.

Reflecting on the project, Matt Chapman explains: “The HARMAN Professional solution with JBL, Crown and BSS integrate seamlessly, which is why I specify it for so many projects. The BSS BLU digital signal processors are particularly robust and reliable; I’ve never had an issue with them. They perform exactly as they should, every time.”

When Taieri Musical staged Jesus Christ Superstar at Dunedin’s Regent Theatre, it wasn’t just the award-winning cast and crew who delivered a showstopper. Behind the scenes, a full JBL Professional sound system powered the rock opera with clarity, impact and energy fit for one of New Zealand’s grandest stages.

The Regent Theatre, with its ornate baroque-revival interior and 1600 seats is a landmark in its own right. But for sound engineers, its scale and architecture present a serious challenge. How do you make sure every audience member from the front row to the circle under the balcony, hears every word and every note with the same intensity?

That task fell to the team from Strawberry who supplied the sound equipment, with system engineering led by Dave Bennet. “In a theatre like the Regent the challenge is covering all the seats while staying out of the sightlines,” Bennet explains. “You can’t just hang giant speaker arrays in front of the stage and those beautiful views. Instead we used a mix of flown and ground-stacked arrays, discreet under-balcony fills and a few spot fills for the tricky areas.”

The main left and right arrays consisted of three VTX B18 subs with four VTX A8s per side, ground-stacked neatly beneath the proscenium to avoid sightline issues. Additional hangs of four VTX A8s per side covered the circle, while a centre cluster of eight Vertec VT4886s was dedicated to vocals.

Six AC25s provided under-balcony vocal coverage, suspended discreetly from the circle’s front lighting rail, while SRX712s were called in for difficult pockets of coverage and as stage foldback. Everything ran from Crown I-Tech 4×3500 amplifiers, with JBL Performance Manager providing system control and tuning.

“Right from the outset we knew we had to use a distributed system. The VTX A8’s consistent acoustic performance across its 110-degree horizontal coverage helps a lot when you’re pushed into the corners and planning the fills in advance was key,” Bennet continues. “We had four different generations of loudspeakers managed under one platform showing how handy Performance Manager is. It’s been a great tool for deployment, tuning and monitoring.”

Sound designer and mixer Tom Acklin of Crossfade shaped the production’s audio night after night, balancing the rock band with the vocals that drive the story forward. For him, the JBL rig brought both power and finesse.

“Sound design for a rock musical like Jesus Christ Superstar comes with many challenges and trade-offs, but the JBL range makes it elegant,” Acklin says. “The VTX A8 handling the band content is the heart of the system. It ticks many boxes for me as a sound designer, full-range frequency response down to 60Hz, compact size to avoid those sightline issues and a wide 110-degree dispersion that’s perfect for this venue.”

Acklin emphasises the mix of cabinets as a strength, ensuring every seat receives the same experience. “The VT4886 centre hang carries the vocals, if you’re under the balcony the AC25s are the real star. It’s all about making sure the story reaches everyone, no matter where they’re sitting.”

For a production as bold and timeless as Jesus Christ Superstar, sound is as central to the experience as the staging or choreography. Both Bennet and Acklin agree the Regent Theatre production demonstrated how well the JBL VTX A Series adapts to challenging live theatre environments.

“The key takeaway is that the A8s are at home in this kind of deployment,” Bennet concludes. “From their wide coverage to their impressive low-end output even in small numbers, they’re an excellent choice for a musical show that needs big energy in a compact package.”

Located in the scenic Waiuku countryside, Otaua Primary School is a vibrant rural institution providing a unique learning environment by integrating the natural landscape into their educational programs. The school hall plays an important role in hosting a range of activities for the school and community, from assemblies and performances to movie nights; however, its existing audio visual system had become unreliable and difficult for staff to manage.

Principal Anna Voyce recognised an opportunity to invest in a modern, seamless AV solution that would not only improve the sound and video quality but provide a professional, user-friendly experience for everyone involved.

The school contacted JPRO for advice and worked with Anna to design a system that ticked all the boxes for the teachers and importantly gave the kids that “wow” experience. JPRO then engaged the services of Dan Larsen owner of Alpha Sound to install and commission the system. With the AMX Jetpack AV switching and control kit as the core of the system, Jetpack delivered exactly what the school needed, providing simplified video transport and auto-switching between HDMI and USB-C, straightforward AV system controls and handy remote management features in a single kit that required no custom programming.

The Jetpack bundle includes a three-input wall plate transmitter installed at the technical desk in the hall, connected to the multi-function receiver tucked neatly away. The six-button keypad with volume control offered staff a simple interface to manage audio and video without needing a manual. No need to find the projector remote and figure out what input to use – the AMX Jetpack automatically does that for you.

To deliver clear and even sound throughout the hall, Dan installed JBL Control 25-1 loudspeakers along the walls. A JBL Control SB2210 subwoofer was discreetly positioned to deliver impactful bass, significantly enhancing musical performances and particularly appreciated during movie nights. Amplification is handled by Crown CDi2300 amplifiers, providing robust and reliable power with seamless integration into the PA system via built-in JBL presets.

But perhaps the biggest win? Jetpack’s built-in scheduling capability, which automatically powers down the system when not in use – increasing the life of the projector, saving energy and sparing calls that the projector is still on during holiday periods or weekends.

“You guys make dreams come true; I no longer have anxiety about trying to get the system to work for an assembly or hitting ‘go’ on the laptop and sound system at the same time to try to get the video and audio to sync for the kid’s movie nights!” laughs Anna. “The AMX Jetpack system has simplified and enhanced our audio visual experience, it’s amazing.”

From install to operation, the project ticked every box.

“The AMX Jetpack gives you high-end performance without the high price,” says Dan. “It was straightforward to install and has really made things simpler for the school. The response from everyone has been fantastic.”

The result is a future-ready hall that meets the school’s needs today and leaves room to grow tomorrow. For Otaua Primary, it’s simplified AV that just works the way it should.

Taieri College’s Performing Arts Centre was due for a transformation. The existing speech reinforcement system was no longer meeting the growing demands of the space, especially as the school’s creative programmes and events expanded. From high-energy music performances to full-scale productions and community events, the venue needed a system that could keep pace.

To bridge the gap, Strawberry Sound’s hire department had been regularly supplying temporary sound systems to accommodate performances such as Rockquest, school productions and other large-scale events. While effective in the short term, this approach was time-consuming and limited the College’s ability to fully utilise their venue’s potential.

“The big focus for us is on music and drama and we needed a versatile sound system that would cope with high-performance music and bands,” says Lyndon Jones, Assistant Principal at Taieri College. “Our previous system was not capable of handling this.”

Recognising the need for a future-proof solution Taieri College once again approached Strawberry Sound, this time to design and install a permanent, high-performance audio system that could meet the needs of both school and external users. The brief was clear: the system had to deliver concert-quality sound, be flexible enough for a wide range of events and remain easy to operate for students and third-party vendors alike.

Strawberry Sound specified the JBL SRX900 Series powered line array system which would be compact, scalable and well-suited to the acoustics and structural limitations of the space.

“We selected the smaller JBL SRX906 line array element for its compact size, lightweight design, exceptional sound quality and ease of rigging,” said Dave Bennett, Senior Sound Technician Strawberry. “The precise array angle control from each cabinet allowed for a fast and accurate setup. Best of all, no major structural modifications were required—we were able to use the existing rigging points to deploy the system efficiently.”

Strawberry specified 12x SRX906LA dual 6.5-inch powered line array loudspeakers, flown six per side, along with 2x SRX918S 18-inch powered subwoofers.

Setup, configuration and tuning were handled using JBL’s SRX900 Performance software, offering the same workflow and feature set found in Performance Manager for the company’s flagship VTX systems.

“Once the system was installed, only minimal fine-tuning was needed. The SRX906 line arrays sound excellent straight out of the box, with consistent tonal quality throughout the space,” said Dave Bennett. “The Performance software was intuitive and accurate, everything just worked as it should in a real-world environment.”

The final installation also included improvements to the lighting control and a reorganisation of AV racks for greater clarity and usability. The venue facilities fully equipped to host a wide range of performances, both for the College and venue hire.

“The SRX906 installation was straightforward and hassle-free. It’s a fantastic little product that delivers impressive performance for its size,” Dave Bennett added. “The rigging system is awesome! Quick to deploy, with precise angle adjustments and secure locking mechanisms that make it easy to achieve optimal coverage. JBL has clearly streamlined its line array portfolio, offering a consistent and intuitive rigging experience across the range. The flexibility and ease of assembling the system made the entire process painless.”

Leadership are impressed with their robust JBL SRX900 professional-grade sound system. Taieri College’s Performing Arts Centre is now fully equipped to host a diverse range of performances, from school productions to community events.

“Now we have something that not only benefits the College but will be a great asset for Dunedin as well,” enthused Lyndon Jones. “It’s a great venue with concert-quality sound – and it’s now available for hire!”

“The auditorium and AV equipment were damaged during the Auckland floods. For this upgrade, our goal was to have improved sound quality and coverage throughout the space,” said Tommy Lam, Technical Coordinator at NZCCC. “After careful consultation and research, we decided that line array technology would provide the best solution to meet our needs.”

Recognising that clear, direct sound plays a vital role in worship and community gatherings, the team carefully evaluated their options to ensure the new system would elevate the overall experience for attendees.

“We found that the JBL SRX900 provided the best performance in our setting, delivering well-balanced sound from soft speech to louder music content.” Tommy explained. “The added value and support we received from local distributor JPRO helped solidify our decision to go with JBL. Thanks to proactive and effective communication with the team, we successfully integrated the AV installation into the construction phase, which helped shorten the overall timeline.”

The Solution

The system includes 8x JBL SRX906 dual 6.5-inch powered line array elements flown full-range in a left-right configuration, ensuring even sound distribution in the auditorium. Designing the system layout in JBL’s Venue Synthesis Software and utilising the intuitive SRX900 rigging hardware allowed for a straightforward installation experience by integrators Cable and Wireless, while the built-in DSP and amplification ensured optimal performance. System control and monitoring is achieved through the JBL Performance software application.

A Soundcraft Si Impact digital mixing console provides a flexible, user-friendly solution for mixing sound in the church. With onboard signal processing, the Si Impact is capable of handling everything from the spoken word to a full band, with future-proof capabilities for expansion.

For on-stage sound monitoring, JBL PRX912 powered 12″ loudspeakers deliver high-quality audio, ensuring the musicians and vocalists can hear clearly. AKG microphones are integrated into the system through a Soundcraft MSB16i Mini Stagebox, which connects to the Si Impact console via a CAT5 cable.

Video source switching to projectors is managed by an AMX PR-0404 Precis matrix switcher, with video signal transport using AMX DXLINK transmitters, ensuring smooth and reliable video delivery.

The Impact

“We’re really pleased with our new AV system – the JBL SRX900 has been a game changer for us,” said Tommy Lam. “The clarity and consistency of sound has really enhanced the overall experience for our congregation. Church members have noticed a significant improvement in the sound and visuals”

The Opportunity

At JPRO, we believe that the best way to understand premium audio is to experience it firsthand. That’s why we’ve created New Zealand’s first JBL Synthesis-Certified showroom—a purpose-built cinema space designed to demonstrate the full potential of high-performance home entertainment.

The concept for the room size was to put together an epic-sounding, small-format solution with minimal equipment that you can fit into a spare bedroom or smaller media room.

This isn’t just a demo room – it’s an acoustic showcase that pushes the boundaries of what’s possible in a residential cinema environment. Our purpose-built cinema room was crafted to deliver an emotionally captivating experience that rivals some of the best commercial cinemas in the world.

Challenge

Designing a cinematic experience of this calibre in a domestic-sized room presented a number of challenges. With limited space, careful acoustic treatment and speaker positioning were critical to achieving a wide and balanced soundstage. Left untreated, room nodes could have compromised bass response and created an inconsistent experience across the seating area.

To enhance the experience, we also needed a seamless control solution that would allow visitors to easily manage lighting, audio and video at the touch of a button – creating a truly immersive experience.

The Solution

To bring our vision to life, we integrated a full JBL Synthesis system, designed specifically for the room’s dimensions and acoustic profile. The ability to recess all the speakers was a major advantage, helping us maximise floor space without compromising performance.

We engaged with THX Advanced Integrator Andy Jurgens of Beyond Audio NZ, who was instrumental in shaping the project. Using detailed room measurements, he developed an Integrated Acoustic Treatment (IAT) strategy to manage reflections, dampen external noise and create a sense of being in a larger space.

After implementing the acoustic solution, we fine-tuned the system using Dirac Live and Smaart measurement tools, resulting in precise time alignment and frequency response calibration that deliver a cinematic experience that is both sonically accurate and emotionally immersive.

System Features

• LCR Speakers: 3x JBL Synthesis SCL-7 loudspeakers with 15-degree horn angles ensured impactful, consistent sound across the room. Seating was optimised for the selected Atmos sound field and bass integration.
• Surround Speakers: Two additional SCL-7s for surround and two SCL-8s for height creating a truly immersive Dolby Atmos experience.
• Subwoofers: JBL SSW-3 (front) and SSW-4 (rear) subs were strategically positioned for the sound field and to produce smooth, high-impact bass.
• AV Processor: Processing and power come from a JBL Synthesis SDR-38 AV receiver, delivering pristine audio clarity and powerful sound.
• Additional Gear: AMX Muse Automation, AMX Varia touch panel, Crown DCi 4300N amplifier (subs), Netgear Pro AV switch, Apple 4K TV, Samsung 4K UHD Smart TV, Panasonic Blu-ray Player

The Impact

Since opening the doors, feedback has been overwhelmingly positive. Visitors frequently comment on the realism of the experience, describing the system’s bass response as “felt as much as heard,” with some mistaking the power for physical seat shakers.

“We’ve had clients sit through a demo and look under their chairs, convinced there were tactile transducers installed,” said Mark Homan, JPRO’s Technical Sales Manager. “That’s the level of realism we’ve achieved.”

The system is seamlessly controlled using the AMX Muse automation control platform, paired with a Varia touch panel, providing effortless management of the cinema’s systems and allowing users to control the entire experience with ease.

Key Benefits

• Certified JBL Synthesis Showroom: Establishes a gold standard for JBL Synthesis and luxury home cinema performance in New Zealand.
• Immersive Audio Experience: Delivers lifelike, dynamic and deeply immersive audio.
• Smart Space Utilisation: Recessed speakers maximise floor space while without compromising aesthetics and performance.
• Seamless System Control: Unified audio, video and lighting management via AMX Muse and Varia.

A New Standard in Home Cinema

With this showroom, JPRO has set a new standard for high-performance home cinema in New Zealand. It’s a space where clients don’t just listen, they feel the difference. Every detail has been designed to experience the true capability of JBL Synthesis at its best in a real-world environment.

“The response has been overwhelmingly positive, clients leave with a completely new understanding of what’s possible in a home cinema setup,” says Mark Homan.

We invite you to experience it for yourself.

Interested in more info or a demo? | Get in touch with the JPRO Team →

This is the latest in a series of musicals on which Tony has specified JBL VTX A Series. Having first used it on Beautiful the Carole King Musical tour, followed by Get Up Stand Up! The Bob Marley Musical in the West End, he has subsequently specified it on many productions including My Neighbour Totoro at the Barbican, for which he won the Olivier award for best sound design, Gatsby at The American Repertory Theater Boston and Two Strangers (carry a Cake Across New York) which is currently playing at the Criterion Theatre.

“The JBL VTX A8 is exactly what a theatre system should sound like,” says Tony. “It’s incredibly transparent and natural on a whole range of playback or live instruments, its coverage is very consistent, it sounds equally impressive at any volume, and when needed it can go loud without any kind of distortion.”

Tony says music is in his DNA. He grew up in a world of Jamaican sound systems, and whilst he never learnt an instrument, it was the equipment that fascinated him. “I loved the power, the sound, the bass, playing with EQ.  I just loved the kit.”

Next To Normal is an emotional hard-hitting musical with a rock score written by Pulitzer, Tony, Emmy and Grammy Award winner Tom Kitt and book and lyrics by Pulitzer Prize and Tony Award winner Brian Yorkey. The stellar cast of six all provide vocals and are accompanied by an on stage live band featuring drums and percussion, bass, guitar, real upright piano, violin and cello.

“The A Series is dealing with the variety of instruments without colouring any of them. There’s a fantastic detail and accuracy to the HF which helps keep the sound of every instrument intact in the mix,” he says. “JBL have built a loudspeaker that sounds amazing out of the box without the need for excessive DSP. The only tuning needed is just for a specific room, which I do on the desk.”

This system itself comprises two main hangs of eight VTX A8 line-array elements which cover all but the first five rows of the stalls. Two ground-mounted B18 subwoofers and two flown B18 subwoofers reinforce the bottom end.

“I could have extended the array but the sightlines would have been compromised in this theatre, especially given the height of the band’s position on set,” Tony explains. “The arrays are angled slightly inwards to centre the energy a little and keep sound off of the audience boxes.”

Again, sightlines prevented additional flown subs, but the A8 arrays themselves are operating in their full-range mode with extension down to 50Hz to create plenty of low-end energy.

The balconies are extremely well targeted by the arrays, with only the rear of the upper tier requiring delays due to the physical design of the theatre.

Tony is using JBL’s new Venue Synthesis application to model the space and whilst he says coverage is pretty simple to determine in the confined space of a theatre, the weight loading calculations provided are a very useful tool.

Justin Teasdale, one of the production sound team has also used the JBL VTX A Series in an entirely different content: installed onboard the Norwegian Colorline cruise ship ‘Color Fantasy’. He says whilst the use of JBL does still sometimes raise an eyebrow in the theatre world, this is getting less so as people are hearing it more and more.

Tony agrees. “This applies to the composers and musical directors too,” he says. “They want to hear their music transfer accurately to the theatre and I’m increasingly noticing the appreciation for the sound of this JBL system.”

Tony acted as sound designer on 16 shows last year and eight already this year. Next up is Becoming Nancy at Birmingham Rep which he says will also feature JBL VTX A8, followed by a much-anticipated transfer of My Neighbour Totoro to the West End in 2025.

“I don’t think there’s a show I wouldn’t spec the JBL VTX A-Series on,” he concludes.

JBL Professional is exclusively distributed in New Zealand by JPRO.

Fitness Cartel, a vibrant luxury health club brand, has officially opened its first branch in New Zealand, located in Auckland’s Manukau City.

This wellness franchise is redefining the standard for full-service health clubs by offering the ultimate workout experience. From high-energy workouts to rejuvenating recovery sessions, every aspect of the member journey is designed to inspire and motivate. Gym owner Leo Kane combines exceptional customer service, top-tier facilities and an energising atmosphere, all complemented by cutting-edge audio-visual and lighting systems.

To help bring this vision to life, Fitness Cartel Manukau partnered with trusted audio-visual specialists Safe N Sound. They were tasked to create a luxurious fitness experience with high-quality AV equipment, captivating visuals and powerful audio systems for an unrivalled workout atmosphere.

“We prioritise using high-fidelity AV equipment and reputable brands for our projects,” says Lee Dewerson, Managing Director at Safe N Sound. “In this way we are guaranteed exceptional performance, durability and professional support from local suppliers. It was crucial for the audio systems to be tailored to the unique needs of each zone.”

After careful consideration, JBL Professional Control28-1 Loudspeakers were selected for their sleek design, versatile mounting options and rich even sound, ensuring a high-performance experience in every zone. In areas requiring deeper bass, JBL ControlSB2210 subwoofers were added to enhance the experience.

JBL PRX912 powered 12” loudspeakers and PRX915XLF compact 15” subwoofers deliver powerful audio to the Spin Studio, while JBL 8128 8” ceiling speakers provide high-fidelity sound for the reception, recovery room and changing areas.

A networked BSS BLU digital signal processor was chosen as the central hub for audio management, with BSS Contrio EC wall controllers providing flexible, reliable control.

“BSS BLU signal processors are known for their robustness and reliability,” adds Lee Dewerson. “Their open architecture platform provides limitless possibilities for audio and control designs. This setup provides independent control of the seven zones, allowing instructors to easily switch music sources and adjust both music and microphone levels.”

To ensure crystal-clear sound across the gym, Crown CDi4300 four-channel installation amplifiers and JBL CSA240Z and CSA2120Z commercial zone amplifiers drive impactful and consistent audio to all JBL Professional loudspeakers.

“This project has transformed the gym into a state-of-the-art environment that not only meets but exceeds the expectations of its members,” remarks Lee Dewerson. “By prioritising excellence in every detail, Fitness Cartel Manukau now delivers an inspiring and luxurious fitness experience. We would like to thank our audio product partner JPRO for their support in bringing this vision to life.”

“The equipment has performed exactly how we envisioned it would – reliably and consistently. It is a fantastic sounding system that fills our space with high quality sound, complementing our high-end fitout,” says gym owner Leo Kane. “The bass in the system carries well and compliments the speakers perfectly. Features we really like are that the sound levels can be managed from the back end and are reset each day, a microphone system that can work throughout the gym during events and the ability for our instructors to control their music and microphones with ease.”

In the fast-paced world of event management, success often hinges on the ability to adapt, evolve and invest in cutting-edge technology. For VIVID Event Production, one of Tauranga’s fastest growing events and hire companies, this philosophy has been the driving force behind their journey, particularly with their recent investment of the JBL SRX900 powered line array series.

VIVID’s story goes back to the entrepreneurial spirit of owner Jaymz MacKenzie-Hooper. At just 17, while still in school, Jaymz started selling tickets to U18 alcohol-free dance parties. What started as a passion project soon transformed into a hire and events business and Jaymz slowly started purchasing equipment to support his growing venture.

Fast-forward ten years, and VIVID is now a full-service event production company with offices in four locations, offering professional DJ services, equipment hire and comprehensive event solutions. However, the sound system inventory had become a mismatched collection of various makes and models—many of them outdated.

Recognising the limitations of their existing equipment, VIVID made a strategic decision to invest in a versatile sound system capable of supporting everything from intimate gatherings to large-scale festivals.

“We needed a solution that was scalable, durable, and easy to deploy – plus it had to deliver exceptional sound quality from a reputable brand with reliable local support,” explains Jaymz.

“We wanted one system that could handle our 100-capacity shows and have the flexibility to provide full sound reinforcement to the 2500-capacity shows we were already doing – and future proof ourselves with the support of a supplier to keep growing and add more boxes as we need them.”

The Team at VIVID selected a full complement of JBL SRX900 series loudspeakers, opting for both the SRX906 6-inch and SRX910 10-inch line array elements, combined with the SRX918 single 18-inch and SRX928 dual 18-inch subwoofers. To maximise flexibility, they added the pole mount accessories and array frames, which could be flown or ground-stacked. This setup gave VIVID the versatility they needed, allowing the systems to be used for multiple smaller gigs or combined for larger deployments.

Jaymz adds, “With the pole mount adapters we have run the SRX906s on stands for events of 100 people and by simply adding SRX918 subwoofers, we have catered to 400 people in smaller live music and corporate event venues. Having the ability to then use all the systems together with the help of the JBL VENUE Synthesis 3D acoustic simulation software, JBL SRX900 has been a game changer for us.”

The decision to invest in the JBL SRX900 line array system marked a pivotal moment for VIVID – one which has seen the company grow and take on a wider range of events. From intimate gatherings to sprawling festivals, the SRX900 seamlessly adapts to a myriad of venues and event types, delivering exceptional sound quality and coverage. Whether it’s the pulsating beats of The George FM Summer Tour or the high-energy vibe of Audiology’s Sunbelievable, the SRX900 consistently exceeds expectations, leaving audiences enthralled and event organisers delighted.

Since upgrading to the JBL SRX900 system, VIVID has enhanced its dry hire inventory with JBL Professional products, including the EON700 Series, PRX900 Series (widely used as DJ monitors), and the versatile EON ONE MK2 battery-powered column PA.

“VIVID now only supplies 100% JBL Professional audio across our range,” says Jaymz proudly. “We would like to thank JPRO and the wider team at JBL for their help and collaboration. The support, training and dedication to the brand has helped us achieve so much more. They have been amazing,” he acknowledged.

VIVID’s journey highlights the transformative power of innovation and strategic partnerships. With their investment in the JBL SRX900 line array system, they’ve not only enhanced their own capabilities but also reinforced their dedication to creating unforgettable experiences for clients and audiences alike.

The upgrade emphasises the company’s continued commitment to excellence in audio, providing the best professional audio solutions to their customers.

Strawberry Sound provide full production services to top performers and promoters in the entertainment industry and celebrate 40 years in business this year. From concerts and festivals to award shows and gala dinners, the company has built a strong reputation for delivering outstanding audio visual experiences.

A proud JBL user since day one, Strawberry Sound continue to invest in cutting-edge technology to enhance its services. The addition of the JBL VTX A8 Series brings greater scalability and high-performance sound, ensuring every event—no matter the size—sounds its best.

One of the first events for their new system was the Miharo Central Lakes Polyfest in Queenstown, where the A8’s versatility was on full display. A ground-stacked system featuring six brand-new VTX A8 mid-highs and three B18 subwoofers per side was deployed, delivering outstanding results.

General Manager Mark O’Neill emphasised the importance of this upgrade, saying, “Adding the JBL VTX A8 Series to Strawberry Sound represents a significant step forward in our capabilities as a production company. The scalability of the system gives us the scope to deliver high-quality audio for a wide range of events and venues. The system can be split into several smaller systems for intimate gatherings or combined into a bigger system for large-scale productions, all while maintaining the versatility and reliability our clients have come to expect.”

The VTX A Series is designed to meet the demands of any event, providing well-engineered rigging, exceptional sound transparency and intuitive 3D acoustic simulation software using JBL Venue Synthesis.

“One of the standout features is its excellent sound clarity. The top end is incredibly smooth, with remarkable detail, ensuring that every note, word and sound is heard exactly as intended—without the harshness that some other systems may produce. Whether it’s a live performance, corporate event or outdoor festival, we’re proud to offer our clients the very best in professional audio solutions,” Mark O’Neill added.

Soon after the addition of their new A8 system, the Strawberry Team received JBL VTX training with Tim Robertson, JPRO’s JBL accredited VTX Trainer. The training equips users with the knowledge to maximise the capabilities of the VTX system safely, covering system design principles, hands-on rigging, configuration and software optimisation.

“We’re proud to be a part of Strawberry’s journey as they expand their inventory with the world-class JBL VTX A8 line array,” says Tim Robertson. “We’re committed to providing the best solutions and support to help our customers succeed.”

The system is powered by two Crown VRACK touring amplifier racks, each equipped with three of the most advanced professional touring amplifiers: the 4-channel Crown i-Tech HD 4×3500. Each amplifier channel features comprehensive OMNIDRIVE HD™ processing, including the acclaimed LevelMAX™ Limiter Suite and support for linear phase FIR filters, as utilised in the latest JBL V5 loudspeaker tunings.

Configuration and control of the entire system is managed by the latest JBL Performance Manager and Line Array Calculator software, with the Array Link mobile companion app helping technicians deploy systems on-site.

While the upgrade was not only about acquiring new equipment but also enhancing the overall experience for both clients and audiences, Strawberry Sound recognised the importance of collaboration. “We also want to take a moment to thank JPRO for being a fantastic partner and distributor,” says Mark O’Neill. “Their support and expertise have been invaluable throughout this process and we deeply value our long-standing relationship with the JPRO team. Collaborating with such a trusted partner has made this addition to our inventory seamless and rewarding, and we’re excited about the possibilities it opens up for the future.”

SITE REFERENCES | BROCHURE | REQUEST INFO/DEMO | VIDEO RESOURCES

Intellivox References New Zealand

Here is a reference list of some of the venues in New Zealand where JBL Intellivox beam shaping loudspeakers are used to enhance the audio experience for the listener. (updated January 2025)

One of New Zealand’s most significant ecclesiastical landmarks, the Timaru Sacred Heart Basilica, has undergone a major audio upgrade, with a new JBL CBT column array sound system installed as part of a wider seismic strengthening and restoration project.

Located two hours south of Christchurch and under the Christchurch Diocese, the Timaru Basilica is a heritage Category 1 building. Designed by renowned architect Francis Petre, the structure stands as a celebrated example of Roman and Byzantine-influenced architecture, with touches of Art Nouveau design, and is considered one of South Canterbury’s most iconic historic sites.

The recent works aimed to ensure the safety and longevity of the landmark, with the sound system upgrade taking place alongside structural improvements to protect against future earthquakes.

Historically, the church’s challenging acoustics made effective sound reinforcement difficult. With its vast interior and highly reflective surfaces, previous solutions struggled to deliver intelligibility and coverage across the nave and transepts.

Local integration specialists Audio Dynamite were engaged to deliver a solution that would meet both acoustic and aesthetic requirements. Working closely with JBL distributor JPRO, the team designed a system built around JBL’s CBT (Constant Beamwidth Technology) column array loudspeakers.

“We needed a system that would deliver clarity and consistency without compromising the architectural beauty of the space,” explains Richard ‘Stix’ Howey, owner and sound engineer at Audio Dynamite Ltd. “Column arrays offered the perfect balance of performance and visual discretion.”

The main reinforcement system comprises JBL CBT 1000 full-range column speakers with matching CBT 1000E bass extenders, mounted discreetly beside the Basilica’s front columns. These are supported by JBL CBT 50LA arrays used as fills to ensure seamless coverage across the listening areas while minimising energy directed at reflective surfaces.

Power and signal processing are handled by Crown CDi 41200BL and CDi 4300BL DriveCore installation amplifiers and a BSS BLU-100 networked processor.

A BSS EC-V-WHT wall controller provides local volume control, while wireless speech reinforcement is provided by AKG WMS470 systems.

JPRO provided system design assistance, working with Audio Dynamite to ensure even front-to-back coverage while avoiding excessive spill into non-audience areas—a critical factor in such a reverberant environment.

The upgrade was unveiled at a special Mass celebrating the completion of the restoration works, during which both the structural and audio improvements were blessed.

“I would like to thank JPRO for their invaluable assistance in designing and commissioning this system. The first Mass after the install was a full house,” says Howey.  “Despite the acoustic challenges, the thoughtfully designed system delivered clear and consistent sound all the way to the standing congregation at the back. The CBTs performed flawlessly.”

The result is a modern, reliable sound reinforcement system that respects the Basilica’s heritage status while dramatically improving the worship experience for clergy and congregation.

Established in 1959, Onehunga High School has long been a cornerstone of its community. Nestled in Onehunga overlooking the picturesque Manukau Harbour in Auckland, the school’s deep roots are reflected in its strong sense of tradition and continuity, with many second and third-generation students passing through its halls. A legacy highlighting Onehunga High School’s commitment to providing lifelong learning opportunities for the local community.

Recognising the need to modernise its facilities to better equip students for the future, the school recently completed a major redevelopment, introducing several advanced facilities. Two new teaching blocks were built – one with a dual-basketball-court gymnasium, exercise room, locker rooms and teaching spaces, and the other dedicated to science and technology.

The school develops culture, character and interpersonal skills through encouragement, commitment, discipline and personal responsibility. This is done by actively engaging students in a diverse range of activities, including sports and performing arts. It was decided that the new gymnasium would be used as a multipurpose venue to cater for its various events and a key requirement to achieve its objectives would be a flexible, high-quality audio system that ensures clear, powerful sound and excellent coverage throughout the space.

The Solution

Trusted technology partner Connect NZ was called upon to design and install a high-definition LED wall and a high-performance audio system capable of meeting the multipurpose audio requirements for the school.

With the range of activities including sports, cultural events, music and performing arts, system designers selected JBL Professional CBT 1000 high-powered line array column loudspeakers with CBT 1000E low frequency extensions for the gymnasium.

JBL CBT 1000 is a high performance adjustable coverage line array column that is engineered to distribute more sound to the far area of a room allowing for optimal sound distribution and delivering consistent powerful audio throughout the space, ensuring even coverage from front to back.

With limited room for traditional subwoofers, system designers specified JBL CBT 1000E low-frequency extensions for their extended bass response down to 38Hz, providing enhanced sound control and increased output levels that allow the school to achieve a full, dynamic audio experience without compromising on space or performance.

The loudspeakers are powered by a Crown DriveCore CDi21200 amplifier. Designed to make installations easier, Crown CDi DriveCore amplifiers are equipped with speaker presets to fully maximise the capabilities of the CBT 1000 speakers. CDi amplifiers streamline ongoing maintenance and control with robust network management, advanced digital signal processing and a user-friendly front-panel interface with colour display. Energy efficiency is a cornerstone of the CDi range, thanks to GreenEdge Technology, which incorporates power-saving features and an auto-standby mode to reduce environmental impact and operational costs.

Because the multipurpose gymnasium would also be used for school assemblies and live music performances, reliable AKG wireless microphones were chosen along with an external RF Venue DFIN ‘diversity fin’ antenna for reliable RF reception throughout the space. The Diversity Series of antennas eliminate dropouts compared to traditional whip or paddle antennas by combining two antenna paddles into one (with two RF inputs), simplifying RF setup and reducing coax cable clutter.

System Features

• CBT-1000 High Performance Adjustable Coverage Line Array Column that sends more sound toward the far area of a room to make front-to-back sound levels more consistent.
• CBT-1000E Extension for CBT1000 provides extended bass response and pattern control and increased sound output levels for superior audio performance.
• RF Venue Diversity Fin Distro4 Package includes Diversity Fin Antenna (DFIN) for Wireless Microphones, DISTRO4 Antenna Distribution System and relevant coaxial cables
• AKG C555L wireless condenser headset mic
• AKG DMS800 Dante enabled wireless microphone system
• Bluetooth wallplate with Dante
• Crown CDI21200 best performance-for-value amplifier with pre-loaded JBL speaker tunings to help make installations quicker and easier.

The Impact

“We needed a high-performance audio solution that is reliable and could cover long distances. The JPRO design along with the JBL CBT1000 line array column loudspeakers have enhanced the Onehunga High School gymnasium,” says Rakesh Choudhary, Business Development Manager at Connect NZ.

“What truly stands out is the speaker’s consistent tone quality, whether at soft or loud levels and its ability to deliver clear audio in various performance settings in a large open space. Its IP55 marine-rated capabilities provide added peace of mind against humidity and dust, keeping the system reliable for all occasions. It’s been the perfect solution for the multipurpose requirements of the venue and we’re delighted with the results.”

A suburban backyard in Mosgiel just outside Dunedin, has become home to one of the most distinctive Dolby Atmos music studios in the region—built inside two shipping containers and fitted with professional-grade JBL Cinema loudspeakers.

The project, spearheaded by local indie artist and producer Breesy, transforms a modest space into a creative hub for immersive audio production. With Dolby Atmos and a full 7.1.4 speaker configuration, the studio now delivers spatial audio with precision and depth.

Known for his acoustic folk and light rock writing, Breesy has been playing music since age 10 and performing live since his teens. Now, after years of dreaming and planning, he’s finally realised his vision for a dedicated production space, aptly named Breesy’s Studio.

Once the containers were installed, Breesy reached out to Vision, a Dunedin-based AV integration firm, for guidance on building out the technical infrastructure. Gustav Teitge, an experienced project manager with a background in professional AV and Dolby Atmos installations, led the technical design and specification process.

“I didn’t really have the technical knowledge to pick out the right gear for what I wanted to achieve,” says Breesy. “I went to them for advice and was really happy to learn they could handle the supply, install and setup as well.”

To meet Dolby Atmos Home Entertainment studio certification standards, the system required a minimum 7.1.4 speaker setup. Teitge specified a carefully selected mix of JBL Professional loudspeakers supplied by distributors JPRO, to meet both performance and budget requirements while ensuring the highest quality monitoring experience in the compact studio.

System Features:

• Left and Right mains: JBL C211 Two-Way ScreenArray® Cinema Loudspeakers — Slimline, cinema-grade speakers featuring the same high-frequency transducer technology found in JBL’s renowned 7 Series reference monitors.
• Centre channel: JBL 308P MkII 8″ powered studio monitor — A staple in professional studios, the patented waveguide provides a wide sweet spot offering stunning detail and precise imaging
• Surround and height channels: JBL 8320 Cinema Surround Speakers — Designed for immersive formats, these compact enclosures provide high output, extended bass and low visual impact. Originally developed for cinema, they’ve proven themselves equally at home in premium home studios and corporate environments.

Also recommended and supplied was the AKG C414 XLII condenser microphone—now one of Breesy’s most-used tools in the studio.

“The JBL speakers are awesome. The smooth response and pinpoint imaging of the high frequency reproduction across the immersive mix space is incredible,” Breesy says. “But the biggest surprise was the AKG C414XL. It’s spectacular – so versatile I use it on everything from vocals to instruments.”

Local-based support and professional-grade installation made the difference, allowing Breesy to focus on what matters most: creativity.

“The biggest challenge was staying within my budget,” he admits. “But I ended up with more than I imagined. The advice and experience I received made a huge difference—I can concentrate on music now, not the tech setup.”

The result is a world-class, Atmos-enabled production studio in a truly unique setting—testament to the impact of well-chosen pro audio gear, thoughtful design and a clear creative vision.

The Opportunity

In 2023, the Springboro branch undertook a major renovation project to overhaul its technological infrastructure. The initiative included the addition of a medium-sized conference room and large meeting room, enhancing the branch’s capacity for collaboration in the community.

The in-house technology team led by Chad Morris opted to install a complete HARMAN Professional AV system, consisting of JBL Professional COL Column and ceiling speakers designed around the AMX Jetpack, which was developed for small-to-medium meeting spaces.

The Solution

The AMX Jetpack provides simple-to-operate room controls, while offering multiple video inputs and enabling voice lift for clear communication with everyone in the space.

The JPK-1300 combines 4K60 4:2:0 HDMI and USB-C video switching and distance transport, room control, wallplate accessibility and audio amplification in a kit that requires zero programming.

It includes a three-input switching wallplate transmitter, a six-button keypad with volume control, and a multi-function receiver with built-in amplifier, USB signal pass-through, RS232 control, Relay, IR, mic/line input, line out, remote mute, audio de-embedding, USB-AUDIO, ARC function and CEC control.

Jetpack supports a wide range of classroom and meeting space applications and can be controlled through panel buttons, RS-232, Telnet, SSH, a Web GUI, and the Jetpack Manager application.

The Impact

“The biggest wow factor with this project was how trouble free it was,” says Morris. “I’ve been an IT professional for 16 years and some projects present obstacles along the way. This one, for the most part was straightforward.

“During the installation, I had to contact the AMX engineer a few times with some basic questions, but they gave me all the information I needed. Overall, it went smoothly for a larger project. I am not an AV expert. I figure if I can do it, pretty much anybody can do it.”

Morris adds: “With Jetpack, you can get a high-end product with cost-effective solutions. Libraries don’t have the budgets big companies do. We need to deliver to the public good, top-of-the-line, cutting-edge technology – but without breaking the bank. Jetpack is the perfect solution for that.”

“The response to the Jetpack has been awesome. What staff and patrons like about it is that you just plug it in and it works. Its simplicity is what makes it great.”

Situated in the heart of Auckland, the historic Anglican church of St Matthew-in-the-City has recently undergone a discreet but powerful sound system upgrade, thanks to the installation of a JBL Intellivox column array system. The heritage-listed building, constructed in 1905, is renowned not only for its stunning Gothic Revival architecture but also as a sought-after venue for weddings and community gatherings.

The need for a new system was driven by the church’s evolving role as both a place of worship and a flexible event space. As such, the brief from both the caretakers and the project architects was clear: deliver outstanding voice reproduction for liturgical use, while ensuring speech clarity and coverage suitable for a broad range of public events – all without compromising the venue’s aesthetic integrity.

Integrator Alpha Sound was awarded the contract, working in close partnership with JBL distributor JPRO and Peter Reed, Senior Consultant at Salmond Reed Architects. Given the acoustic complexity of the space with its ornate architectural features and Category A Heritage Status, the team specified JBL’s Intellivox range for a solution that could deliver intelligibility and seamless coverage.

“The challenge was to ensure high speech intelligibility while respecting the visual heritage of the building,” said a JPRO spokesperson. “We modelled the space in 3D to understand the acoustic characteristics from different column loudspeakers and then determined what the STI values were.”

With the goal of achieving Speech Transmission Index (STI) values above 0.5 – and ideally closer to 0.6 – the design team focused on directing sound only where needed, minimising reflections from hard surfaces and avoiding coverage in non-audience areas. JBL Intellivox’s beam forming capabilities proved key to achieving those objectives.

The sleek Intellivox DSX280 HD powered column array loudspeaker, capable of providing a constant sound pressure level up to 35m, provides consistent full-range audio from the front of the nave to the rear, with minimal intrusion on the church’s heritage interior. Intellivox DSX180 powered column arrays are used as fill systems in the North and South sides. With their slim profiles and custom paint finishes, the Intellivox systems blend discreetly into the surrounding stone columns.

Due to the venue’s multipurpose use, JBL PRX815XLFW 15-inch subwoofers were added to provide additional bass reinforcement for music applications. JBL CBT 50LA column arrays, powered by a Crown CDi4300 amplifier, were deployed to deliver consistent sound coverage from front to back in the mezzanine level.

An AKG CGN gooseneck microphone was selected for the lectern, while AKG C214 large-diaphragm condenser microphones were used to capture the Bell Tower and Cathedral Organ with pristine clarity. These additions have dramatically enhanced the overall worship experience for those attending services at St Matthew-in-the-City.

“The outcome of the loudspeaker upgrade is remarkable,” said Dmitry Rusakov, Events Manager at St Matthew-in-the-City. “They blend seamlessly into our space and the audio quality is quite astounding. It is so clear from the front of the venue to the back, without sounding echoey.”

To mark the completion of the project, staff from JPRO and Alpha Sound were invited to a special dedication ceremony hosted by the church. The event offered clergy, congregation and the wider community a chance to experience the new system firsthand and to acknowledge the technical precision and care invested in the project.

The completed installation at St Matthew-in-the-City demonstrates how the advanced loudspeaker technology in JBL Intellivox can meet the complex demands of heritage spaces. With careful system design and integration, the church has gained a high-quality audio solution that supports its dual role as a place of worship and a community venue—without compromising its architectural character.

The Opportunity

Auckland International Airport is the largest and busiest airport in New Zealand—and it has become bigger with several expansion projects over the last decade including baggage claim areas, passenger lounge, international terminal departure processing zone and retail hub areas. The massive transformational project has more than doubled the size of the international zone.

Bartons Sound Systems are a preferred contractor for the installation of PA equipment and maintenance of public address systems at the Airport and have utilised JBL Professional Intellivox adjustable self-powered column speakers in many of the expansion projects. Intellivox delivers highly intelligible announcements to large passenger numbers in difficult acoustic spaces.

Bartons originally deployed JBL Intellivox DC280 columns during the first phase of the new baggage claim area upgrades, the DC280 proven to deliver excellent speech intelligibility with constant sound pressure level up to 35 metres. Subsequent newer Intellivox models such as the DSX280HD and DSX180 have been deployed in various phases of the expansion.

“Until the expansion project began, nearly all of the PA loudspeakers used at Auckland International Airport were ceiling speakers or old-style PA horns for exterior areas,” said Rob Waddell of Bartons Sound Systems. “Aside from the fact that we wanted to install something much better, the open-ceiling arrangement of the baggage area precluded the use of ceiling speakers. Further to this, installing a distributed system of conventional, cabinet-type loudspeakers and the cable to wire all of them up would not be cost effective.”

Additionally, before construction even started it was predicted, based on the architectural plans, that the space would be highly reverberant. A further complication: the degree of absorbency (alpha) of the horizontally mounted ceiling baffles that would be installed for reverberation control was unknown.

Waddell realised that a beam shaping loudspeaker would provide the solution and determined the JBL Intellivox was the ideal choice for delivering intelligible sound at the volumes required to handle the ambient noise level of a baggage claim area. The loudspeakers also needed to overcome the high reverberation times created by the space’s open architecture, ceiling beams, walls and uncarpeted floors.

The JBL Intellivox digital beam steering enables its vertical dispersion to be precisely focused and shaped by controlling the relative phase and amplitude of its column of custom-designed drivers and optimising its volume, parametric EQ and delay using proprietary DSP techniques.

Waddell used EASE AURA acoustic modelling software to determine that only two JBL Intellivox DC280 loudspeakers would be needed to provide clear, intelligible coverage of the baggage claim area. The loudspeakers were installed vertically along the wall where the baggage belt is located. “Because it is only 5.3 inches wide, you really have to look hard to realise the speakers are even there,” Waddell noted.

The loudspeakers had to deliver a STIPA (Speech Transmission Index Public Address) of at least 0.5 because the installation serves both as PA and as an EWIS Emergency Warning and Information System. “Management wanted the PA to deliver at least 0.6 minimum STIPA and JBL Intellivox easily achieves this,” Waddell pointed out. “The speaker’s ability to provide highly focused coverage, yet over a large distance, is key in achieving this level of power and intelligibility while overcoming such highly reverberant acoustics.”

Along with superior performance, JBL Intellivox beam shaping speakers have provided significant cost savings because they are self-powered, which eliminated the need for external amplifiers and reduced the amount and expense of cable and labour needed. In addition, the Intellivox built-in Ambient Noise Sensing System further reduced the need for external microphones and cabling that would otherwise be required.

The successful use of the original JBL DC280 has led Waddell to specify installing more JBL Intellivox beam-steerable array loudspeakers including DSX280HD and DSX180 for various stages of the remodelling and extension work. “On paper they’re a clever solution – but when you actually hear the speaker performing so brilliantly in this type of environment you really appreciate just how well-suited they are to this type of application.”