WHANGAREI, AUCKLAND, NEW ZEALAND. AV and ICT integration company Skopik has selected JBL Professional Screen Array loudspeakers and Crown amplification for a private 24-person 4K cinema at The Palms Lifestyle Village.

The Opportunity

Newly built lifestyle village The Palms required a private 24-person 4K cinema that could be controlled via a user-friendly control system that staff and residents could use with ease.

AV and ICT integration company Skopik were commissioned by The Palms management after viewing and experiencing another cinema installation by Skopik. “When our team visited a previous site, we were immediately impressed by the fidelity of the technical equipment and quality of workmanship conducted by the Skopik team” comments Daniel Skelton, Manager at The Palms Lifestyle Village.

The Solution

Skopik was able to transform an empty shell, into a tiered, fully automated cinema with a JBL 11.1 channel surround sound system.

The company handled acoustic panelling, seating layout, projection calculations, lighting design and audio ease mapping to provide The Palms with a premium cinematic experience.

As a result of their expert knowledge in professional audio and video solutions in NZ, with a large inventory of industry-leading AV equipment, JBL Professional and Crown Audio distributor JPRO was chosen to partner with Skopik on the initial audio design and specification phase of the Cinema.

System Features

• JBL 708i install version of the 7 Series Master Reference Monitors were selected for the left, centre and right channels, positioned behind the 150″ acoustically transparent screen.
• 6x side surrounds and 2x rear surrounds comprise of JBL 8320 Compact Cinema Surround Speakers that were easily installed using the JBL QuickMount.
• The 11.1 suround system is powered using Crown DriveCore CDI4300BL and CDI4600BL amplifiers. The amps have built-in DSP and speaker presets for all JBL speakers, allowing for a faster set up.

The Impact

“We tried our hand at a number of products before relying on JBL Professional for our audio solutions,” says Skopik AV Manager Jeff Sundrum. “JBL’s legacy of innovation in professional and cinematic audio combined with the product offering and audio fidelity is far superior to our other first-hand experiences. We knew that this project would have a premium result.”

Nestled in Henderson Valley in Western Auckland, Whoa! Studios is a state-of-the-art film studio and theatre specialising in live action, puppetry and miniatures. Its flagship offering is an original, world class, live show based on the characters and sets of Custard’s World – adapted for stage from a script by Bob Baker, BAFTA award winning screenwriter of Wallace & Gromit.

Whoa’s owner David Sutherland wanted to create an exciting family destination in Auckland with unforgettable live experiences. He says “It started out as an idea to do something fun for children and for families, to do something that was different to what they had engaged with before. We wanted to try and do something that was magical.”

David’s vision has resulted in a world class facility with a children’s adventure playground, a modern family restaurant and hi-tech studio and theatre facilities. In order to realise this vision and create a truly immersive experience alongside the mix of puppets, digital effects and live action from within the main stage movie set, leading world class AV technologies were needed.

World Class meant that one of New Zealand’s top integration companies, ITAV was called upon to knit together this immersive experience that would create lasting memories. Their brief was clear: sound quality, flexibility and ease of use.

Consultant and ITAV Integrator Paul Ivory had no doubts when it came to selecting his team that would partner on this project. Paul declares “I called on the best of the best in all different aspects of this project.”

Leading AV equipment supplier and specialists in Sound System and Video Distribution design JPRO were selected because of their far-reaching support, emphasis on relationship, as well as audio and product knowledge base.

AMX specialist Quentin White designed the video and switching distribution system. Projector mapping was suggested in conjunction with specialist lighting to create themes for the shows. AMX touch panels control scene changes, projectors and video monitors. This resulted in a unique part of the delivery and a main component now written into all live shows.

JPRO Sales Director and Audio Designer Paul Edlin designed the fully integrated networked audio system for the theatre and restaurant. BSS Soundweb and Soundcraft Vi3000 are an integral part of the audio distribution and essentially, the heart of the theatre system.

The primary objective was to keep as much of the Audio Signal in the digital domain as possible. Audio was passed in and out of the Vi3000 via Dante, into the BSS BLU-806 signal processor before reaching the Crown DCi Amplifiers that powered the JBL CBT-70J Array speakers and eight Zones such as the Green Room and back of stage.

Audio outputs for the live film studio and theatre were configured in 7.1 and 5.1 respectively. This was not only for a surround sound effect, but for localised sources as puppets came in from different locations around the room.

For the theatre, the first choice of speakers for Paul Ivory was always going to be the JBL CBT 70’s. “They are great for speech and music” he says, “the array of the speakers is perfect for having clear sound for the front and back end of the room; there was nothing else that came close to that decision.”

The new AKG MicroLite HC81 headworn microphones were selected as they are comfortable and lightweight to wear for the actors while the AKG wireless microphone technology used has a track record of solid reliability.

Through clever configuration and use of the Soundcraft VISI App, from an operator’s point of view the Soundcraft Vi3000 mixing console provided the central control point for all performance areas.

Paul Edlin from JPRO explains the use of the VISI integration: “Vi3000 controls all the actors and playback audio within the main theatre and on the second layer it controls audio in the second theatre.” This resulted in a cost saving of an additional mixing surface. Paul continues, “So the main theatre can be running a show and the second theatre can simultaneously run another show with audio controlled via the VISI iPad App.”

The approach to the AV design for the restaurant and mezzanine areas is equally as ingenious, with exceptional sound quality produced by the unobtrusive JBL Pendant speakers.

“You can walk throughout the café, into the parent’s area, toilets, the shop into the entrance way and the sound is all even, it is not overbearing in any area” states ITAV’s Paul Ivory.

All AV technologies such as switching on projectors and lowering screens, operating lights and adjusting volume are controlled on a touch panel system via an automated process. Third party systems control is made simple and easy to execute with Audio Architect and AMX seamlessly integrating together.

Through effective communication, simplistic AV and sound system design and leading World Class products from Harman Professional, the teams from ITAV and JPRO were able to put together a solution that will provide simplistic user operation for staff, and unforgettable live experiences for families.

David Sutherland concludes “We wanted to exceed expectations. I didn’t think it would be as good as this result – and that makes it all worthwhile.”

The Opportunity

Newmarket, Auckland New Zealand: New Zealand’s largest mall, Westfield Newmarket, recently underwent a complete redevelopment to incorporate Westfield Broadway 277 and 309 to form a new benchmark as a world-class retail and lifestyle destination.

The new mall consists of over 200 specialty stores, gymnasium, 6 screen cinema complex and a new rooftop lifestyle, dining and entertainment precinct.

To fulfil the developer’s requirement of a premium shopping experience, a high-quality multi-zone audio system was needed to provide an even distribution of background and foreground music with multi-level zone capability.

To ensure the project was completed on time with superior audio quality throughout the complex, Westfield Newmarket hired Oceanic Communications Limited (OCL) to install the audio system.

The Solution

JBL Professional’s range of installed audio solutions were selected as the loudspeakers were able to meet the stringent specifications for audio quality, volume and STI readings as well as aesthetic requirement.

OCL outfitted the redeveloped Westfield Newmarket with a Dante enabled networked audio system that included JBL Professional loudspeakers, BSS Audio Processing, Atterotech I/O endpoints, AKG paging microphones and Crown CDI installed audio amplifiers. System design and equipment was provided by leading NZ distributor JPRO.

System Features:

• JBL 8128 commercial loudspeakers with high sensitivity drivers provided maximum amplifier power efficiency.
• High Performance loudspeakers for the Entertainment zones include ceiling mounted JBL Control47LP low profile wide-coverage loudspeakers, JBL CBT70-J IP rated column array speakers and JBL Control 85 360-degree landscape speakers.
• State-of-the-art auto-sensing Plug ’n Play zones with Atterotech UND6IO wall plates for Dante audio distribution.
• Crown CDI4300 and CDI41200 energy efficient installed power amplifiers, programmed with auto-on and auto-off features.
• BSS BLU-806 audio processing and Atterotech UNDIO2x2 Dante Interfaces allowed seamless Dante integration for the entire complex, incorporating all BSS and AKG paging stations.
• A customised Master Control Panel in the main server room allows quick monitoring and control of the audio in over 40 zones.

The Impact

“We were comfortable providing a design with STI readings as JBL manufacture a variety of loudspeakers that are purpose-built for their application” says JPRO’s audio design team. “Professional quality speakers provide better audio coverage at a lower volume, and this in turn works favourably for our customer as less speakers are needed due to the efficiency of the loudspeaker and accuracy of the predictions in a system design.”

“The audio coverage and quality for this scale of project is exceptional,” says a spokesperson for OCL. “The integration and usage of Dante in the system, along with the Atterotech wall plates are really creative. The range of JBL speakers work seamlessly together, and the JBL CBT-70 with the Control82M landscape speakers create a very full and extremely clear sound in the rooftop and entertainment precinct. We appreciate the extra effort into making it easy to monitor and control over 40 zones from the main server room – we are truly pleased with the overall outcome.”

Auckland, New Zealand. The Stardome Observatory and Planetarium in Auckland’s One Tree Hill Domain recently upgraded its Cinema and Live Performance System with a 5.1 surround multi-purpose high-performance JBL AE Series sound system.

The new system was specified and installed by AV Integration company Avid Automation after they were called upon by the Auckland Observatory and Stardome team to provide a state-of-the-art sound system for the planetarium theatre.

Stardome opened to the public in 1967 as an observatory, while New Zealand’s largest planetarium theatre was added in 1997. The 360-degree panoramic theatre allows for a complete immersive experience with a full-dome concave screen on which 360-degree films are projected with laser projectors, IMAX model angled seating and the brand new JBL Professional AE series surround sound system.

“A system of this nature is a significant investment,” says Darian Sundar, Director at Avid Automation. “The venue is open to the public with performances 6 days a week, requiring the selected system to work day-in and day-out – so for Stardome and Avid Automation, localised support, reliability and versatility was key in our decision making.”

Leading specialists in sound system design and JBL distributor JPRO were chosen to assist with the supply and commissioning because of their product knowledge base and approach to the system design.

Darian Sundar continues “The primary use of the system would be to provide an immersive 5.1 cinema experience, but the theatre also doubles as a live performance venue for small bands and events – everything from strings to electronica. So, whilst having to offer an accurate cinematic experience the system would need to be capable of handling larger SPL to accommodate live performances.”

JPRO Sales Director Paul Edlin and his audio design team specified JBL AE Series loudspeakers for the theatre. “JBL have an extensive range of purpose-built products that are manufactured in-house. The AE series are specifically manufactured for theatrical sound design and performing arts facilities, so we knew that they would suit the scope of this project perfectly.”

To fit in with the demanding schedule of the Stardome and minimise down time, the Avid Automation team were given two days to remove the old infrastructure and install the new system. Knowing that this would not be enough time AVID implemented all the new system cable infrastructure ahead of time after evening show times.

“We needed to be ready for business as usual Tuesday morning,” says Darian. “To achieve this the entire sound and control systems were built off-site at the Avid workshop. We essentially torture tested the system through multiple configuration modes such as it would be used in real day-to-day use – this is the only way we could be confident that any programming issues where found and resolved. The ability to plot all JBL speakers in a 3D model of the Stardome gave us the confidence that we knew it would work 100 percent. The translation into a real-life installation was incredibly accurate with very little tweaking necessary, saving us heaps of time.”

Due to the shape of the venue, all brackets and flyware were custom-built and physically attached to the exterior of the Stardome structure.  The surround system comprises of 2x JBL AM7215-95 High Power 2-Way Loudspeakers for Left and Right, while a JBL AM7215-26 with a 120° x 60° rotatable waveguide provide accurate audio for the critical centre channel.

JBL AC18/95 compact 2-way loudspeakers were selected for the surround channels as their enclosure design allows for installation very close to the ceiling, providing a smooth, natural immersive audio experience throughout the intended listening area.

Three JBL VTX-B18 single 18″ high performance subwoofers provide a solid bass foundation for a ground-shaking experience.

“The cardioid sub array configuration is simply magic and is an integral part of the system design,” enthuses Darian. “It allows the performance volume of the bass to be focused into the room without sub-bass spill into the foyer and office areas.”

Amplification and system management is achieved with two Crown DriveCore CDI41200BL power amplifiers. “That allowed for an impressive mix of high-performance and ease of use. Taking full advantage of the preloaded JBL Speaker tunings allowed us to get the best performance not only out of the speakers but the amplifiers as well.

Additional audio system processing, including Dante distribution and interfacing with the venues fire evacuation system was achieved with a BSS BLU-806 signal processor.

The Stardome system is used on heavy rotation daily by various Stardome operators, including volunteers. It was essential that a user-friendly operating system was implemented that could be understood and operated by all. Avid Automation designed a custom touch panel interface known as ‘TP Mode’ that could be used to operate the system via the touch panel or switch the system over to ‘Console Mode’ where the Soundcraft Si Performer digital mixer with Dante card and MSB16 stage box was the main controller for live performance events.

The interface was designed in collaboration with the client to ensure it was easy and intuitive to use. Specific ‘dark mode’ colour palates were chosen to not only minimise light pollution within the observatory during shows but to also tie in with the Soundcraft Fader Glow colour coded layers of the Si Performer for continuity.

Darian Sundar concludes: “The HARMAN Professional range of products and JPRO were the only choice for us and our client to achieve all the objectives with minimal downtime. It is not only about the product; it is also about the knowledge pool that you tap into and the service you get and with this in mind everyone one benefitted.”

Local and International artists including Peking Duk, Sticky Fingers, London Elektricity, Shapeshifter, Ladi6, Tash Sultana and rapping superstar Cardi B formed part of the line-up.

In only four years, Bay Dreams has fast become one of New Zealand’s best summer festivals. The event began in 2016 with 5,000 attendees to over 30,000 in 2019 for the North Island event. A second South Island location has now been added to the itinerary in the city of Nelson.

NZ Sound Reinforcement, a full-service production company deployed a stunning JBL Professional audio solution for the second stage with a combined audio output of 500,000 watts RMS that included the innovative JBL VTX A12 and new VTX A8 line array elements.

Having recently become part of the JBL VTX A-series family in New Zealand, NZ Sound owners Ray and Brenda Ward are exceedingly happy. “We are blown away; Bay Dreams was pretty epic. The JBL VTX A12 and A8 systems have performed even beyond our expectations – they sound amazing. JBL certainly helped the artists to put on some of their best performances and the crowd loved it,” says Brenda Ward.

Ray Ward adds: “The new JBL VTX A-Series systems have provided an amazing experience for all involved, from the artists to the spectators. The systems have shown impressive coverage outdoors, providing a very smooth and natural top-end. We look forward to providing incredible sound for the summer festivals and international artists making their way to New Zealand in the coming months. We thank organisers Pato Alvarez and Mitch Lowe for putting on another sold-out masterpiece.”

System Features

NZ Sound deployed a complete JBL Professional audio system featuring 24 VTX A12 line array loudspeakers on the main hang and 18 of the all-new smaller format VTX A8 line array loudspeakers on side hangs. Due to the nature of the performances, 24 ground shaking VTX G28 subwoofers provided tight, powerful bass coverage. Infills comprised of 8 VTX F12 12” biamplified loudspeakers.

Stage monitoring was equally impressive, allowing for exceptional audio for all performers with 16 JBL VTX M20 dual 10” and 4 VTX M22 dual 12” tour monitors for DJ and drum wedges. 2 VT4883 subwoofers took care of the drum subs with side-fills consisting of 2 VTX F35 dual 15” 3-way enclosures and 2 G28 subs.

All amplification was provided by Crown V-Racks with Crown iTech 3500 amplifiers, totalling in excess of 500,000 watts of sound power. Audio System management and control were handled through JBL HiQnet Performance Manager software and system set-up made easy with JBL’s Line Array Calculator.

The Impact

“Performance Manager and Line Array Calculator has helped save time and energy as we were able to pre-configure settings and system alignment before the event,” says Tim Robertson from local JBL distributor JPRO, who provided technical support and system design for the event. “System predictions have been very accurate and minor tweaks were needed once the system was loaded in and set up.”

NZ Sound is set to bring exceptional audio coverage to the Summer Festivals and international artists such as Bryan Adams, Toto and UB40 who are making their way to New Zealand in the coming months.

At the time of writing, with the new Bay Dreams location on his mind, organiser Mitch Lowe can hardly contain himself. “This is easily the most impressive event we have ever put together, I am ecstatic. Its off to Nelson we go!”

The Opportunity

New Zealand’s most exclusive retreat Helena Bay Lodge is an 800-acre luxury resort situated in the stunning Bay of Islands. With a variety of indoor and outdoor spaces including four private beaches, a gym, massage room, swimming pool, library, lounge areas, and multiple dining areas, the facility needed a centrally controlled AV system that could comprehensively cover the residences and common areas of the resort.

To address this, JPRO worked in conjunction with Liquid Automation and ABL Group to design a cutting-edge HARMAN AV solution featuring Crown amplifiers and BSS processing. The new HARMAN solution offers complete control of the resort’s audio, lighting and video distribution systems, and integrates seamlessly with the existing building management system.

The Solution

A BSS Soundweb London BLU-800 networked signal processor and Crown DriveCore Install Series amplifiers provide networked control of 46 audio zones spread out over the property, with 126 channels of audio inputs. The system distributes audio over the network to multiple locations, and then via BLU-link to the Crown DCi-N multi-channel network amplifiers. The audio distribution system is monitored remotely, which was a requirement due to the isolated location of the lodge.

The Impact

Darian from Liquid Automation comments “All the sources and outputs were run in stereo which created a complex audio matrix. To handle this many channels we had to turn to a high-end professional audio solution and BSS Soundweb was the obvious and only choice as it is known for sound quality, reliability and flexibility.”

Liquid Automation and ABL Group also won the “Best Special Project” and “Best Design and Documentation” awards at both CEDIA Asia/Pacific and CEDIA Americas for this state-of-the-art installation.

About Helena Bay Lodge, New Zealand

Expectations are high here when you consider the $5m per guest investment: this unique $50M property has just five suites, accommodating no more than ten guests. And while financial investment doesn’t guarantee luxury and service, we are pleased to report that it does here. Every conceivable luxury is to hand. The architecture and décor is intentionally on the bland side, so as not to distract from the beautiful surrounding landscape. This is destined to become one of the world’s best hotels.

Offer valid for new products purchased January 1, 2020 through December 31, 2020. Not valid in Brazil, Russia, India or China.

The Opportunity

The premiere entertainment destination is home to 22 of Auckland’s top restaurants and bars, a convention centre with up to 21 function rooms, two hotels and a 700-seat theatre. The Sky Tower, at 328 metres, is the tallest man-made structure in New Zealand, and offers views of up to 80km in every direction.

Co-ordinating and controlling audio on a site this diverse involves many challenges. There are several background music and television audio sources that need to be distributed to each zone, as well as local inputs in each area. Each of these sources needs to be available in every zone, and then prioritised depending on the function, or type of promotion that is running in that area.

The Solution

To gain this functionality and flexibility, SkyCity changed to the BSS BLU family of digital audio processors in 1995, and has grown to be New Zealand’s largest Soundweb installation.

The system currently consists of more than 35 BSS BLU processors and numerous ethernet control panels. Audio is distributed around the site using Dante.

The site is powered by a number of multi channel Crown DriveCore CDi and DCi installation amplifiers.

Each restaurant or bar within SkyCity has been architecturally designed and themed. Whether it be a discrete Control Contractor ceiling speaker, or something more stylised like the unobtrusive Pendant series, JBL’s extensive catalogue of purpose-built speakers help deliver that vision to the customer while maintaining the highest standards in audio fidelity. The site now totals more than 500 JBL speakers of various models.

Some venues in the complex have local control using AMX or Crestron interfaces, while a site-wide control interface has been created within the London Architect software.

JBL Professional have announced new JBL DSi 2.0 Series cinema amplifiers, offering class-leading power output, state-of-the-art DSP and advanced networking capabilities for the entire range of JBL cinema loudspeakers

The DSi 2.0 amplifier family, JBL’s first line of dedicated cinema amplifiers, builds on Crown’s DSI Digital Screen Array amplifier technology and integrates best-in-class CDi DriveCore DSP to deliver potent, cost-effective amplification and audio networking capabilities for JBL’s entire range of cinema loudspeakers. Choose from three power configurations, available in analogue and analogue-plus-digital “D” versions featuring Dante/AES67 connectivity. The “D” models allow direct and simple interface with Dolby ATMOS Connect and AES67 / Dante compatible devices without the need for additional processors.

With class-leading 96 kHz/32-bit floating-point DSP, DSi 2.0 Series amplifiers offer an array of versatile signal processors, including parametric EQ, FIR processing, LevelMAX™ limiting and more. Crown’s proprietary DriveCore technology eliminates hundreds of components within each DSi Series amplifier, reducing the variability of component values to deliver greater efficiency, reliability and performance. Built-in presets for JBL cinema speaker tunings manage voltage levels, crossover settings and more, maximising system efficiency and optimising audio fidelity.

Analogue-plus-digital DSi 2.0 Series amplifiers offer AES67 connectivity, which enables networked audio distribution from any AES67 or DANTE-compatible device and direct interfacing with Dolby ATMOS Connect without the need for additional processing hardware, further simplifying system configuration while also presenting significant cost efficiencies.

Dual network audio ports allow for primary and secondary networks configured as switched (daisy chain) or redundant (star) topologies. Analogue-plus-digital DSi 2.0 Series amps also feature SNMP (Simple Network Management Protocol) connectivity for interfacing with third-party theatre-management systems and Cinema Control (NOC) systems for remote status and fault monitoring. A HiQnet port provides access to HARMAN Audio Architect software, for controlling, configuring and monitoring amplifier operation through a standard TCP/IQ network.

JBL DSi 2.0 Series Cinema Amplifiers complements the range of JBL Professional cinema solutions available including the new JBL CPi2000 Cinema Processor and JBL 200 Series Compact Cinema Loudspeakers.

Models

The DSi 2.0 Series consists of six amplifier models, ideal for cinemas, theatres and premium large-format rooms.

• DSI2-LA4: 1,200 Watts at 8 Ohms
• DSI2-LA4-D: 1,200 Watts at 8 Ohms, Dante/AES67, Dolby ATMOS Compatible
• DSI2-MA4: 700 Watts at 8 Ohms
• DSI2-MA4-D: 700 Watts at 8 Ohms, Dante/AES67, Dolby ATMOS Compatible
• DSI2-SA4: 350 Watts at 8 Ohms
• DSI2-SA4-D: 350 Watts at 8 Ohms, Dante/AES67, Dolby ATMOS Compatible

All models are optimised for 4 ohm and 2 ohm loads both in stereo and bridged modes.

Availability

JBL Professional Cinema products are supported and distributed in NZ by JPRO.

JBL DSi 2.0 Series cinema amplifiers are now available through special order. Should you require any assistance and design support regarding your cinema project, please make use of the contact button below.

Apart from its role in the Church, the Cathedral has a number of functions as it serves an important civic and national role in New Zealand. It is frequently used to host services of particular attention or significant events, while the fine acoustics in the Cathedral make it a sought after venue for concerts, both choral and orchestral.

Sound reinforcement plays a critical role in the Cathedral, where the tonal balance needs to be just right, complementing the natural acoustics of the building with amplified and distributed sound, ensuring that the spoken word and music accompaniment can be clearly heard.

David Kendall Audio Visual was tasked with the sound system upgrade where leading sound system technologies were needed for the sanctuary and surrounding areas. Due to their professional audio expertise and ability to provide unique custom designs, David Kendall chose supplier JPRO to partner on the project.

“This was always going to be a challenging job – over the years quite a few people have had a crack at it,” says David Kendall, Integrator. “Thanks to the technology provided by HARMAN solutions, we were able to make big improvements while staying within the church’s budget. Lots of work went into getting the design right and even more into the installation and tuning. I am very proud of what we achieved with a very tricky acoustic space. And now the Anglican Church have a usable Cathedral space in Wellington.”

Paul Edlin and the technical design team from JPRO designed the networked audio and distribution system for the Cathedral. Soundcraft Si Impact, JBL Intellivox and CBT array column speakers and BSS Soundweb processing form the primary parts of the audio distribution, critical for the sensitive nature of the acoustics in the venue.

“One of the main objectives with the system design was to ensure that the sound energy produced by the loudspeakers was distributed evenly in the areas needed, avoiding any unnecessary reflections that could negatively affect the sound and acoustics,” states Paul Edlin. “The JBL Intellivox and CBT line array column speakers were selected as they have been manufactured to work in challenging acoustic spaces and they are perfect for speech and music.”

Earlier generation Intellivox speakers had been used as part of the previous sound system and these were re-configured and re-deployed into the system upgrade.

The main part of the Cathedral – the front Nave – is covered using JBL Intellivox DS280 Active Beamshaping Array loudspeakers which are capable of maintaining a constant sound pressure level up to 35 metres. These speakers have on-board amplification and DSP that are able to adjust to the acoustic requirements of the venue. The existing Intellivox DC280 speakers were redeployed into the rear Nave of the Cathedral.

JBL CBT-50 and CBT-100 line array column speakers, powered by Crown DCi Amplification were used for the Chancel, Choir and Front Fills.

As for the audio processing and distribution, audio is passed in and out of 2x BSS BLU-100 processors and a Soundcraft Si Impact digital mixing console. Basic education and smart system design has allowed simple operation for everyone; offering uncomplicated functionality for lay people, yet great flexibility for skilled AV operators. A BLU-100 was configured to be used as a stage box, allowing for ease of use during liturgy and preaching, as the microphones are automatically mixed using the Soundweb automix function. Control is done via an iPad with the ViSi App and the Si Impact digital mixer is used when greater control is required and for guest artists when the venue is used for concerts.

“The sound system usually has an upgrade every 10 years or so,” says the Dean of Wellington Reverend Digby Wilkinson. “I am very happy with this upgrade – the sound quality, coverage and control provided by the system is a huge improvement and it sounds fantastic!”

Events Manager and Assistant Director of Music Richard Apperley adds: “I expended a lot of nervous energy while the sound system work was underway. I am now extremely happy having heard it in action. Many thanks to David Kendall and the JPRO team for the expertise and hard work they displayed during the installation – you’re legends!”

The Old Elephant House was once home to Auckland Zoo’s elephants, today it is an iconic multi-purpose restaurant in a relaxed environment. The historical house, built in 1922, features new interiors with the restaurant suited to host a variety of events including seated dinners, wedding receptions and cocktail parties – inside as well as outside in a courtyard bar.

AV and ICT integration company Skopik was commissioned to design and install an easy-to-use multi-zone audio system to cater for the needs of the venue.

“The brief was simple,” says Jeff Sundrum, AV Service & Installations Manager at Skopik. “Our client required a high-fidelity audio solution for a number of areas at the Old Elephant House, which could be used by any staff member. We selected the JBL Control Contractor series and all-weather outdoor speakers as JBL have a broad range of products to choose from and the audio quality and coverage is pristine. This ensured that the best type of speaker was utilised in each location.”

Several JBL Control 25-1 two-way 5-inch compact wall-mount speakers were selected for their sonic characteristic and contemporary design that complemented the new interiors of the Old Elephant House. JBL Control 14CT two-way 4-inch ceiling speakers allowed for seamless coverage in more difficult to reach spaces, while JBL AWC 62 compact all-weather loudspeakers were installed in the outdoor sections of the venue.

With specification assistance by JPRO, Skopik was able to design and install a system where staff could utilise an iPad to control sources and audio levels in all 4 zones.

“We simplified the installation process with a 4-channel Crown Drivecore CDi4300 amplifier, which gave us sufficient zones to work with,” adds Jeff Sundrum, “The CDi4300 speaker presets and internal DSP for JBL loudspeakers meant that we did not have to rely on any external DSP. Some basic programming on the Motion Control app allowed us to provide staff with a clean and simple-to-use interface to manage audio sources and volume in all four zones. Our client is enormously happy with the outcome.”

“JBL Control Contractor series has a profound heritage and is the industry leader for commercial speakers offering a massive variety of loudspeakers for any application,” says Eli Murray, AVC Sales at JPRO. “We are proud to be part of this project – Skopik has provided an amazing solution in this tranquil space.”

Established in the 1920’s, The Lido started as a single screen arthouse cinema. Patrons travel from across Auckland to enjoy a true cinematic outing with various recent art house releases and films aligned toward an older audience, all while taking in the venues Art Deco design, a lounge featuring a fireplace and wine bar for before-and-after-drinks.

A second screen, known as The Lounge, with 44-seat capacity, was added in 2005, shortly after managing director Richard Dalton took ownership of the facility. “It’s always been a bit of a troublesome venue for speaker placement due to the rear projection screen,” he says, “you can’t really place large speakers behind the screen, so you’re stuck with little speakers all around it.”

“The Lounge initially required a centre-channel replacement,” continues Richard Dalton. “However, after being given the opportunity to hear a L-C-R comparison with the JBL’s, the difference was literally night and day. We have had about 3 sound systems in there since it opened and none of them have been particularly good. The idea of working with the AV Integrator and JBL to create a dream soundscape was rather exciting.”

The high technology requirement meant partnering with experts in audio and visual system integration.

AV Integration company Avid Automation and JBL distributor JPRO were called upon to assist with the installation, audio design and commissioning of the system.

“The Lido is an institution for dedicated movie-goers, and we were excited to be associated with this project,” says Darian Sundar from Avid Automation. “JBL has a rich history of innovation in professional and cinematic audio and we were keen to provide a solution that would befit the venue.”

After the initial consultation and a dramatic improvement to the front soundscape, it was then decided to upgrade the facility from 5.1 to 7.1

“Due to the layout requirement of the venue and the rear projection screen, I quickly realised that the image control waveguide of the JBL 7 Series Master Reference Monitor would be a perfect solution for the cinema,” says JPRO AVC designer and Sales Director Paul Edlin. “The waveguide allows for a much wider sweet spot and greater accuracy in the audio spectrum for room-to-room consistency, especially in the critical dialogue range. It would also allow us to provide a unique solution within budget.”

JBL’s installation version of the 7 Series Master Reference Monitors were chosen, with the JBL 708i selected for the left, centre and right channels and run in bi-amplified configuration, maximising on the superb audio capability of the 7 Series. The smaller JBL 705i Master Reference Monitors were selected for an all-encompassing surround and rear audio experience. Custom JBL subwoofers deliver a smooth, solid low-end for sound effects and dramatic soundscapes.

“The JBL 7 Series were easy to install as they are equipped with rear, top and bottom mounting points,” adds Darian Sundar from Avid Automation. “We made use of Crown DriveCore amplifiers to power the loudspeakers and thanks to the onboard DSP and speaker presets, the install process was simplified. We were able to really unleash the full potential of the 708i’s in bi-amped mode. The audio quality, detailed imaging and expansive dynamic range from the entire system is pristine. I am happy to be part of this innovative solution.”

Audio amplification is achieved with three of Crown’s newest DriveCore series amplifiers, the CDi4300 4-channel installed audio amplifier, with the L-C-R channels run in bi-amplified mode. Loudspeaker management and signal processing is simplified with the on-board Digital Signal Processor of the CDi4300. The cinema re-deployed a Datasat AP20 digital audio processor for content management and playback.

An enthusiastic Richard Dalton concludes, “The amazing work in the little cinema has exceeded my expectations with a premium audio result – I love it. The team at Avid Automation and JPRO have done a great job – I look forward to doing more screens with them.”

Production company NZ Sound provided the audio for the event that featured Pendulum and Home Brew as some of the headline acts. The main PA system consisted of JBL Professional’s latest line array system, the VTX A12.

“It was my first time mixing on the VTX A12 system by JBL. As soon as we turned the system on, I was blown away. Detailed and crisp high end, beautiful mid-range and deep, defined lows,” says Pendulum’s FOH Engineer Owen Charles. “The system threw an extremely long way back and I was more than happy with the coverage.”

The main PA system featured a total of 24 JBL VTX A12 line array elements, with a ground shaking 18 JBL VTX G28 subwoofers. 4 Vertec 4888 were used as front fills and a number of JBL VTX M22 and M20 tour wedges were used for stage monitoring.

“Definitely my PA of the Day,” quips Tim Robertson, Tour Sound Manager for JPRO the NZ distributor for JBL Professional. “We are proud to have supported an event such as Ohakune with JBL VTX A12. “The system continues to impress locally and our aim is to have it added to more technical riders in the NZ market.”

All loudspeakers were powered by Crown V-Racks, which included I-Tech 12000HD and I-Tech 4x3500HD amplifiers, while system management and control were handled with JBL HiQnet Performance Manager software.

Featuring BSS OMNIDRIVEHD processing with linear phase FIR filters and the acclaimed LevelMAX Limiter Suite, both models provide crystal-clear amplification with ample headroom. Network connectivity via HiQnet and Ethernet protocols provides a high degree of control and real-time diagnostics.

The Impact

Owen Charles who currently mixes for Yungblud & Pendulum, has previously mixed audio for international artists such as Macy Gray, D’angelo, MF DOOM and Jay Electronica, adds: “When I was mixing on the Waves LV1 console, the JBL VTX A12 translated perfectly – what the artist and I were hearing in the studio during pre-production came out better than we could have hoped for on the day. Let’s just say the JBL VTX A12 line array and A-Series line array systems are now going straight on my rider.”

The Great Hall is its centrepiece, seating up to 1,529 people in theatre-style on three levels. Designed for live performances, it includes a 17 metre stud and permanent concert platform. To ensure an exceptional audio experience for patrons with consistent, reliable sound coverage, the Great Hall received an audio upgrade to a JBL Professional high performance audio system. Auckland Live contracted Liquid Automation for the supply, programming and installation of the system.

Liquid Automation’s Commercial Sales Team noted that there were several important considerations when contemplating the design for this audio system, which were re-enforced by their customer Auckland Live who had very high expectations for its performance.

Firstly the heritage status – any system would need to be approved by the heritage panel so that it could not be any more obtrusive than the existing system and the Loudspeakers had to blend in with the existing colour scheme and overall look of the reflector panels.

Secondly the system must be easy to use for day to day operation as the Town Hall is a multi-use venue and the operators needed to be able to reconfigure the system to allow any combination of speaker zones to be activated, and it should be configurable as delay support for temporary PA systems when required.

The technical considerations included the redesigning and installation of new speaker brackets within the permitted loading limits, providing consistent sound coverage across the three vertical levels of seating, achieving good speech intelligibility from the audio system within a reverberant venue, fixing historical issues with noise in the audio chain caused by the mains power supply in the venue, the long cable runs between amplifiers and speakers and, the long analogue cable runs between the operating positions and amplifiers.

With a building of this heritage, three design approaches were considered: firstly a Line Array solution (JBL VTX), secondly a Steerable Array Column solution (JBL Intellivox) and thirdly a Point Source Cluster solution (JBL PD – Precision Directivity).

Careful consideration was given to each approach including in-depth modelling and system design. After a detailed review of all options the JBL Precision Directivity Point Source Cluster was considered to be a highly effective approach.

The PD6322 Full Range Three-Way Loudspeakers and the PD6212 Full Range Two-Way Loudspeakers allowed excellent vertical and horizontal pattern control and, good bandwidth response down to 40hz (PD6322) as well as the ability to precisely aim the cluster and in keeping with the aesthetic of the previous system.

Liquid Automation’s Commercial Project Manager and Shore Engineering Ltd co-designed the main central cluster array bracket to allow fine adjustment “pan/tilt” of every speaker in the cluster. The speaker angles were set in precise alignment in accordance with the computer modelling.

To complement the PD central cluster, JBL Application Engineered Series AC16 two way compact loudspeakers were installed under the balcony areas and were also used for stage fills and delays. The AC16 speakers offered high output and high fidelity which was required for the system brief of a multi-use sound system.

JBL CBT70J Constant Beamwidth Technology™ Two Way Line Array Column speakers were used for Circle delays. “The asymmetrical vertical coverage of these speakers sends more sound towards the far area of room to make front-to-back sound levels more consistent,” says Paul Edlin, Audio Designer at JPRO. “This made these speakers the perfect choice for the circle delays.”

Dante Audio was enabled using BSS BLU Processors allowing for a noise free digital backbone of up to 128 channels between the three critical locations – the control booth, the lower plant room below stage floor and the upper amplifier rack in the town hall roof.

All three were connected via fibre optic cable. The BSS Soundweb network provides complete routing options between all three locations as well as automated scenes to enable any combination of speakers to be turned on or off which allows for maximum flexibility.

Using Harman’s own HiQnet Audio Architect control software, Liquid Automation provided an elegant user interface using a touch screen PC to help the operator quickly and easily switch between the required modes to fine tune the setup. Audio Architect gives the system administrator one software platform to help manage and control the critical components in the system in real time including BSS Soundweb (routing), Crown ITech amplifiers (main cluster) and Crown DCI Amplifiers (all delay speakers).

Continuing on with a need to make the system fully digital, the Digital Mixing Console chosen was the Soundcraft Si Performer as it allowed direct connection to Soundweb (via Dante) while also allowing a fibre optic stage box to be run to the stage for additional patching (via Madi).

Auckland Live Technical Operations staff and clients have commented on the excellent audio in the Great Hall. “The versatility of the system has reduced the need to install temporary sound reinforcement systems for events. Back-up and support from JPRO through initial teething issues has been excellent.”

In September, 2010, Mother Nature dealt a cruel blow to the southern region. The roof of Southland Stadium collapsed under the heaviest snowfall seen in decades, causing extensive damage to the main arena and seven community courts. From adversity has sprung a new stunning multi purpose venue, capable of conducting a wide range of event modes from large scale concerts to sporting events and exhibitions.

The main SBS Sports Arena in the stadium has a capacity of 4,500, with retractable seating. The stadium also has eleven other community basketball, netball and volleyball courts, four rebound Ace tennis courts, four squash courts and several business / function rooms.

The audio equipment is installed in two racks. The first, in the main plant room, consists of three BSS BLU series processors – a BLU-800 for processing, two BLU-120’s for input and output expansion, and two Crown CTS8200CN multi-channel, Cobranet amplifiers.

Minimizing cable run lengths was an important aspect of the stadium system design, so the second equipment rack was located on the gantry level above the stadium floor. This rack houses a second BLU-800 processor, a BLU-BOB and eleven Crown MacroTech HD amplifiers. Audio transport between the two rack locations is via Cobranet digital networked audio.

Twenty two JBL Precision Directivity PD5322 speakers cover the main arena seating. These are switchable in pairs for maximum flexibility and level matching through the stands, and to allow areas to be turned off when not in use.

The Community Courts and foyer are covered by JBL CBT-70J speakers, and other areas supplemented by JBL Control 47C/T in-ceiling speakers and Control 67HC-T high ceiling pendant speakers.