Fitness Cartel, a vibrant luxury health club brand, has officially opened its first branch in New Zealand, located in Auckland’s Manukau City.
This wellness franchise is redefining the standard for full-service health clubs by offering the ultimate workout experience. From high-energy workouts to rejuvenating recovery sessions, every aspect of the member journey is designed to inspire and motivate. Gym owner Leo Kane combines exceptional customer service, top-tier facilities and an energising atmosphere, all complemented by cutting-edge audio-visual and lighting systems.
To help bring this vision to life, Fitness Cartel Manukau partnered with trusted audio-visual specialists Safe N Sound. They were tasked to create a luxurious fitness experience with high-quality AV equipment, captivating visuals and powerful audio systems for an unrivalled workout atmosphere.
“We prioritise using high-fidelity AV equipment and reputable brands for our projects,” says Lee Dewerson, Managing Director at Safe N Sound. “In this way we are guaranteed exceptional performance, durability and professional support from local suppliers. It was crucial for the audio systems to be tailored to the unique needs of each zone.”
After careful consideration, JBL Professional Control28-1 Loudspeakers were selected for their sleek design, versatile mounting options and rich even sound, ensuring a high-performance experience in every zone. In areas requiring deeper bass, JBL ControlSB2210 subwoofers were added to enhance the experience.
JBL PRX912 powered 12” loudspeakers and PRX915XLF compact 15” subwoofers deliver powerful audio to the Spin Studio, while JBL 8128 8” ceiling speakers provide high-fidelity sound for the reception, recovery room and changing areas.
“This project has transformed the gym into a state-of-the-art environment that not only meets but exceeds the expectations of its members.”
A networked BSS BLU digital signal processor was chosen as the central hub for audio management, with BSS Contrio EC wall controllers providing flexible, reliable control.
“BSS BLU signal processors are known for their robustness and reliability,” adds Lee Dewerson. “Their open architecture platform provides limitless possibilities for audio and control designs. This setup provides independent control of the seven zones, allowing instructors to easily switch music sources and adjust both music and microphone levels.”
To ensure crystal-clear sound across the gym, Crown CDi4300 four-channel installation amplifiers and JBL CSA240Z and CSA2120Z commercial zone amplifiers drive impactful and consistent audio to all JBL Professional loudspeakers.
“It is a fantastic sounding system that fills our space with high quality sound, complementing our high-end fitout.”
“This project has transformed the gym into a state-of-the-art environment that not only meets but exceeds the expectations of its members,” remarks Lee Dewerson. “By prioritising excellence in every detail, Fitness Cartel Manukau now delivers an inspiring and luxurious fitness experience. We would like to thank our audio product partner JPRO for their support in bringing this vision to life.”
“The equipment has performed exactly how we envisioned it would – reliably and consistently. It is a fantastic sounding system that fills our space with high quality sound, complementing our high-end fitout,” says gym owner Leo Kane. “The bass in the system carries well and compliments the speakers perfectly. Features we really like are that the sound levels can be managed from the back end and are reset each day, a microphone system that can work throughout the gym during events and the ability for our instructors to control their music and microphones with ease.”
Strawberry Sound has become the latest audio visual production company in a growing list of New Zealand production companies to invest in a JBL VTX A Series line array system.
The upgrade emphasises the company’s continued commitment to excellence in audio, providing the best professional audio solutions to their customers.
Strawberry Sound provide full production services to top performers and promoters in the entertainment industry and celebrate 40 years in business this year. From concerts and festivals to award shows and gala dinners, the company has built a strong reputation for delivering outstanding audio visual experiences.
A proud JBL user since day one, Strawberry Sound continue to invest in cutting-edge technology to enhance its services. The addition of the JBL VTX A8 Series brings greater scalability and high-performance sound, ensuring every event—no matter the size—sounds its best.
One of the first events for their new system was the Miharo Central Lakes Polyfest in Queenstown, where the A8’s versatility was on full display. A ground-stacked system featuring six brand-new VTX A8 mid-highs and three B18 subwoofers per side was deployed, delivering outstanding results.
General Manager Mark O’Neill emphasised the importance of this upgrade, saying, “Adding the JBL VTX A8 Series to Strawberry Sound represents a significant step forward in our capabilities as a production company. The scalability of the system gives us the scope to deliver high-quality audio for a wide range of events and venues. The system can be split into several smaller systems for intimate gatherings or combined into a bigger system for large-scale productions, all while maintaining the versatility and reliability our clients have come to expect.”
The VTX A Series is designed to meet the demands of any event, providing well-engineered rigging, exceptional sound transparency and intuitive 3D acoustic simulation software using JBL Venue Synthesis.
“One of the standout features is its excellent sound clarity. The top end is incredibly smooth, with remarkable detail, ensuring that every note, word and sound is heard exactly as intended—without the harshness that some other systems may produce. Whether it’s a live performance, corporate event or outdoor festival, we’re proud to offer our clients the very best in professional audio solutions,” Mark O’Neill added.
Soon after the addition of their new A8 system, the Strawberry Team received JBL VTX training with Tim Robertson, JPRO’s JBL accredited VTX Trainer. The training equips users with the knowledge to maximise the capabilities of the VTX system safely, covering system design principles, hands-on rigging, configuration and software optimisation.
“We’re proud to be a part of Strawberry’s journey as they expand their inventory with the world-class JBL VTX A8 line array,” says Tim Robertson. “We’re committed to providing the best solutions and support to help our customers succeed.”
“Adding the JBL VTX A8 Series to Strawberry Sound represents a significant step forward in our capabilities as a production company.”
The system is powered by two Crown VRACK touring amplifier racks, each equipped with three of the most advanced professional touring amplifiers: the 4-channel Crown i-Tech HD 4×3500. Each amplifier channel features comprehensive OMNIDRIVE HD™ processing, including the acclaimed LevelMAX™ Limiter Suite and support for linear phase FIR filters, as utilised in the latest JBL V5 loudspeaker tunings.
Configuration and control of the entire system is managed by the latest JBL Performance Manager and Line Array Calculator software, with the Array Link mobile companion app helping technicians deploy systems on-site.
“One of the standout features is its excellent sound clarity. The top end is incredibly smooth, with remarkable detail.”
While the upgrade was not only about acquiring new equipment but also enhancing the overall experience for both clients and audiences, Strawberry Sound recognised the importance of collaboration. “We also want to take a moment to thank JPRO for being a fantastic partner and distributor,” says Mark O’Neill. “Their support and expertise have been invaluable throughout this process and we deeply value our long-standing relationship with the JPRO team. Collaborating with such a trusted partner has made this addition to our inventory seamless and rewarding, and we’re excited about the possibilities it opens up for the future.”
Visit the interactive JPRO Showroom to experience cutting-edge audio, video and control solutions from JBL Professional, BSS Audio, AMX and more. We also feature the only JBL Synthesis-certified luxury custom cinema demo room in New Zealand, where you’ll experience sound so rich and immersive it feels as though the film is unfolding around you!
The JPRO Experience Centre is available by appointment only. Contact us or book your experience today!
Discover the power of JBL Synthesis at New Zealand’s only JBL Synthesis Certified Home Cinema. This state-of-the-art space serves as both a premier demonstration venue and a training centre for expert AV integrators. Hear every whisper, explosion and musical note with absolute precision.
Established in 1959, Onehunga High School has long been a cornerstone of its community. Nestled in Onehunga overlooking the picturesque Manukau Harbour in Auckland, the school’s deep roots are reflected in its strong sense of tradition and continuity, with many second and third-generation students passing through its halls. A legacy highlighting Onehunga High School’s commitment to providing lifelong learning opportunities for the local community.
Recognising the need to modernise its facilities to better equip students for the future, the school recently completed a major redevelopment, introducing several advanced facilities. Two new teaching blocks were built – one with a dual-basketball-court gymnasium, exercise room, locker rooms and teaching spaces, and the other dedicated to science and technology.
The school develops culture, character and interpersonal skills through encouragement, commitment, discipline and personal responsibility. This is done by actively engaging students in a diverse range of activities, including sports and performing arts. It was decided that the new gymnasium would be used as a multipurpose venue to cater for its various events and a key requirement to achieve its objectives would be a flexible, high-quality audio system that ensures clear, powerful sound and excellent coverage throughout the space.
Trusted technology partner Connect NZ was called upon to design and install a high-definition LED wall and a high-performance audio system capable of meeting the multipurpose audio requirements for the school.
With the range of activities including sports, cultural events, music and performing arts, system designers selected JBL Professional CBT 1000 high-powered line array column loudspeakers with CBT 1000E low frequency extensions for the gymnasium.
JBL CBT 1000 is a high performance adjustable coverage line array column that is engineered to distribute more sound to the far area of a room allowing for optimal sound distribution and delivering consistent powerful audio throughout the space, ensuring even coverage from front to back.
With limited room for traditional subwoofers, system designers specified JBL CBT 1000E low-frequency extensions for their extended bass response down to 38Hz, providing enhanced sound control and increased output levels that allow the school to achieve a full, dynamic audio experience without compromising on space or performance.
The loudspeakers are powered by a Crown DriveCore CDi21200 amplifier. Designed to make installations easier, Crown CDi DriveCore amplifiers are equipped with speaker presets to fully maximise the capabilities of the CBT 1000 speakers. CDi amplifiers streamline ongoing maintenance and control with robust network management, advanced digital signal processing and a user-friendly front-panel interface with colour display. Energy efficiency is a cornerstone of the CDi range, thanks to GreenEdge Technology, which incorporates power-saving features and an auto-standby mode to reduce environmental impact and operational costs.
Because the multipurpose gymnasium would also be used for school assemblies and live music performances, reliable AKG wireless microphones were chosen along with an external RF Venue DFIN ‘diversity fin’ antenna for reliable RF reception throughout the space. The Diversity Series of antennas eliminate dropouts compared to traditional whip or paddle antennas by combining two antenna paddles into one (with two RF inputs), simplifying RF setup and reducing coax cable clutter.
“We needed a high-performance audio solution that is reliable and could cover long distances. The JPRO design along with the JBL CBT1000 line array column loudspeakers have enhanced the Onehunga High School gymnasium.”
“What truly stands out is the CBT 1000’s consistent tone quality, whether at soft or loud levels and its ability to deliver clear audio in various performance settings in a large open space.”
“We needed a high-performance audio solution that is reliable and could cover long distances. The JPRO design along with the JBL CBT1000 line array column loudspeakers have enhanced the Onehunga High School gymnasium,” says Rakesh Choudhary, Business Development Manager at Connect NZ.
“What truly stands out is the speaker’s consistent tone quality, whether at soft or loud levels and its ability to deliver clear audio in various performance settings in a large open space. Its IP55 marine-rated capabilities provide added peace of mind against humidity and dust, keeping the system reliable for all occasions. It’s been the perfect solution for the multipurpose requirements of the venue and we’re delighted with the results.”
The latest jewel in the crown of Auckland’s tourism sector in the heart of the entertainment precinct, is a fully interactive, immersive experience, drawing the visitor into the world of the All Blacks.
The All Blacks Experience allows visitors a unique opportunity to be immersed in the world of the All Blacks and Teams in Black and to discover more about their culture, legacy of success and connections with New Zealand.
A priority was to create a highly engaging experience for visitors. The visitor is immersed in this latest experience that steps through the process of what it takes to make, shape and be an All Black. Five interactive zones provide the opportunity for a visitor to face the full force of the haka, to prove their rugby knowledge, as well as getting hands-on in the skills area by testing their kicking, lineout and agility skills against some of the greatest All Blacks and Black Ferns – and each other.
Wellington-based company Toulouse were engaged to work alongside the project team at Workshop E to design, specify and install immersive AV, lighting and audio technology into this new experience.
Toulouse specialise in providing creative design and technical solutions for the visitor experience and arts presentation sectors. The company collaborates with key players in this space to provide some of the best experience-based storytelling, both within the country and internationally.
The end-to-end audio architecture for the All Blacks Experience is delivered on a variety of hardware – Crown CDI Drivecore installation amplifiers, AVoIP audio decoders, a mixture of PC’s and Brightsign media players for source. There are three sets of 5.1 audio spaces within the experience.
Due to the unique audio requirements of each zone, Crown CDI4300BL, CDI4600BL and CDI41200BL amplifiers were selected. Crown CDi installation amplifiers feature Crown DriveCore technology, ensuring consistent power output and a range of input options. Designed for energy efficiency, these amplifiers also provide versatile networked audio capabilities and the inclusion of a BLU link digital audio bus to facilitate high-speed, high-bandwidth integration with BSS networks.
In each zone across the experience, the multi-channel (5.1) audio is delivered via an HDMI cable from a Brightsign media player to the AVoIP audio decoder. The six discrete channels of audio are then delivered into the BSS BLU-806 digital network for distribution to each of the Crown CDI amplifier channels.
The BSS BLU806 digital signal processor made this complex system possible with its BLU link and Dante connectivity. With configurable architecture and intuitive drag-and-drop design, it features a low-latency 256-channel audio bus, combining high bandwidth and power with user-friendly design for efficient and reliable audio distribution.
All other audio is again delivered by the Brightsign media players in a mix of mono and stereo sources, outputted into the BSS BLU network. The BSS BLU network then delivers the audio to a range of spaces within the site via a series of Crown CDI BLU enabled amplifiers.
“The Crown CDI range of amplifiers offered the project the best value for the integrated audio network features and the most versatility utilising both the BSS BLU network and Dante audio together within one architecture.”
The key challenge was the complexity of the experience and the range of requirements – from a bone rattling haka performance to an intimate ‘locker room’ conversation. Toulouse installed 160 loudspeakers and 138 channels of audio amplification across this experience. Some amplification was located in the field, whilst other zones of the experience were rack mounted and integrated into the audio network.
Each zone within the experience had uniquely different audio and architectural requirements – to address this the amplifiers and loudspeakers were matched to the composers and designer’s wishes. Extensive testing was undertaken in the Toulouse Wellington workshop with sample source audio provided ahead of the installation in order to achieve this. Creative leads were engaged with the tweaking process to ensure the clarity and depth of the audio experience matched the vision.
Some design elements added complexity to the functionality of the audio design. The ‘Haka Room’ – where the audience are face to face with larger-than-life All Blacks projected on a four-metre-high screen performing the haka Ka Mate Ka Mate – called for a subsonic boom, amplifying and replicating the power of being in front of the All Blacks as they perform the haka on the pitch.
Loudspeakers were carefully selected and deployed to achieve this truly immersive and powerful effect. Amplification within the Haka zone is through a series of Crown CDI41200BL amplifiers delivering 1200 Watts to the centre, left, right and surround speakers, with bridged 2x 1200W to each of the subwoofer enclosures. For the loudest portions of the soundtrack, the amplifiers are maxed out on the fronts and subs – there is considerable audio being delivered into the small space, allowing the visitor to be fully surrounded in this audio experience.
“The finished product creates an immersive and highly emotive soundscape, delivered with crystal clear sound and high fidelity.”
“The Crown CDI range of amplifiers offered the project the best value for the integrated audio network features and the most versatility utilising both the BSS BLU network and Dante audio together within one architecture,” says Marc Simpson of Toulouse. “The audio power and reproduction from Crown enhanced the loudspeaker performance which were also ultimately selected with value and audio performance as key drivers.
“The networking capabilities of these products afforded the Toulouse team a high degree of flexibility and responsiveness during the installation process – creative decisions were made in-situ and Toulouse needed to match the client requirements with the technical capacity within a short time frame.”
The effectiveness of the specific product and the overall impact was noted by the client:
Phil McGowan, General Manager All Blacks Experience said: “Toulouse are a trusted critical partner for us at the All Blacks Experience and their work on the delivery of audio content within the experience has been exceptional. The finished product creates an immersive and highly emotive soundscape, delivered with crystal clear sound and high fidelity, which allows our visitors to not only hear the amazing soundtrack, but to feel it too!”
“The mighty Ka Mate haka from the All Blacks literally shakes our visitors to the bone – this kind of sound isn’t possible without reliable, professional audio equipment and a highly engaged, experienced technology partner like Toulouse who can bring their years of experience to bear to ensure the technology used is specified, installed and cared for correctly.”
BMW and HARMAN have enjoyed a close working relationship for almost 30 years. Harman Kardon speakers deliver immersive and high-fidelity audio on the road to millions of BMW sedan and SUV owners, making HARMAN’s technology as much a part of the BMW experience as the finely-tuned engines and German craftsmanship. For its 480-square meter showroom at the legendary Nürburgring Formula 1 motorsports complex, BMW wanted a versatile and easy-to-use audio-visual system with wireless control to ensure an unforgettable experience for every visitor. To meet these requirements, BMW and C-Line deployed a comprehensive selection of AMX, JBL Professional and Crown solutions.
“We wanted to deliver a perfect sound and video system, but we had to meet a really tight deadline,” said Thomas Langenegger, Project Manager, BMW M. “Complicating matters, we had to use the venue for different exhibits, each with their own audio-visual needs.”
BMW’s primary goal for the showroom’s system was to deliver audio and video content throughout the facility with ease and efficiency. AMX SVSI 2300 Series AVoIP encoders and decoders provide the needed processing power and user-friendliness, allowing staff to display signage, presentations, and race day video feeds at the touch of a button. AMX Modero touch panels allow users to control the displays on any of the nine video walls throughout the space and select live TV, Nürburgring TV or auxiliary inputs for presenters to showcase their own content. AMX Touch Panel Control apps give users the same level of control from wireless tablets and smartphones.
“Since the beginning of the project, we knew that we would install a reliable and rock-solid control system combined with SVSI networked AV from AMX,” said Christian Kraus, Account Manager, C-Line Mediensysteme. “AMX is our manufacturer of choice and we have done many successful installations over the years using their solutions.”
“We wanted to deliver a perfect sound and video system… using the venue for different exhibits, each with their own audio-visual needs.”
To accommodate the showroom’s limited size, C-Line selected JBL AC28/26 two-way loudspeakers and ASB6115 subwoofers for wide coverage and detailed sound while taking up minimal space. Because the showroom also has the ability to be divided into three separate audio zones divided by acoustic curtains, C-Line deployed JBL AWC82 and Control 67 P/T loudspeakers to provide distinct, independent audio in each area when needed. Crown CDi 4|600 and CDi 2|300 networked amplifiers, featuring easy monitoring and extensive control options, allow staff to program and adjust extremely low-latency audio throughout the facility. Langenegger reported overwhelmingly positive responses to the showroom’s audio and video components from visitors thus far, recognizing HARMAN and C-Line for their expertise and collaboration.
“HARMAN and BMW have a long partnership because their equipment works and their products are excellent. It met, if not exceeded, our requirements.”
“BMW is a hugely design-oriented company, so we wanted speakers that would be both sleek and unobtrusive,” added Langenegger. “The JBL speakers fit the bill, and the whole system works perfectly. HARMAN and BMW have a long partnership because their equipment works and their products are excellent. We didn’t have to think too hard about partnering with HARMAN, and in the end, we chose the best system for our needs. It met, if not exceeded, our requirements.”
New 3,500-capacity Swansea Arena forms a central part of the Copr Bay regeneration programme in the Welsh city—the crowning jewel within a 1.1-acre coastal park.
The Swansea Arena is the latest of Ambassador Theatre Group’s (ATG) 58 operator run venues. It has been equipped with a versatile JBL VTX A8 line array system, installed by Glantre Engineering following a competitive tender issued by main contractors, Buckingham Group Contracting Ltd. Consultant on the project was Neill Woodger Acoustics and Theatre Design. Glantre’s contract as system integrator was a turnkey, covering rigging, drapes, full AV (including IPTV) and lighting, as well as the audio component—not only in the main event rooms but also the meeting rooms.
However, the recommendation for JBL’s compact line array had come from ATG’s Head of Technical Operations, Stuart Graham, who had been involved in the project from the outset four years ago. “We were able to have some influence on the design and I was able to shape the technical requirement.”
He noted the transition to JBL after another premium system had originally been specified. “What had been proposed was a ‘safe’, medium sized system typically found in a theatre.
“But I wanted to challenge it [with this installation], I just didn’t want to keep going down the same route. This was our first UK arena and I thought we should reach and test new products. “There was a more ample budget available for the system’s design and implementation, and we wanted to focus on the scalability of the system and that it would work within every conceivable application. With that in mind, we opted for something tailored very much towards versatility and broader functionality.”
At the same time Stuart Graham was mindful that the venue had been designed not only as a multipurpose space, but with a modular auditorium, that would host a wide range of events—from theatre productions, comedy, conferences and exhibitions—some of them simultaneously. He envisaged it more than a place for different production companies to plug into, and worked closely alongside Neill Woodger to fulfil this.
It had been Woodger who had first directed Graham to Eastbourne’s Congress Theatre in order to demo the VTX A8, a venue where he and fellow consultant Sam Wise had overseen the successful JBL sound system installation in 2019. He had wanted to hear the system not only with Swansea in mind but also other venues requiring a comprehensive system.
Stuart Graham’s verdict on first hearing the system was unequivocal. “I absolutely loved the sound of the A8 and B18 sub, and was blown away by the quality of the box. They had much more grunt and as for the usability of the system … it was easy to put up and take down.”
Graham subsequently heard the system again on the touring version of Carole King’s Beautiful, before auditioning it thoroughly at the HQ of British and Ireland distributors, Sound Technology Ltd., in Hertfordshire. But he said it was hearing the system again on Beautiful—the Carole King Musical “that signed, sealed and delivered the deal.”
Neill Woodger was happy to sign-off on the JBL solution given the technical proposals supplied and his previous experience with JBL at Congress Theatre.
“I didn’t want to keep using the same ‘safe’ medium sized line array specifications originally proposed and typically found in a theatre. I had heard the JBL VTX A8 and wanted to specify it.”
In total 38 JBL VTX A8 have been rigged in their own flying frames at the Arena.
The set-up needed to be flexible as, thanks to a partition wall which closes the balcony, multiple events can be hosted simultaneously; for example, a banquet for 750 on the auditorium floor can be complemented by a seminar ongoing within the Circle, with no risk of interference or distraction. It was vital therefore that the sound system needed to be quicky reconfigurable and effective across the board.
The standard ‘full arena’ set-up is therefore two hangs each comprising 12 x A8 and 6 x B18 subs in cardioid configuration forming a conventional pros arch system. An additional 6 x B18 subs are available for ground-stacking as required. Two delay hangs each comprise of 5 x VTX A8 and 1 x VTX B18, plus four further VTX A8 as front fills, and a VTX M20 stage monitor package.
Powering the system are 15 Crown 4x3500HD amplifiers, while routing and processing is via BSS Soundweb BLU-806 and BLU-100.
The room can then be configured into conference mode, when the front rake goes in and the box angles change and reduce to eight a side; extra enclosures are then added to the delay arrays which are lowered and angled up slightly when the acoustic partition drops to divide the hall.
Matt Watt, Head of Sound Technology’s Application Team worked with ATG and Glantre on the design proposal and acoustic modelling.
“We modelled several alternative solutions before settling on the flexible A8 design.” commented Matt. “We were limited by the curtain as to where the speakers could be positioned, and the system still needed to work as delay for front of house and as the independent conference system. A8’s ease of rigging makes the reconfiguration of these areas possible as it’s so quick and easy!”
Glantre set up and optimised the entire system using JBL LAC (Line Array Calculator) and Performance Manager software, with BSS and amp config, working closely with Matt and Danny at Sound Technology’s Applications team, who were responsible for final commissioning. Glantre’s project manager and senior engineer, Tim Davies, explained, “There are a number of operating modes, both standing and seating and set up various presets as a base, with three or four different configurations.
“Essentially it’s a converged network and runs on the IT hardware, apart from the lighting.”
“A8’s ease of rigging makes the reconfiguration of these listening areas possible as it’s so quick and easy!”
In addition, Glantre dipped further into the Harman portfolio, specifying AMX video switchers to manage conference events and video distribution for 4K capability projection, as well as touch screen control in other areas, including the VIP lounge.
Keith Powles Technical and Building Manager of Swansea Arena, also added favourable comment. “Now that the arena is fully operational, I have had many different opportunities to use the system in various setups and configurations within the space
“The first thing that was apparent when using the system was just how flexible and intuitive it was for the user to set up, in a broad range of different scenarios—everything from conference, comedy all the way to large scale music events.
“Sonically the system has completely blown me away. The overall quality is outstanding and a particularly surprising element for me was just how well this system performs with spoken word style performances. The clarity and precision of vocals through the system is by far one of the best I have ever used. The system alongside the venue itself seems to be a perfect combination.“
In conclusion, Stuart Graham has no doubts about the wisdom of his preference for the JBL rig, particularly noting the speed of speaker reconfiguration during fast moving event changeovers. “JBL has a rich history and I know this was the right time and place for us to make a shift over to the brand. Longer term, once the reputation of the system comes more into play, we want to be able to offer the system competitively to certain size productions who don’t need all the investment of bringing equipment in.”
Ebbett is a household name for everything automotive in the Waikato region of New Zealand. The company has built its highly respected reputation since 1928 and now represents 20 vehicle brands across 17 dealerships throughout the North Island.
The proposed construction of the Union Square development in Hamilton’s CBD prompted Ebbett’s owners to consider relocating from their home of 93 years and create a brand-new purpose-built facility, incorporating its head office in the light industrial area of Te Rapa, northwest of central Hamilton.
The new centre of operations features numerous office and meeting spaces, a reception and board room – with one of the technical requirements being that this should be a ‘cable-free’ environment. Designed using modern architecture with a desire to create a relaxed customer focused environment for its clients, the headquarters shares the facility with Ebbett Volkswagen. The dealership facilities provide for a wide range of services incorporating a customer-focused showroom including classic car displays, large workshop, pre-sales and after-sales area and a customer lounging area.
In order to complement the world-class buying experience with exceptional audio quality and provide clear communications to staff across the large facility, a state-of-the-art AV system was required.
Audio and Visual specialist The Listening Post (Structured Technologies) were commissioned by Ebbett to supply and install a high quality AV system that included a ‘cable free’ board room, background music and paging systems providing an even coverage of sound throughout the premises.
JBL Professional commercial loudspeakers distributed throughout the premises provide a clear, high-fidelity performance.
“The installation is to an extremely high standard and their follow up service is second to none. We are enormously pleased with the overall quality and outcome.”
Karl Nation, Dealer principal says “We found the experience with Listening Post (Structured Technologies) and the Team to be very proactive in what they have done. The installation is to an extremely high standard and their follow up service is second to none. We are enormously pleased with the overall quality and outcome.”
Q-SYS Monitoring Plugin, BIM Objects & 2D/3D Drawings for DCi & I-Tech HD Amps
JPRO is pleased to announce that HARMAN Professional has expanded the value of the Crown DCi and I-Tech HD platform for system integration with the addition of QSC Q-Sys monitoring plugins, allowing designers to fully integrate Crown’s flagship devices into their modern workflow.
The update includes a new QSC Q-SYS plugin, new BIM objects and updated 2D/3D drawings. Crown DCi and I-Tech amplifiers are designed and manufactured to the industry’s highest quality standards and provide system integrators with the advanced features and flexibility required for challenging installed sound applications.
The new plugin allows systems powered by DCi and I-Tech HD series amplifiers to fully integrate into QSC Q-Sys solutions and provides high-level access to critical parameters for real-time monitoring and system supervision.
NOTE: The existing HARMAN HiQnet Audio Architect software and JBL Performance Manager software applications are required for system configuration.
UPDATE 2: NEW BIM OBJECTS, 2D & 3D DRAWINGS
The new BIM (Building Information Modelling) files enable architects, building engineers, and system designers to represent Crown amplifiers and many of their attributes in Revit models. New BIM models are now available for all DCi and I-Tech-HD models, enabling accurate project visualisation and data modelling.
Additionally, updated 2D and 3D CAD models are now available for inclusion in other popular CAD software like AutoCAD, Sketchup, Vectorworks, etc.
The new BIM models can be downloaded from the Downloads/Software section of any Crown DCi or I-Tech HD amplifier product detail page.
Massey University’s heritage listed Sir Geoffrey Peren Building, recently underwent a three year $17 million renovation which has brought back to life many of the building’s original features and provided seismic strengthening. The NZ Institute of Architects Heritage Award winning multipurpose venue features the Central Auditorium, a key space which has been restored to its original elegant form and now a grand function room filled with natural light and is an ideal space for events.
The University specified an audio system that would predominantly be used for speech, with occasional musical performance. The system not only had to be versatile but easy to use, meet the aesthetic requirements in keeping with the elegant building status and of come within budget.
ML Consultants were appointed to supply and install a world class sound system and worked with JPRO’s audio team to design a system that would cover all of the customer requirements.
A Soundweb BSS BLU-100 audio processor with BSS Contrio Ethernet EC-8BV wall controller was installed to control the conference events, with the wall controller also controlling the functioning of the projector. The system processor was programmed and commissioned by ProVision Technologies.
Callum from Provision says, “The BSS Soundweb range of processors offer great value for money, and high reliability. When I install BSS Audio in a venue I know it will give many years of trouble free service. This is backed up by the great service of the team at JPRO.”
AKG WMS470 cost-effective handheld and presenter diversity wireless microphone systems were supplied. The WMS470 systems provide excellent value and professional reliability, with the ability to group operating frequencies and minimise external interference. The Presenter systems come complete with a headset and lapel microphone allowing the customer an option to choose their preferred microphone type.
“The BSS Soundweb range of processors offer great value for money, and high reliability. When I install a Soundweb in a venue I know it will give many years of trouble free service.”
Two JBL CBT-70J column array speakers and CBT70-JE extension speakers were installed for FOH with JBL Control25AV speakers installed for delays and balcony speakers. As JBL CBT column arrays are designed to perform without additional audio signal processing, Crown XTi series amplifiers power the loudspeakers.
JPRO’s audio designer comments “The ease model showed less than 3dB variation of volume throughout the venue for speech. This model was backed up once installed as the sound throughout the venue is extremely consistent at every listening position. It is what I like to call a good day at the office!”
For musical performances, two JBL PRX715XLF powered subwoofers were installed for when extra Low Frequencies are required.
“The Soundcraft digital consoles are the easiest to use digital consoles on the market; this is perfect for a venue where the console could be used by multiple users with varying levels of ability”
A Soundcraft Si Impact digital mixing console was selected for its simplicity. The Si Impact offers the unique FaderGlow system for an easy-to-follow workflow. “The Soundcraft digital consoles are the easiest to use digital consoles on the market,” says JPRO. “This is perfect for a venue where the console could be used by multiple users with varying levels of ability”.
To make set up easy for the venue technician a BSSBLU-SI card was installed into the console. This provides flexibility for when a production is performed in the venue and the Si-Impact is in use, the system can be switched over to the local inputs at the console. Further expandability is achieved with a Madi Controlled MSB-16 Channel Digital Stagebox, mounted in the Auditorium next to the stage area and run via CAT5.
“We are incredibly pleased with the audio system that has been expertly installed in the Sir Geoffrey Peren Building,” says a spokesperson for Massey University. “The audio fidelity is quite impressive – we are able to hear all around the room and balcony without the sound being too loud.”
Situated in the picturesque New Zealand town of Queenstown and near to its famous outdoor sporting and tourist locations, the newly built Wakatipu High School has breathtaking views of the Remarkables mountain range and Southern Alps.
Wakatipu High is one of several Kiwi schools that are embracing OECD Innovative Learning Environment principles, with flexible learning spaces and open plan learning environments, all of which encourage collaborative educational methods. The way teachers and learners engage with each other has changed significantly, which has led to changes in the way schools are designed. As a result, many new school building projects are designed with this method in mind, while older schools are being renovated to accomplish the same philosophy.
Built in a public-private partnership, the relocated state-of-the-art school was built to designing quality learning spaces (DQLS) guidelines, ensuring good lighting, acoustics and ventilation, and to meet a high standard of technology. Wakatipu has a strong focus on arts, indoor and outdoor sports and boasts facilities like a performing arts theatre, gymnasium, a café, aerobics room, dance and music recording studio.
The high technology requirement meant partnering with experts in audio and visual system integration. Leading AV integration company Strawberry Sound provided a HARMAN Professional school integration solution. JPRO NZ, one of New Zealand’s foremost specialists in Sound System design and supplier of HARMAN Professional audio equipment, was called upon because of their audio and product knowledge base, extensive support and ability to provide a unique approach to AV solutions.
The school’s intercom paging system and the sound systems for the gymnasium and auditorium run over fibre ties with Dante distribution between zones, providing a Layer 3 backbone. Audio processing is done with the open architecture platform BSS Soundweb Audio Architect. This design element creates a completely customisable platform for the end-client with an audio and paging system tailored specifically for their needs.
“Due to the open architecture platform, we can add customised panel settings via iPad for the paging system if required”
Future proofing was taken into consideration with the paging and PABX system that has been programmed to offer an all-page or individual-page zones. “Due to the open architecture platform, we can add customised panel settings via iPad for the paging system if required” adds Reuben Pearce of Strawberry. “The PABX has the ability to dial into the BSS BLU-103 if needed, and page school-wide through the headset.”
Audio processing and distribution is done primarily with BSS BLU-103 and BLU-100 signal processors and audio distributed throughout the school with JBL Control series and JBL CSS8006BM commercial series speakers.
“We encountered a challenge ensuring the Dante clocks synced over Layer 3,” comments JPRO NZ’s technical specialists when talking about the audio distribution via Dante. “This was ultimately achieved with the BSS BLU-DAN that adds Dante to the BSS network and has proven to be extremely solid and reliable.”
The music, dance and drama suites are purposeful, with three soundproof rooms available. A music recording studio and dance studio overlook the impressive cultural and performing arts auditorium that features a solid sound reinforcement system with JBL SRX812P powered 12” loudspeakers flown in a left-centre-right configuration. JBL SRX818SP subwoofers are flown using a customised rigging frame and take care of the lower bass frequencies.
“We are extremely satisfied with the way the SRX series is able to handle varying content, providing consistent and even distribution in the room,” adds Ryan Dougherty from Strawberry Sound. Audio is kept within the digital domain with a Soundcraft Si Impact Digital Mixer at FOH, MSB-16i Digital Stage Box with time-alignment and processing via BSS BLU-100.
“Good quality speakers mean better coverage at a lower volume, often with less speakers due to the efficiency of its coverage in a professional audio design. This in turn has a positive impact on teachers and pupils as they are not mentally fatigued due to poor sound and acoustics.”
With school’s embracing technology from an educational perspective, the importance of using good quality audio visual equipment and loudspeakers is critical. “Good quality speakers mean better coverage at a lower volume, often with less speakers due to the efficiency of its coverage in a professional audio design” says JPRO’s audio experts. “This in turn has a positive impact on teachers and pupils as they are not mentally fatigued due to poor sound and acoustics.”
Building project manager Blair Grier says that Wakatipu High has the best acoustic system he has installed in his 28 years in the industry.
When asked what some of his favourite features of the school were, principal Steve Hall says “The Arts Department with its new dance rehearsal rooms and a recording studio – and the Arts Theatre that can seat up to 600 people, which would be used ‘heaps’!”
The Christchurch Justice and Emergency Services Precinct was the first major government building to be built in Christchurch after a series of devastating earthquakes destroyed the city centre in 2011.
Completed in late 2017, the Precinct was purpose-built with an emphasis on collaboration, bringing together all regional justice and emergency services. The precinct is home to the Ministry of Justice, New Zealand Police, Department of Corrections, St John Ambulance, Fire and Emergency, Civil Defence and Emergency Management services. The Justice Building houses 19 courtrooms and associated court and legal functions.
Due to the critical nature of the services rendered by the agencies in the Precinct, reliable specially configured loudspeakers and microphones are needed to reproduce high quality audio.
Leading audio visual systems integrator and supplier of courtroom and chamber technologies, Vega Global (formerly Kodum), were contracted to design, supply and install robust cutting edge audio and visual systems within the Justice and Emergency Services Precinct.
“It was essential the audio visual systems would work within the complex IT infrastructure of the Justice and Emergency Services Precinct. They are excellent.”
“During the design and construction phase it was essential the audio visual systems would work within the complex IT infrastructure of the Justice and Emergency Services Precinct,” says James Thompson, Civil Defence New Zealand. “The systems are excellent. Kodum were key partners in establishing our audio visual needs and have walked with us every step of the way. Post commissioning they have been readily available to help with fine tuning the system.”
We tried our hand at a number of products before relying on JBL Professional for our audio solutions.
WHANGAREI, AUCKLAND, NEW ZEALAND. AV and ICT integration company Skopik has selected JBL Professional Screen Array loudspeakers and Crown amplification for a private 24-person 4K cinema at The Palms Lifestyle Village.
Newly built lifestyle village The Palms required a private 24-person 4K cinema that could be controlled via a user-friendly control system that staff and residents could use with ease.
AV and ICT integration company Skopik were commissioned by The Palms management after viewing and experiencing another cinema installation by Skopik. “When our team visited a previous site, we were immediately impressed by the fidelity of the technical equipment and quality of workmanship conducted by the Skopik team” comments Daniel Skelton, Manager at The Palms Lifestyle Village.
Skopik was able to transform an empty shell, into a tiered, fully automated cinema with a JBL 11.1 channel surround sound system.
The company handled acoustic panelling, seating layout, projection calculations, lighting design and audio ease mapping to provide The Palms with a premium cinematic experience.
As a result of their expert knowledge in professional audio and video solutions in NZ, with a large inventory of industry-leading AV equipment, JBL Professional and Crown Audio distributor JPRO was chosen to partner with Skopik on the initial audio design and specification phase of the Cinema.
“JBL’s legacy of innovation in professional and cinematic audio combined with the product offering and audio fidelity is far superior to our other first-hand experiences.”
“We tried our hand at several products before relying on JBL Professional for our cinema solutions. We knew that this project would have a premium result.”
“We tried our hand at a number of products before relying on JBL Professional for our audio solutions,” says Skopik AV Manager Jeff Sundrum. “JBL’s legacy of innovation in professional and cinematic audio combined with the product offering and audio fidelity is far superior to our other first-hand experiences. We knew that this project would have a premium result.”
Nestled in Henderson Valley in Western Auckland, Whoa! Studios is a state-of-the-art film studio and theatre specialising in live action, puppetry and miniatures. Its flagship offering is an original, world class, live show based on the characters and sets of Custard’s World – adapted for stage from a script by Bob Baker, BAFTA award winning screenwriter of Wallace & Gromit.
Whoa’s owner David Sutherland wanted to create an exciting family destination in Auckland with unforgettable live experiences. He says “It started out as an idea to do something fun for children and for families, to do something that was different to what they had engaged with before. We wanted to try and do something that was magical.”
David’s vision has resulted in a world class facility with a children’s adventure playground, a modern family restaurant and hi-tech studio and theatre facilities. In order to realise this vision and create a truly immersive experience alongside the mix of puppets, digital effects and live action from within the main stage movie set, leading world class AV technologies were needed.
World Class meant that one of New Zealand’s top integration companies, ITAV was called upon to knit together this immersive experience that would create lasting memories. Their brief was clear: sound quality, flexibility and ease of use.
Consultant and ITAV Integrator Paul Ivory had no doubts when it came to selecting his team that would partner on this project. Paul declares “I called on the best of the best in all different aspects of this project.”
Leading AV equipment supplier and specialists in Sound System and Video Distribution design JPRO were selected because of their far-reaching support, emphasis on relationship, as well as audio and product knowledge base.
AMX specialist Quentin White designed the video and switching distribution system. Projector mapping was suggested in conjunction with specialist lighting to create themes for the shows. AMX touch panels control scene changes, projectors and video monitors. This resulted in a unique part of the delivery and a main component now written into all live shows.
JPRO Sales Director and Audio Designer Paul Edlin designed the fully integrated networked audio system for the theatre and restaurant. BSS Soundweb and Soundcraft Vi3000 are an integral part of the audio distribution and essentially, the heart of the theatre system.
AMX touch panels control scene changes, projectors and video monitors. This resulted in a unique part of the delivery and a main component now written into all live shows.
The primary objective was to keep as much of the Audio Signal in the digital domain as possible. Audio was passed in and out of the Vi3000 via Dante, into the BSS BLU-806 signal processor before reaching the Crown DCi Amplifiers that powered the JBL CBT-70J Array speakers and eight Zones such as the Green Room and back of stage.
Audio outputs for the live film studio and theatre were configured in 7.1 and 5.1 respectively. This was not only for a surround sound effect, but for localised sources as puppets came in from different locations around the room.
For the theatre, the first choice of speakers for Paul Ivory was always going to be the JBL CBT 70’s. “They are great for speech and music” he says, “the array of the speakers is perfect for having clear sound for the front and back end of the room; there was nothing else that came close to that decision.”
The new AKG MicroLite HC81 headworn microphones were selected as they are comfortable and lightweight to wear for the actors while the AKG wireless microphone technology used has a track record of solid reliability.
Through clever configuration and use of the Soundcraft VISI App, from an operator’s point of view the Soundcraft Vi3000 mixing console provided the central control point for all performance areas.
Paul Edlin from JPRO explains the use of the VISI integration: “Vi3000 controls all the actors and playback audio within the main theatre and on the second layer it controls audio in the second theatre.” This resulted in a cost saving of an additional mixing surface. Paul continues, “So the main theatre can be running a show and the second theatre can simultaneously run another show with audio controlled via the VISI iPad App.”
“You can walk throughout the cafe, into the parent’s area, toilets, the shop into the entrance way and the sound is all even, it is not overbearing in any area”
The approach to the AV design for the restaurant and mezzanine areas is equally as ingenious, with exceptional sound quality produced by the unobtrusive JBL Pendant speakers.
“You can walk throughout the café, into the parent’s area, toilets, the shop into the entrance way and the sound is all even, it is not overbearing in any area” states ITAV’s Paul Ivory.
All AV technologies such as switching on projectors and lowering screens, operating lights and adjusting volume are controlled on a touch panel system via an automated process. Third party systems control is made simple and easy to execute with Audio Architect and AMX seamlessly integrating together.
Through effective communication, simplistic AV and sound system design and leading World Class products from Harman Professional, the teams from ITAV and JPRO were able to put together a solution that will provide simplistic user operation for staff, and unforgettable live experiences for families.
David Sutherland concludes “We wanted to exceed expectations. I didn’t think it would be as good as this result – and that makes it all worthwhile.”
Newmarket, Auckland New Zealand: New Zealand’s largest mall, Westfield Newmarket, recently underwent a complete redevelopment to incorporate Westfield Broadway 277 and 309 to form a new benchmark as a world-class retail and lifestyle destination.
The new mall consists of over 200 specialty stores, gymnasium, 6 screen cinema complex and a new rooftop lifestyle, dining and entertainment precinct.
To fulfil the developer’s requirement of a premium shopping experience, a high-quality multi-zone audio system was needed to provide an even distribution of background and foreground music with multi-level zone capability.
To ensure the project was completed on time with superior audio quality throughout the complex, Westfield Newmarket hired Oceanic Communications Limited (OCL) to install the audio system.
JBL Professional’s range of installed audio solutions were selected as the loudspeakers were able to meet the stringent specifications for audio quality, volume and STI readings as well as aesthetic requirement.
OCL outfitted the redeveloped Westfield Newmarket with a Dante enabled networked audio system that included JBL Professional loudspeakers, BSS Audio Processing, Atterotech I/O endpoints, AKG paging microphones and Crown CDI installed audio amplifiers. System design and equipment was provided by leading NZ distributor JPRO.
“We were comfortable providing a design with STI readings as JBL manufacture a variety of loudspeakers that are purpose-built for their application”
“Professional speakers provide better audio coverage at a lower volume, which works favourably for a customer as less speakers are needed.”
“We were comfortable providing a design with STI readings as JBL manufacture a variety of loudspeakers that are purpose-built for their application” says JPRO’s audio design team. “Professional quality speakers provide better audio coverage at a lower volume, and this in turn works favourably for our customer as less speakers are needed due to the efficiency of the loudspeaker and accuracy of the predictions in a system design.”
“The audio coverage and quality for this scale of project is exceptional,” says a spokesperson for OCL. “The integration and usage of Dante in the system, along with the Atterotech wall plates are really creative. The range of JBL speakers work seamlessly together, and the JBL CBT-70 with the Control82M landscape speakers create a very full and extremely clear sound in the rooftop and entertainment precinct. We appreciate the extra effort into making it easy to monitor and control over 40 zones from the main server room – we are truly pleased with the overall outcome.”
“A system of this nature is a significant investment, with performances 6 days a week, the selected system would need to work day-in and day-out”
Auckland, New Zealand. The Stardome Observatory and Planetarium in Auckland’s One Tree Hill Domain recently upgraded its Cinema and Live Performance System with a 5.1 surround multi-purpose high-performance JBL AE Series sound system.
The new system was specified and installed by AV Integration company Avid Automation after they were called upon by the Auckland Observatory and Stardome team to provide a state-of-the-art sound system for the planetarium theatre.
Stardome opened to the public in 1967 as an observatory, while New Zealand’s largest planetarium theatre was added in 1997. The 360-degree panoramic theatre allows for a complete immersive experience with a full-dome concave screen on which 360-degree films are projected with laser projectors, IMAX model angled seating and the brand new JBL Professional AE series surround sound system.
“A system of this nature is a significant investment,” says Darian Sundar, Director at Avid Automation. “The venue is open to the public with performances 6 days a week, requiring the selected system to work day-in and day-out – so for Stardome and Avid Automation, localised support, reliability and versatility was key in our decision making.”
Leading specialists in sound system design and JBL distributor JPRO were chosen to assist with the supply and commissioning because of their product knowledge base and approach to the system design.
Darian Sundar continues “The primary use of the system would be to provide an immersive 5.1 cinema experience, but the theatre also doubles as a live performance venue for small bands and events – everything from strings to electronica. So, whilst having to offer an accurate cinematic experience the system would need to be capable of handling larger SPL to accommodate live performances.”
JPRO Sales Director Paul Edlin and his audio design team specified JBL AE Series loudspeakers for the theatre. “JBL have an extensive range of purpose-built products that are manufactured in-house. The AE series are specifically manufactured for theatrical sound design and performing arts facilities, so we knew that they would suit the scope of this project perfectly.”
“The HARMAN Professional range of products and JPRO were the only choice for us and our client to achieve all the objectives with minimal downtime. It is not only about the product; it is also about the knowledge pool that you tap into and the service you get.”
To fit in with the demanding schedule of the Stardome and minimise down time, the Avid Automation team were given two days to remove the old infrastructure and install the new system. Knowing that this would not be enough time AVID implemented all the new system cable infrastructure ahead of time after evening show times.
“We needed to be ready for business as usual Tuesday morning,” says Darian. “To achieve this the entire sound and control systems were built off-site at the Avid workshop. We essentially torture tested the system through multiple configuration modes such as it would be used in real day-to-day use – this is the only way we could be confident that any programming issues where found and resolved. The ability to plot all JBL speakers in a 3D model of the Stardome gave us the confidence that we knew it would work 100 percent. The translation into a real-life installation was incredibly accurate with very little tweaking necessary, saving us heaps of time.”
Due to the shape of the venue, all brackets and flyware were custom-built and physically attached to the exterior of the Stardome structure. The surround system comprises of 2x JBL AM7215-95 High Power 2-Way Loudspeakers for Left and Right, while a JBL AM7215-26 with a 120° x 60° rotatable waveguide provide accurate audio for the critical centre channel.
JBL AC18/95 compact 2-way loudspeakers were selected for the surround channels as their enclosure design allows for installation very close to the ceiling, providing a smooth, natural immersive audio experience throughout the intended listening area.
Three JBL VTX-B18 single 18″ high performance subwoofers provide a solid bass foundation for a ground-shaking experience.
“The cardioid sub array configuration is simply magic and is an integral part of the system design,” enthuses Darian. “It allows the performance volume of the bass to be focused into the room without sub-bass spill into the foyer and office areas.”
“The cardioid sub array configuration is simply magic and is an integral part of the system design.”
Amplification and system management is achieved with two Crown DriveCore CDI41200BL power amplifiers. “That allowed for an impressive mix of high-performance and ease of use. Taking full advantage of the preloaded JBL Speaker tunings allowed us to get the best performance not only out of the speakers but the amplifiers as well.
Additional audio system processing, including Dante distribution and interfacing with the venues fire evacuation system was achieved with a BSS BLU-806 signal processor.
The Stardome system is used on heavy rotation daily by various Stardome operators, including volunteers. It was essential that a user-friendly operating system was implemented that could be understood and operated by all. Avid Automation designed a custom touch panel interface known as ‘TP Mode’ that could be used to operate the system via the touch panel or switch the system over to ‘Console Mode’ where the Soundcraft Si Performer digital mixer with Dante card and MSB16 stage box was the main controller for live performance events.
The interface was designed in collaboration with the client to ensure it was easy and intuitive to use. Specific ‘dark mode’ colour palates were chosen to not only minimise light pollution within the observatory during shows but to also tie in with the Soundcraft Fader Glow colour coded layers of the Si Performer for continuity.
Darian Sundar concludes: “The HARMAN Professional range of products and JPRO were the only choice for us and our client to achieve all the objectives with minimal downtime. It is not only about the product; it is also about the knowledge pool that you tap into and the service you get and with this in mind everyone one benefitted.”
Mount Maunganui, Tauranga, New Zealand: Literally the world’s first festival of 2019 saw over 30-thousand festival goers brave the hot summer sun at Mount Maunganui to enjoy world class music entertainment.
Local and International artists including Peking Duk, Sticky Fingers, London Elektricity, Shapeshifter, Ladi6, Tash Sultana and rapping superstar Cardi B formed part of the line-up.
In only four years, Bay Dreams has fast become one of New Zealand’s best summer festivals. The event began in 2016 with 5,000 attendees to over 30,000 in 2019 for the North Island event. A second South Island location has now been added to the itinerary in the city of Nelson.
NZ Sound Reinforcement, a full-service production company deployed a stunning JBL Professional audio solution for the second stage with a combined audio output of 500,000 watts RMS that included the innovative JBL VTX A12 and new VTX A8 line array elements.
Having recently become part of the JBL VTX A-series family in New Zealand, NZ Sound owners Ray and Brenda Ward are exceedingly happy. “We are blown away; Bay Dreams was pretty epic. The JBL VTX A12 and A8 systems have performed even beyond our expectations – they sound amazing. JBL certainly helped the artists to put on some of their best performances and the crowd loved it,” says Brenda Ward.
Ray Ward adds: “The new JBL VTX A-Series systems have provided an amazing experience for all involved, from the artists to the spectators. The systems have shown impressive coverage outdoors, providing a very smooth and natural top-end. We look forward to providing incredible sound for the summer festivals and international artists making their way to New Zealand in the coming months. We thank organisers Pato Alvarez and Mitch Lowe for putting on another sold-out masterpiece.”
“JBL VTX A12 and A8 Line Arrays certainly helped the artists to put on some of their best performances and the crowd loved it.”
NZ Sound deployed a complete JBL Professional audio system featuring 24 VTX A12 line array loudspeakers on the main hang and 18 of the all-new smaller format VTX A8 line array loudspeakers on side hangs. Due to the nature of the performances, 24 ground shaking VTX G28 subwoofers provided tight, powerful bass coverage. Infills comprised of 8 VTX F12 12” biamplified loudspeakers.
Stage monitoring was equally impressive, allowing for exceptional audio for all performers with 16 JBL VTX M20 dual 10” and 4 VTX M22 dual 12” tour monitors for DJ and drum wedges. 2 VT4883 subwoofers took care of the drum subs with side-fills consisting of 2 VTX F35 dual 15” 3-way enclosures and 2 G28 subs.
All amplification was provided by Crown V-Racks with Crown iTech 3500 amplifiers, totalling in excess of 500,000 watts of sound power. Audio System management and control were handled through JBL HiQnet Performance Manager software and system set-up made easy with JBL’s Line Array Calculator.
“This is easily the most impressive event we have ever put together, I am ecstatic.”
“Performance Manager and Line Array Calculator has helped save time and energy as we were able to pre-configure settings and system alignment before the event,” says Tim Robertson from local JBL distributor JPRO, who provided technical support and system design for the event. “System predictions have been very accurate and minor tweaks were needed once the system was loaded in and set up.”
NZ Sound is set to bring exceptional audio coverage to the Summer Festivals and international artists such as Bryan Adams, Toto and UB40 who are making their way to New Zealand in the coming months.
At the time of writing, with the new Bay Dreams location on his mind, organiser Mitch Lowe can hardly contain himself. “This is easily the most impressive event we have ever put together, I am ecstatic. Its off to Nelson we go!”
HARMAN Professional have announced that warranties for all Crown Products have been extended to six years for items purchased between 1/1/20–12/31/20
Artists, producers, sound engineers and systems integrators rely on Crown amplifiers to deliver clean, stable power every day. We stand by the quality and workmanship of our award-winning products and back them with some of the best warranties in the business.
Now, we’re making the deal even sweeter: For a limited time, when customers purchase any Crown product, we’ll extend their warranty to six years—for free. That’s a one-year extension on five-year warranties, a three-year extension on three-year warranties, and an incredible five-year extension on our one-year warranties.
We think your customers will be thrilled to learn that they can now enjoy unprecedented power, performance—and even greater peace of mind.
Offer valid for new products purchased January 1, 2020 through December 31, 2020. Not valid in Brazil, Russia, India or China.
The first dedicated JBL branded cinema amplifiers offer high power output, cutting-edge DSP and versatile networking options with Dante/AES67 and ATMOS compatibility.
JBL Professional have announced new JBL DSi 2.0 Series cinema amplifiers, offering class-leading power output, state-of-the-art DSP and advanced networking capabilities for the entire range of JBL cinema loudspeakers
The DSi 2.0 amplifier family, JBL’s first line of dedicated cinema amplifiers, builds on Crown’s DSI Digital Screen Array amplifier technology and integrates best-in-class CDi DriveCore DSP to deliver potent, cost-effective amplification and audio networking capabilities for JBL’s entire range of cinema loudspeakers. Choose from three power configurations, available in analogue and analogue-plus-digital “D” versions featuring Dante/AES67 connectivity. The “D” models allow direct and simple interface with Dolby ATMOS Connect and AES67 / Dante compatible devices without the need for additional processors.
“As cinema audio systems continue to grow larger and more complex with 5.1, 7.1 and immersive audio formats, venue owners require more efficient ways of powering, controlling and managing networked audio systems,” said Karam Kaul, Vice President of Audio, HARMAN Professional Solutions. “The JBL DSi 2.0 Series combines cutting-edge technology from Crown DSi and CDi Series amps with a new high-output design for superior sound quality. Cinema managers and integrators looking to maximize their power investment and future-proof their systems can count on the DSi 2.0 Series to deliver robust, reliable performance in a compact and cost-efficient package.”
DSi 2.0 Series amplifiers provide four channels of clean, efficient amplification with bridgeable outputs in a compact 2RU footprint, and are efficiently PowerMatched for JBL Cinema loudspeakers to deliver greater power density in the same rack space. DSi 2.0 Series amps can power up to four JBL surround speakers with a single channel in high-power-density 2Ω mode, which both speeds deployment and makes DSi 2.0 a cost-efficient solution since less amps are required to power a cinema audio system.
With class-leading 96 kHz/32-bit floating-point DSP, DSi 2.0 Series amplifiers offer an array of versatile signal processors, including parametric EQ, FIR processing, LevelMAX™ limiting and more. Crown’s proprietary DriveCore technology eliminates hundreds of components within each DSi Series amplifier, reducing the variability of component values to deliver greater efficiency, reliability and performance. Built-in presets for JBL cinema speaker tunings manage voltage levels, crossover settings and more, maximising system efficiency and optimising audio fidelity.
Analogue-plus-digital DSi 2.0 Series amplifiers offer AES67 connectivity, which enables networked audio distribution from any AES67 or DANTE-compatible device and direct interfacing with Dolby ATMOS Connect without the need for additional processing hardware, further simplifying system configuration while also presenting significant cost efficiencies.
Dual network audio ports allow for primary and secondary networks configured as switched (daisy chain) or redundant (star) topologies. Analogue-plus-digital DSi 2.0 Series amps also feature SNMP (Simple Network Management Protocol) connectivity for interfacing with third-party theatre-management systems and Cinema Control (NOC) systems for remote status and fault monitoring. A HiQnet port provides access to HARMAN Audio Architect software, for controlling, configuring and monitoring amplifier operation through a standard TCP/IQ network.
JBL DSi 2.0 Series Cinema Amplifiers complements the range of JBL Professional cinema solutions available including the new JBL CPi2000 Cinema Processor and JBL 200 Series Compact Cinema Loudspeakers.
Models
The DSi 2.0 Series consists of six amplifier models, ideal for cinemas, theatres and premium large-format rooms.
All models are optimised for 4 ohm and 2 ohm loads both in stereo and bridged modes.
Availability
JBL Professional Cinema products are supported and distributed in NZ by JPRO.
JBL DSi 2.0 Series cinema amplifiers are now available through special order. Should you require any assistance and design support regarding your cinema project, please make use of the contact button below.
The Old Elephant House was once home to Auckland Zoo’s elephants, today it is an iconic multi-purpose restaurant in a relaxed environment. The historical house, built in 1922, features new interiors with the restaurant suited to host a variety of events including seated dinners, wedding receptions and cocktail parties – inside as well as outside in a courtyard bar.
AV and ICT integration company Skopik was commissioned to design and install an easy-to-use multi-zone audio system to cater for the needs of the venue.
“The brief was simple,” says Jeff Sundrum, AV Service & Installations Manager at Skopik. “Our client required a high-fidelity audio solution for a number of areas at the Old Elephant House, which could be used by any staff member. We selected the JBL Control Contractor series and all-weather outdoor speakers as JBL have a broad range of products to choose from and the audio quality and coverage is pristine. This ensured that the best type of speaker was utilised in each location.”
“JBL Control Contractor and all-weather outdoor speakers have a broad range of products to choose from and the audio quality and coverage is pristine.”
Several JBL Control 25-1 two-way 5-inch compact wall-mount speakers were selected for their sonic characteristic and contemporary design that complemented the new interiors of the Old Elephant House. JBL Control 14CT two-way 4-inch ceiling speakers allowed for seamless coverage in more difficult to reach spaces, while JBL AWC 62 compact all-weather loudspeakers were installed in the outdoor sections of the venue.
With specification assistance by JPRO, Skopik was able to design and install a system where staff could utilise an iPad to control sources and audio levels in all 4 zones.
“The CDi4300 internal DSP and speaker presets meant that we did not have to rely on any external DSP, which simplified the installation process.”
“We simplified the installation process with a 4-channel Crown Drivecore CDi4300 amplifier, which gave us sufficient zones to work with,” adds Jeff Sundrum, “The CDi4300 speaker presets and internal DSP for JBL loudspeakers meant that we did not have to rely on any external DSP. Some basic programming on the Motion Control app allowed us to provide staff with a clean and simple-to-use interface to manage audio sources and volume in all four zones. Our client is enormously happy with the outcome.”
“JBL Control Contractor series has a profound heritage and is the industry leader for commercial speakers offering a massive variety of loudspeakers for any application,” says Eli Murray, AVC Sales at JPRO. “We are proud to be part of this project – Skopik has provided an amazing solution in this tranquil space.”
